Muutke küpsiste eelistusi

E-raamat: Natural Science Imaging and Photography

  • Formaat - PDF+DRM
  • Hind: 169,00 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book provides an in-depth exploration of scientific photography. Highlighting the best practices needed to make, distribute, and preserve scientific visual information using digital photographic methods and technologies, it offers solutions to some of the biggest challenges facing photographers.

Written by a team of international, award-winning image makers with over three hundred years of cumulative experience, this comprehensive resource explains the foundations used, the tools required, and the steps to needed for creating the optimal photograph in a range of environments and circumstances. Topics covered include:

• ethical practices

• aerial photography

• close-up and macro photography

• computational photography

• field photography

• geological photography

• imaging with invisible spectrums

• photographing small animals in captivity

• time based imaging

• and image processing in science

Showcasing modern methods, this book equips readers with the skills needed to capture and process the best image possible.

Designed for basic and intermediate photographers, Natural Science Imaging and Photography exists as an essential contemporary handbook.

Arvustused

Michael Peres has produced yet another outstanding technical text, Natural Science Imaging and Photography which addresses the various techniques and methods for capturing images from science and nature. Along with seven expert contributors, Peres has created a go-to source for all image makers attempting to record high-quality images of both visual and invisible subjects. Starting with a historical overview of photographys origins, up through emerging digital technologies, this volume provides concise data which provides how to successfully navigate the imaging chain with its the various parameters, considerations, preparations, practical applications, and best practices.







Natural Science Imaging and Photography

addresses a variety of imaging techniques and treatments, including microscopic, macroscopic, small animal, time based, and even aerial images captured using aircraft & drones. Nineteen chapters are offered filled with B&W and color photographs, illustrations, equations, and formulas to help simplify and explain the principles of imaging natural science subjects. Careful selection of imaging equipment, including cameras, lenses, filters, lab tools, etc. are presented in sufficient depth to guide one through the stages of image making. Plus digital imaging processing is presented in great detail, including extensive helpful step-by-step protocols. In addition to the technical imaging data, emphasis is stressed regarding creating scientific images while being careful to work safely, cause no harm, and obey professional standards and ethical guidelines. This outstanding technical book which Peres and his co-authors have created, each contributing their respective specialty, is hallmarked by one overriding theme: passion for their craft. Whether in the controlled lab or out in a remote field location their passion is palpable as they all clearly approach their work with the goal of attaining perfection. That passion is clearly reflected in their willingness to share their knowledge via this text. Anyone interested in learning about detailed techniques on capturing natural science images, from student to seasoned professional alike, should add this outstanding volume to their personal library, and keep it handy for frequent reference. Natural Science Imaging and Photography should be required-reading for all natural science image makers as it is truly an absolute "gold mine" of topical information!

Robert C. Turner, RBP, MBA, FBPA

Director (retired), BioMedical Graphics Department

The Scripps Research Institute, La Jolla, California

Professor Michael Peres book Natural Science Imaging and Photography is a complete tome on the techniques and practices required for the photographic documentation of natural science. His decades of experience as the head of RITs Biomedical Photography program prepared him well for this book. Peres invited some of the worlds specialists in their fields to be contributing authors covering aerial photography, ethical practices, field photography, geological photography, imaging processing, and best practices. These authors together with Peres have written a wonderful and comprehensive manual for natural science applications.

Photographing subjects that are invisible is explored, as well as photomicrography, close up techniques, and photographing small animals in captivity. There are also chapters devoted to time-based imaging and ethics.

Everything from the foundations of photography, optics, light measurement, electromagnetic radiation, digital technology and lighting is included. For a scientist who needs to photograph their research or the photographer interested in science, you will find this book to be an all-encompassing resource for the techniques and practices needed in natural science as well as scientific photography. It is written using clear and everyday language, so you dont have to be a scientist to enjoy the book.

