Muutke küpsiste eelistusi

E-raamat: My Life in Art

  • Formaat: 488 pages
  • Ilmumisaeg: 08-May-2018
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317832737
Teised raamatud teemal:
  • Formaat - PDF+DRM
  • Hind: 57,19 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Raamatukogudele
  • Formaat: 488 pages
  • Ilmumisaeg: 08-May-2018
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317832737
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union.

Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926.

Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.

Arvustused

'This wise and delightful book is packed with sage, practical counsel to actors and actresses.' The Times Literary Supplement

'The Stanislavski system of acting is good. What is better is the Stanislavski philosophy of art that believes in the infinitude of man ... Even those who are not primarily interested in acting will find in Stanislavski's writing an extraordinary illumination of art.' The New York Times

"This vibrant translation assures that Staniskavski's memoir will be appreciated by a wide audience of Anglophone readers... Highly Recommended." CHOICE 'This wise and delightful book is packed with sage, practical counsel to actors and actresses.' The Times Literary Supplement

'The Stanislavski system of acting is good. What is better is the Stanislavski philosophy of art that believes in the infinitude of man ... Even those who are not primarily interested in acting will find in Stanislavski's writing an extraordinary illumination of art.' The New York Times

A note on transliteration ix
Translator's note x
Publisher's acknowledgements xi
Introduction: Stanislaysky's Double Life in Art by Laurence Senelick xiii
Translator's preface: Stanislayski's Hidden Life in Art by Jean Benedetti xxvi
ARTISTIC CHILDHOOD
Obstinacy
3
The circus
9
Puppet theatre
15
Italian opera
17
Pranks
20
Schooldays
25
The Maly Theatre
29
My debut
34
Acting in life
40
Music
45
Drama school
52
ARTISTIC ADOLESCENCE 63
The Alekseev Circle
65
A rival
72
Interregnum
75
ARTISTIC YOUTH 87
The Moscow Society of Art and Literature
89
First season
91
A fortunate accident
96
Control
100
Two steps back
103
When you play a bad man look for the good in him
105
Character acting
107
Another misunderstanding
110
The Meiningen Company
113
Hackwork
116
My first production in drama
118
Personal success
120
Meetings with Tolstoi
122
Success
127
My passion for directing
131
Experiences with professionals
135
Othello
142
A castle in Turin
150
The Sunken Bell
153
A memorable meeting
158
Waiting for the opening of the Moscow Art Theatre
164
The first season opens
177
The historico-realistic line
181
The line of fantasy and imagination
186
The line of Symbolism and Impressionism
191
The line of intuition and feeling
192
Chekhov's visit — Uncle Vanya
198
A trip to the Crimea
201
Three Sisters
204
First visit to Petersburg
207
Provincial tours
212
Savva Morozov and the building of the theatre
213
The socio-political line
215
Maksim Gorki
219
The Lower Depths
222
Instead of intuition and feeling, the line of the everyday
226
Instead of intuition and feeling, the line of historical Naturalism
228
The Cherry Orchard
232
The studio on Povarskaya Street
242
ARTISTIC MATURITY 251
Discovery of truths long since known
253
The Drama of Life
262
Ilya Satz and Leopold Sulerzhitski
266
Black velvet
268
The Life of Man
274
A visit to Maeterlinck
276
A Month in the Country
279
Duncan and Craig
285
Attempt to use the 'System' in life
297
First studio
301
Cabbage nights and the 'Chauve Souris'
309
An actor must know how to speak
313
Revolution
318
Disaster
322
Cain
324
The Bolshoi Opera Studio
328
Departure and return
335
The final balance and the future
343
APPENDICES: Variants and Articles 351
For the
Chapter Othello
353
Chekhov remembered
356
The Moscow Art Theatre's tour in Europe and America 1922-1923
382
Endnotes
441
Chronology
451


Stanislavsky was the co-founder (with Nemirovich-Danchenko) of the Moscow Art Theatre, which took the international theatre world by storm when he began producing the plays of Anton Chekhov in 1898. (Nemirovich-Danchenko went on to set up the Moscow Art Theatre School, which is still running today.)



He is the author - with the help of his translator Elizabeth Hapgood, who also edited his scattered writings and became 'co-author' - of My Life in Art; An Actor Prepares; Building a Character; Creating a Role; and various other marginalia (put together, I suspect, postumously).



Jean Benedetti is the author of many books about acting and Stanislavsky, including The Art of the Actor (2005); Stanislavsky: An Introduction (2E 2004); and Stanislavsky and the Actor (1998). All these were co-published with Methuen and, I think, commissioned by them. Initially working as an actor, director and television writer, he turned to teaching and became the Principal of Rose Bruford College, still a highly respected drama school.