| Introduction |
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7 | (10) |
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Part One Theory of Components |
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17 | (110) |
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19 | (1) |
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19 | (1) |
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Rhythm-building Components |
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20 | (44) |
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20 | (2) |
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22 | (3) |
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25 | (6) |
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31 | (2) |
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33 | (6) |
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39 | (6) |
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45 | (4) |
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49 | (3) |
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52 | (7) |
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59 | (5) |
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64 | (1) |
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64 | (1) |
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Weight of Components Durations |
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65 | (8) |
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Accumulation of Rhythmic Weights |
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73 | (4) |
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Rhythmic and Metric Weight |
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77 | (4) |
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81 | (1) |
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81 | (7) |
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81 | (1) |
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Augmentation and Diminution |
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82 | (2) |
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Partial Augmentation and Diminution |
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84 | (4) |
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Rhythmic Iso-, Hetero- and Symmetry |
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88 | (13) |
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88 | (5) |
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93 | (4) |
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97 | (4) |
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101 | (26) |
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101 | (10) |
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111 | (6) |
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117 | (10) |
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Part Two Rhythm in the Music of J. S. Bach |
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127 | (60) |
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129 | (5) |
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48 Fugue Themes of the Well-Tempered Clavier |
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134 | (1) |
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134 | (1) |
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135 | (8) |
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143 | (6) |
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149 | (2) |
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Two 6/4 and two 9/8 Pieces from the Well-Tempered Clavier |
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151 | (1) |
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151 | (3) |
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154 | (2) |
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156 | (2) |
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158 | (2) |
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160 | (1) |
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161 | (3) |
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From the Brandenburg Concertos |
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164 | (1) |
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164 | (4) |
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168 | (2) |
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170 | (2) |
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172 | (2) |
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174 | (3) |
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177 | (3) |
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The »Eilt!-Wohin? «-Aria with Chorus |
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180 | (3) |
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The Chorale »Es ist genug« |
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183 | (4) |
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Part Three Theories of Rhythm |
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187 | (114) |
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189 | (2) |
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1612 Praetorius Terpsichore |
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191 | (3) |
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1650 Kircher Musurgia universalis |
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194 | (2) |
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1678 Printz Satyrical Composer |
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196 | (2) |
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1739 Mattheson The Complete Capellmeister |
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198 | (4) |
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1749 Hartung Musicus theoretico-practicus |
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202 | (1) |
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1752 Riepel On Time Signatures |
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202 | (1) |
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1773 Scheibe On Musical Composition |
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203 | (1) |
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1 779 Kirnberger Correct Musical Setting |
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204 | (3) |
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207 | (1) |
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1789 Koch Instructions for Composition |
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208 | (4) |
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1821 Momigny Theory of Music |
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212 | (4) |
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1832 Weber Rhythm and Meter |
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216 | (1) |
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1880 Westphal Musical Rhythmics |
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217 | (1) |
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1884 Lussy The Musical Rhythm |
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218 | (2) |
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1884 Riemann Musical Metrics and Rhythmics |
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220 | (5) |
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1917 Wiehmayer Rhythmics and Metrics |
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225 | (2) |
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227 | (5) |
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1951 Blacher Variable Meters |
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232 | (1) |
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1955 Keller Phrasing and Articulation |
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233 | (1) |
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1957 LaRue Harmonic Rhythm |
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234 | (2) |
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1958 Hlwiczka Rhythm and Meter |
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236 | (2) |
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238 | (3) |
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241 | (4) |
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245 | (3) |
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248 | (6) |
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Form and Structure in Music |
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254 | (1) |
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255 | (3) |
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Structural Functions in Music |
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258 | (3) |
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Stratification of Musical Rhythm |
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261 | (5) |
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The Rhythms of Tonal Music |
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266 | (3) |
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1988 Kramer The Time of Music |
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269 | (4) |
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1989 Rothstein Phrase Rhythm in Tonal Music |
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273 | (2) |
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1995 Epstein Shaping Time |
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275 | (1) |
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1997 Agmon Musical Durations |
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276 | (2) |
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1997 Hasty Meter as Rhythm |
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278 | (3) |
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1999 Schachter Rhythm a la Schenker |
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281 | (4) |
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1999 Krebs Metrical Dissonance |
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285 | (4) |
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2001 Lerdahl Tonal Pitch Space |
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289 | (3) |
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2002 Swain Harmonic Rhythm |
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292 | (5) |
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2004 London Hearing in Time |
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297 | (4) |
| Appendix |
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301 | (1) |
| Music Examples (continuing) |
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302 | (7) |
| Music Examples (by composers) |
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309 | (2) |
| Index of Names |
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311 | |
Lisainfo e-raamatute kohta