Constance J Johansen, RBP, BFA, FBCA

Retired from the National Geospatial-Intelligence Agency "Michael Peres has produced yet another outstanding technical text, Natural Science Imaging and Photography which addresses the various techniques and methods for capturing images from science and nature. Along with seven expert contributors, Peres has created a go-to source for all image makers attempting to record high-quality images of both visual and invisible subjects. Starting with a historical overview of photographys origins, up through emerging digital technologies, this volume provides concise data which provides how to successfully navigate the imaging chain with its the various parameters, considerations, preparations, practical applications, and best practices.







Natural Science Imaging and Photography

addresses a variety of imaging techniques and treatments, including microscopic, macroscopic, small animal, time based, and even aerial images captured using aircraft & drones. Nineteen chapters are offered filled with B&W and color photographs, illustrations, equations, and formulas to help simplify and explain the principles of imaging natural science subjects. Careful selection of imaging equipment, including cameras, lenses, filters, lab tools, etc. are presented in sufficient depth to guide one through the stages of image making. Plus digital imaging processing is presented in great detail, including extensive helpful step-by-step protocols. In addition to the technical imaging data, emphasis is stressed regarding creating scientific images while being careful to work safely, cause no harm, and obey professional standards and ethical guidelines. This outstanding technical book which Peres and his co-authors have created, each contributing their respective specialty, is hallmarked by one overriding theme: passion for their craft. Whether in the controlled lab or out in a remote field location their passion is palpable as they all clearly approach their work with the goal of attaining perfection. That passion is clearly reflected in their willingness to share their knowledge via this text. Anyone interested in learning about detailed techniques on capturing natural science images, from student to seasoned professional alike, should add this outstanding volume to their personal library, and keep it handy for frequent reference. Natural Science Imaging and Photography should be required-reading for all natural science image makers as it is truly an absolute "gold mine" of topical information!"

Robert C. Turner, RBP, MBA, FBPA, Director (retired), BioMedical Graphics Department, The Scripps Research Institute, La Jolla, California

"Professor Michael Peres book Natural Science Imaging and Photography is a complete tome on the techniques and practices required for the photographic documentation of natural science. His decades of experience as the head of RITs Biomedical Photography program prepared him well for this book. Peres invited some of the worlds specialists in their fields to be contributing authors covering aerial photography, ethical practices, field photography, geological photography, imaging processing, and best practices. These authors together with Peres have written a wonderful and comprehensive manual for natural science applications.

Photographing subjects that are invisible is explored, as well as photomicrography, close up techniques, and photographing small animals in captivity. There are also chapters devoted to time-based imaging and ethics.

Everything from the foundations of photography, optics, light measurement, electromagnetic radiation, digital technology and lighting is included. For a scientist who needs to photograph their research or the photographer interested in science, you will find this book to be an all-encompassing resource for the techniques and practices needed in natural science as well as scientific photography. It is written using clear and everyday language, so you dont have to be a scientist to enjoy the book."

Constance J. Johansen, RBP, BFA, FBCA, Retired from the National Geospatial-Intelligence Agency

