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E-raamat: Multimodal Literacies and Emerging Genres

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A students avatar navigates a virtual world and communicates the desires, emotions, and fears of its creator. Yet, how can her writing instructor interpret this form

of meaningmaking?

Today, multiple modes of communication and information technology are challenging pedagogies in composition and across the disciplines. Writing instructors grapple with incorporating new forms into their curriculums and relating them to established literary practices. Administrators confront the application of new technologies to the restructuring of courses and the classroom itself.

Multimodal Literacies and Emerging Genres examines the possibilities, challenges, and realities of mutimodal composition as an effective means of communication. The chapters view the ways that writing instructors and their students are exploring the spaces where communication occurs, while also asking \u201cwhat else is possible.\u201d The genres of film, audio, photography, graphics, speeches, storyboards, PowerPoint presentations, virtual environments, written works, and others are investigated to discern both their capabilities and limitations. The contributors highlight the responsibility of instructors to guide students in the consideration of their audience and ethical responsibility, while also maintaining the ability to \u201cspeak well.\u201d Additionally, they focus on the need for programmatic changes and a shift in institutional philosophy to close a possible \u201cdigital divide\u201d and remain relevant in digital and global economies.

Embracing and advancing multimodal communication is essential to both higher education and students. The contributors therefore call for the examination of how writing programs, faculty, and administrators are responding to change, and how the many purposes writing serves can effectively converge within composition curricula.
Acknowledgments ix
Introduction. "What Else Is Possible": Multimodal Composing and Genre in the Teaching of Writing 1(14)
Tracey Bowen
Carl Whithaus
PART I Multimodal Pedagogies That Inspire Hybrid Genres
Chapter 1 Genre and Transfer in a Multimodal Composition Class
15(22)
Cheryl E. Ball
Tia Scoffield Bowen
Tyrell Brent Fenn
Chapter 2 Back to the Future? The Pedagogical Promise of the (Multimedia) Essay
37(36)
Erik Ellis
Chapter 3 Including, but Not Limited to, the Digital: Composing Multimedia Texts
73(17)
Jody Shipka
Chapter 4 Something Old, Something New: Integrating Presentation Software into the "Writing" Course
90(21)
Susan M. Katz
Lee Odell
Chapter 5 Thinking outside the Text Box: 3-D Interactive, Multimodal Literacy in a College Writing Class
111(32)
Jerome Bump
PART II Multimodal Literacies and Pedagogical Choices
Chapter 6 Invention, Ethos, and New Media in the Rhetoric Classroom: The Storyboard as Exemplary Genre
143(21)
Nathaniel I. Cordova
Chapter 7 Multimodal Composing, Appropriation, Remediation, and Reflection: Writing, Literature, and Media
164(19)
Donna Reiss
Art Young
Chapter 8 Writing, Visualizing, and Research Reports
183(21)
Penny Kinnear
Chapter 9 Multimodality, Memory, and Evidence: How the Treasure House of Rhetoric Is Being Digitally Renovated
204(21)
Julia Romberger
PART III The Changing Structures of Composition Programs
Chapter 10 Student Mastery in Metamodal Learning Environments: Moving beyond Multimodal Literacy
225(23)
Mary Leigh Morbey
Carolyn Steele
Chapter 11 Multivalent Composition and the Reinvention of Expertise
248(34)
Tarez Samra Graban
Colin Charlton
Jonikka Charlton
Chapter 12 Going Multimodal: Programmatic, Curricular, and Classroom Change
282(31)
Chanon Adsanatham
Phill Alexander
Kerrie Carsey
Abby Dubisar
Wioleta Fedeczko
Denise Landrum-Geyer
Cynthia Lewiecki-Wilson
Heidi McKee
Kristen Moore
Gina Patterson
Michele Polak
Chapter 13 Rhetoric across Modes, Rhetoric across Campus: Faculty and Students Building a Multimodal Curriculum
313(24)
Traci Fordham
Hillory Oakes
Contributors 337(8)
Index 345
Tracey Bowen is a lecturer at the Institute of Communication, Culture and Information Technology at the University of Toronto Mississauga. She is coeditor of Cultural Production in Virtual and Imagined Worlds.