Muutke küpsiste eelistusi

E-raamat: Narrative Theory in Conservation: Change and Living Buildings

(University of York, UK)
  • Formaat: 244 pages
  • Ilmumisaeg: 11-Mar-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429763212
  • Formaat - EPUB+DRM
  • Hind: 49,39 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 244 pages
  • Ilmumisaeg: 11-Mar-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429763212

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Narrative Theory in Conservation engages with conservation, heritage studies, and architecture approaches to historic buildings, offering a synthesis of the best of each, and demonstrating that conservation is capable of developing a complementary, but distinct, theoretical position of its own.

Tracing the ideas behind the development of modern conservation in the West, and considering the challenges presented by non-Western practice, the book engages with the premodern understanding of innovation within tradition, and frames historic buildings as intergenerational, communal, ongoing narratives. Redefining the appropriate object of conservation, it suggests a practice of conserving the questions that animate and energize local cultures, rather than only those instantiated answers that expert opinion has declared canonical. Proposing a narrative approach to historic buildings, the book provides a distinctive new theoretical foundation for conservation, and a basis for a more equal dialogue with other disciplines concerned with the historic environment.

Narrative Theory in Conservation

articulates a coherent theoretical position for conservation that addresses the urgent question of how historic buildings that remain in use should respond to change. As such, the book should be of great interest to academics, researchers and postgraduate students from the fields of conservation, heritage studies, and architecture.

List of figures
ix
Preface and acknowledgements xi
List of abbreviations
xv
1 Context: people and change in conservation
1(39)
1.1 Beating the bounds: the scope of the argument
2(15)
The question of living buildings
3(4)
Fixity, fluidity, and the problem of change
7(4)
Buildings as people
11(4)
Framing conservation as applied ethics
15(2)
1.2 Conservation as `making' and `keeping'
17(10)
Conservation, preservation, and monuments
18(3)
Significance and values in the contemporary conservation framework
21(4)
A new heritage paradigm?
25(2)
1.3 Wider heritage concerns
27(5)
Heritage studies
27(2)
Agency and material vitality
29(3)
1.4 Structure of the book
32(8)
2 Modernity: conservation, discontinuity, and the past
40(39)
2.1 The development of conservation
40(6)
Restoration
40(5)
Reconstruction
45(1)
2.2 Modernity and the past
46(4)
2.3 But is it art? - non-aesthetic interpretation
50(5)
Romantic and classical approaches to hermeneutics
52(1)
Genius and authorship
53(2)
2.4 Waking up to context
55(5)
Cultural landscape and the palimpsest
55(5)
Conclusion
60(5)
Case study: Carlo Scarpa, William Morris, and the Castelvecchio, Verona
65(1)
Background
65(7)
Murphy on Morris
72(2)
The instructive relic
74(1)
Extending the narrative
75(4)
3 People: community, language, and power
79(45)
3.1 Where are the people?
79(20)
Experts, universalism, and the local
80(3)
Intangible heritage
83(4)
The uses of intangibility
87(3)
People and social value
90(4)
Heritage as discourse
94(3)
Community discourse
97(2)
3.2 Living heritage
99(6)
English parish churches
102(3)
Conclusion
105(5)
Case study: St Alkmund, Duffield, and the ecclesiastical exemption
110(1)
Parish churches and the Faculty Jurisdiction system
110(3)
The case of St Alkmund, Duffield
113(8)
Critiquing the original judgment
116(3)
Justification and enhancement
119(1)
Theology and community
120(1)
Conclusion
121(3)
4 Tradition: change and continuity
124(25)
4.1 Modernity, tradition, and continuity
124(6)
Tradition and conservatism
125(2)
Tradition and the canon
127(3)
4.2 Hermeneutics
130(10)
Gadamer and tradition
130(5)
The fusion of horizons
135(3)
Understanding the other
138(2)
4.3 Virtue ethics
140(5)
Maclntyre's contribution
140(3)
The vitality of tradition
143(2)
Conclusion
145(4)
5 Narrative: time, history, and what happens next
149(25)
5.1 Temporality
149(5)
History and transition
149(3)
Double temporality
152(2)
5.2 Narrativity
154(8)
The nature of narrative
155(2)
Identity
157(3)
Community and the fitness of narrativity
160(2)
5.3 The relevance of narrative for conservation
162(7)
The central metaphor
162(3)
Benefits of the narrative model
165(4)
Conclusion
169(5)
6 Application: the narrative approach to conservation
174(37)
6.1 Questions of principle
175(8)
Explanatory competition
175(2)
The cultural whole
177(1)
Continuity of character
178(2)
Completed narratives
180(3)
6.2 Questions of everyday practice
183(8)
Significance
183(3)
Reversibility
186(2)
Expendability
188(1)
Craftsmanship
189(2)
6.3 Questions of meta-practice
191(9)
`Who needs experts?'
191(3)
People power
194(1)
Difficult heritage
195(4)
Restoration
199(1)
6.4 Compatibility with tradition
200(5)
Case study: The SCARAB Manifesto
205(1)
Context
205(2)
The text of the Manifesto
207(4)
Preamble
207(1)
Ancient buildings exude LIFE
207(1)
Ancient buildings expect CHANGE
208(1)
Ancient buildings embody TRADITION
208(1)
Ancient buildings form COMMUNITY
209(2)
7 Conclusion: conservation `as if people mattered'
211(9)
Conservation futures
211(2)
History in the gap
213(3)
Hybridity and the via media
216(4)
Index 220
Nigel Walter is a Specialist Conservation Architect based in Cambridge, UK, a Fellow of the Royal Institute of British Architects, and a member of two ICOMOS International Scientific Committees. He specialises in living heritage, combining practice with research, and holds a PhD in conservation of historic buildings.