Acknowledgements xx
About the Authors xxiii
Preface: Why I Wrote this Book xxix
PART I Industry Expectations and Attitudes
1(82)
1 Why Best Practices as an Approach
3(16)
Introduction
3(1)
Denning Best Practices and an Imaging Workflow
3(1)
Creating a Workspace
4(1)
Using Effective Camera Supports
5(1)
Cleanliness of the Imaging Area
5(1)
Selecting and Using the Right Imaging Tools
6(1)
Optimizing Camera Settings
6(1)
Use a Clean Lens for Imaging
7(1)
Make a Number of Exposures and Not Just a Single Frame
7(1)
Monitors and Video Displays
7(1)
Color Management
8(1)
Software, Upgrades, and Optimizing the Computer
9(1)
Reviewing Images
10(1)
The Image Pipeline, Folders and Naming Files
10(1)
Archiving, Data Redundancy, and Backing Up
11(3)
Digital Housekeeping
14(1)
Keeping Your Computer System Tuned Up
15(1)
A Summary of Best Practices
15(1)
Conclusions
16(3)
2 Optimizing Imaging Outcomes
19(8)
The Product is the Sum of Parts
19(1)
The Imaging Chain
20(1)
Pre-Photographic Considerations
21(1)
Preparing for Imaging
21(1)
Selecting a Sample
22(1)
Sample Preparation and Artifacts
22(1)
Getting Started
23(1)
Controlling Dirt and Extraneous Materials
23(1)
Handling Samples
24(1)
Bad Pictures May NOT Always be Bad Pictures
24(1)
The Role of the Background
24(1)
Choosing a Neutral Background
25(1)
Create Simple Solutions
26(1)
3 The Image in Science
27(18)
Tenets of the Science Image
29(1)
Standardized Approaches and Repeatability
29(1)
Managing Variables
30(1)
Science Images Require the Inclusion of a Scale
31(1)
Photographer's Intent and Subject Matter
32(1)
A Picture is Truly Worth a Thousand Words
32(2)
A Quick History of Photography and Scientific Photography
34(1)
Making the Invisible Visible
35(1)
Instrumentation
36(1)
Scientific Instruments and Optical Improvements
37(1)
Invisible Spectrum Photography
37(2)
Advancements in Photographic Technology
39(1)
Short Duration Light, Electric Flash and Stroboscopes
40(3)
Modern Technologies -- Digital and Electronic Photography
43(1)
The Duality of Science Images
43(2)
4 Ethical Practices by James Hayden
45(26)
Introduction
45(1)
Do No Harm
46(4)
Equipment and Exposure Standardization
50(3)
A Rule of Thumb
53(1)
Photographic Techniques and their Effects
53(3)
A Pixel is Worth a Thousand Words
56(4)
Ethics in the Field
60(5)
Image Usage
65(4)
Conclusion
69(2)
5 The Subject of the Photograph
71(12)
Introduction
71(1)
The Sample and Photographic Treatments
71(1)
Formulating your Plan
71(1)
Locating the Sample
72(1)
Isolating the Subject: Composition
72(1)
Isolating the Subject: Magnification
73(1)
Wet Specimens and Managing Liquids
73(2)
Making Chambers and Using Welled Slides
75(1)
Staining to Reveal Features
76(1)
Specimen Platforms
77(1)
Mirrors
78(1)
Surface Replicas
79(1)
Backgrounds
79(1)
The Use of Scales to Indicate Size
80(3)
PART II Tools and Technology Foundations
83(74)
6 Cameras and Photographic Practices
85(14)
Camera Components
85(1)
Modes of Operation
86(2)
The Photographic Exposure
88(1)
Light Measurement and Meters
89(1)
Exposure Values and their Application
90(1)
Shutters
91(1)
Types of Shutters
91(1)
Focal Plane Shutters
92(1)
More on Sync Speeds and Focal Plane Shutters
93(1)
Leaf Shutters
94(1)
Electronic Shutters
95(1)
Shutter Induced Image Artifacts
96(1)
Mirrorless Cameras
97(2)
7 Light and Lenses
99(24)
Light
99(1)
Light Sources and Electromagnetic Radiation
99(4)
Emitters of Continuous Spectrums
103(1)
Continuous and Discontinuous Spectrums
103(1)
Color Temperature
104(1)
Continuous vs Pulsed Emissions
105(1)
Light Behaviors
