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E-raamat: Natural History of Ghosts: 500 Years of Hunting for Proof

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 01-Nov-2012
  • Kirjastus: Penguin Books Ltd
  • Keel: eng
  • ISBN-13: 9780141958149
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 01-Nov-2012
  • Kirjastus: Penguin Books Ltd
  • Keel: eng
  • ISBN-13: 9780141958149
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The fascinating true history of ghosts - how we see them and why we believe in them, from Roger Clarke

What explains spectral sightings? Why do we fear the supernatural? What proof is there? Growing up in a haunted house, Roger Clarke spent much of his childhood trying to see a ghost. From the terrifying true events behind Henry James's The Turn of the Screw to the frenzy of the Cock Lane poltergeist, he takes us on a journey of belief with ghosts of every kind.

Arvustused

Beautifully written ... lithe, complicated and hugely rewarding -- James McConnachie * Sunday Times * Simmering as it is with personal reflections, this handsome volume ... is bursting with a giddy passion, buoyed further by an expert's thirst for abstruse facts. The main pleasure of reading this book is Clarke's own enthusiasm, intelligence and seriousness ... a deeply interesting, revealing read * Book Hugger * Splendid ... compelling ... Clarke manages to give goose-flesh and a giggle while informing the reader - an enviable feat * Scotsman * A highly enjoyable (and disturbing work) ... I am in awe of [ Clarke's] intrepidity * Guardian * Outstanding ... Clarke's dissection of the shocks, sadnesses and sexiness of the seance tables from the late Victorian era is brilliantly done ... The book is deeply enjoyable, hugely informative and at times distinctly unsettling * Shade Point * Britain has over 500-years' worth of ghost stories in the cupboard and in The Natural History of Ghosts, Roger Clarke makes them dance ... the most original and readable book exploring our ghost-rich culture to appear for years ... fascinating * Fortean Times * Clarke's examination of the need people have to believe remains insightful and illuminating throughout * Observer * Roger Clarke explores the endlessly fascinating subject of the dead who won't lie down, the places they haunt, as well as the hysteria and panic they inspire. Why and how over 500 years their existence has never been scientifically proved - but at the same time, never disproved. Ghosts are masters of the elusive and ambiguous, but Clarke is a master investigator -- Fay Weldon * Daily Mail * An intriguing, shivers-down-the-spine book * The Lady * Lively and absorbing ... [ Clarke] has proven himself an ideal guide to this troubled and disorderly realm * Literary Review *

Muu info

What explains spectral sightings? Why do we fear the supernatural? Why are some people or cultures more likely to experience hauntings than others? And what proof is there?
List of Illustrations
ix
My Haunted Houses
1(17)
A Taxonomy of Ghosts
18(8)
The Visible Couch: A Brief History of Ghost-Hunting
26(9)
The House That was Haunted to Death
35(35)
A Kind of America
70(15)
The Devil of Macon
85(6)
Entering the Epworth Scale
91(13)
The Ghost of Mrs Veal
104(14)
The Ritual of the Ghost Story
118(11)
Miss Fanny's New Theatre
129(18)
Bloodletting and the Brain Mirror
147(18)
On the Vulgarity of Ghosts
165(16)
The Thrilling of the Tables
181(26)
Angels in the Skies and Demons in the Deep
207(26)
The Brown Lady of Raynham Hall
233(15)
Murder at the Parsonage
248(25)
The King of Terrors and Other Tales of Technology
273(13)
Most Haunted
286(21)
A Chronology 307(4)
Notes 311(33)
Further Reading 344(4)
Acknowledgements 348(1)
Picture Credits 349(2)
Index 351
Raised in a haunted house, Roger Clarke is best known as a film-writer for the Independent newspaper and more recently Sight & Sound. He was the youngest person ever to join the Society for Psychical Research in the 1980s and was getting his ghost stories published by the The Pan & Fontana series of horror books aged only 15, when Roald Dahl asked his agent to take him on as a client. A published poet, his libretto for The Man with the Footsoles of Wind was performed at the Almeida Theatre in London in 1993. This is the book he always wanted to write.