106(1)
Reflection
107(1)
Absorption
107(1)
Transmission
107(2)
Dispersion
109(1)
Interference
109(1)
The Lens
110(2)
Lenses for Scientific Applications
112(1)
Lens Fundamentals
112(1)
Teleconverters
113(1)
Working Distance
114(1)
Close-Up Lenses
115(1)
Supplementary Lenses
115(1)
Mirror Lenses
116(1)
Telecentric Lenses
117(1)
Photographic Filters
117(1)
Polarizing Filters
118(1)
Neutral Density and Other Special Filters
118(1)
Aberrations
119(1)
Image Depth of Field
120(1)
Diffraction and Image Sharpness
121(2)
8 A Deeper Dive into Digital Devices
123(20)
Sensors
123(1)
Pixels
123(1)
Bit Depth
124(1)
Single Shot Area Array Sensors
125(2)
More on Linear Array or Scanning Cameras
127(1)
Sensor Sensitivity (ISO), Binning, and Gain
127(1)
Noise: Evaluating Dark, Shot, and Noise Sensor
128(1)
Sensor Evaluation
129(2)
More on Bit Depth
131(1)
Color Space
132(1)
Gamma and Contrast
133(1)
White Balance
134(2)
Capture File Formats
136(1)
Digital File Structures
136(3)
Other File Formats
139(1)
In-Camera Digital Filters
140(1)
Sharpening
140(1)
Color
140(1)
Noise Reduction
141(1)
Digital Artifacts -- Aliasing
141(1)
Connecting Devices
142(1)
Memory Cards
142(1)
9 Lighting for Natural Science Photography
143(14)
Light and Lighting
143(3)
Tabletop Lighting
146(1)
Types of Lights for Small Subjects
146(2)
Electronic Flash Equipment
148(1)
Modifying Light
149(1)
Making White and Neutral Backgrounds
150(1)
Making Contrast
150(1)
Light Ratios
151(1)
Reducing Contrast
152(1)
Axial Lighting
152(2)
Laboratory Glassware
154(1)
Metal and Tent Lighting
155(1)
Immersion
155(2)
PART III Applications
157(194)
10 Aerial Photography by Keith Mancini
159(18)
Photographing from an Aircraft
159(1)
Equipment Recommendations
159(1)
Choosing the Best Aircraft for the Imaging Requirements
160(1)
Airplanes
160(1)
Helicopters
160(1)
Aviation Safety
161(1)
Time of Day Considerations
162(1)
Avoiding Glare
162(1)
Reducing Vibration
163(1)
Exposure
163(1)
Focus
163(1)
Composing
163(1)
Unmanned Aircraft Systems
163(3)
Multi-Rotor
166(1)
Flying a Multi-Rotor
166(1)
Drone Basics
167(1)
Drone Features
168(2)
Drone Camera Options
170(1)
Using a GoPro or other Action Camera
170(1)
Photogrammetry and Mapping
171(1)
Flight Safety and Federal Guidelines
172(1)
Photographing from a Drone
172(1)
Exporting Frames of Video
173(1)
Saving a Single Frame of Video using Adobe Photoshop
174(1)
Saving Multiple Consecutive Frames using Adobe Photoshop
174(1)
Saving Single Frames using VLC Media Player
174(1)
Saving Single or Multiple Consecutive Frames using GOM Player
174(1)
Low Cost Alternatives to Aerial Photography
175(1)
Conclusion
176(1)
11 Close-Up and Macro Photography
177(16)
Overview
177(1)
Denning Close-Up Photography
177(1)
Lenses for Close-Up Photography
177(2)
Getting Closer: Supplementary Lenses
179(1)
Getting Closer: Extension Tubes for Close-Up Photography
179(1)
Macro Lenses
180(1)
Focusing, Depth of Field, and Diffraction
180(1)
Creating the Maximum Zones of Focus
181(1)
Choosing the Best Aperture
182(1)
Exposure Compensation and Determination
182(1)
Photomacrography
183(1)
Bellows and Laboratory Setups
184(1)
True Macro Lenses and Optical Considerations
185(1)
Other Lenses that Can be Used for Magnifications 2:1 and Higher
185(1)
Setting up a Macro System
186(1)
Exposure Compensation for Photomacrography
187(1)
Exposure Factors
187(1)
Depth of Field
188(1)
Case Study: Photographing Ice Crystals (Snowflakes)
188(5)
12 Computational Photography
193(14)
Batch Processing Files Using Adobe Lightroom
193(1)
Batch Processing Files Using Adobe Photoshop
194(2)
Increased Depth of Field Imaging Methods
196(1)
Making Image Slices
196(1)
Focusing Rails
197(1)
Processing Files Used in Computational Images
198(1)
Making a Z-Stack Using Adobe Photoshop
198(2)
Using Helicon Focus
200(1)
Using Zerene Stacker
200(1)
Creating Wide Field High Resolution Files or Image Maps
200(2)
Methods
202(1)
Image Processing for Mapping
203(1)
Creating the Image Map
203(1)
High Dynamic Range Images
203(1)
Making Photographic Exposures
204(1)
Blending the Images
204(3)
13 Field Photography by Adrian Davies
207(22)
Introduction
207(1)
Ethical Considerations
207(1)
Equipment Recommendations
208(1)
Drone Photography
209(1)
Camera Supports
210(1)
Filters
211(1)
Carrying the Equipment
211(1)
Other Accessories
211(1)
Clothing and Personal Safety Suggested Guidelines
212(1)
Modifying Light in the Field
212(1)
A Useful Image Processing Technique for High Contrast Scenes
213(2)
Low Light Photography
215(1)
Scales
215(1)
Close-Up and Macro Photography in the Field
215(1)
Increased DOF Imaging or Focus Stacking
216(1)
Ecological Monitoring
216(1)
Photographing Plants and Fungi
216(1)
Telling a Story
217(2)
Blue Flowers
219(1)
Insects
220(1)
Animal and Bird Photography Using a Long Lens
220(1)
Stalking
221(1)
Working from Blinds (Hides) both Permanent and Temporary
221(1)
Nest Photography
222(1)
Baiting
222(1)
Extreme Conditions
222(1)
Rainforests
222(1)
Designing a Flash Bracket
223(1)
Desert Photography
224(1)
Polar Region Photography
225(1)
Mountains
226(1)
Safari Photography
226(3)
14 Fossils, Minerals, and Geological Photography by Norman Barker
229(20)
Representing the Specimen
229(1)
The Plan
229(3)
Camera, Essential Lenses, and Tripods
232(1)
Image Shake
233(1)
Special Lenses
233(1)
Lighting
234(1)
Sunlight and Documenting the Site
235(2)
More on Artificial Light Sources: Tungsten, Fiber Optics, Electronic Flash, and LED
237(4)
Background Selections and Reflectors
241(1)
Using Filters
242(1)
UV Radiation and Geological Minerals
243(2)
Slabs and Polished Specimens
245(2)
Closing Thoughts
247(2)
15 Imaging with Invisible Spectrums by Adrian Davies
249(36)
Introduction
249(1)
The Electromagnetic Spectrum
249(1)
Camera Modification
250(1)
UV Only Conversion
251(1)
Full Spectrum Conversion
251(1)
IR Only Conversion
251(1)
Recommendation
251(1)
Ultraviolet Photography
252(1)
Reflected UV Photography
252(1)
Requirements for Reflected UV Photography
253(1)
Accidental UV Lenses
254(1)
35mm f/3.5 Lenses
255(1)
Focus Shift
256(1)
UV Transmitting Filters
256(1)
Baader U Filters
256(1)
Drop Down Filter Holders
257(1)
Other UV Transmitting Filters
258(1)
UV Radiation Sources
259(1)
Best UVR Photography Practices
260(1)
White Balancing Reflected UV Images
261(1)
Making Control or Reference Images
262(1)
Applications of UVR Photography
262(1)
Animal Vision
262(1)
Multi-Spectral Imaging
263(1)
UV Fluorescence
263(2)
Luminescence, Fluorescence and Phosphorescence
265(1)
Practical UV Fluorescence Photography
266(1)
Painting with Light
266(1)
Some Applications
267(1)
IR Luminescence
268(1)
IR Photography
268(3)
IR Camera Conversions
271(1)
Lens Filters for IR Photography
271(1)
NDVI: Normalized Difference Vegetation Index
272(1)
Lenses for IR
272(1)
Focusing
272(1)
Resolution in IR Photography
273(1)
Sources for IR
273(1)
Characteristics of IR Images
274(1)
Black and White IR Photography
274(1)
Haze Penetration
275(1)
Color IR Photography
276(1)
Channel Swapping Technique
277(1)
False Color IR
277(1)
Digital False Color IR
278(1)
Simulating False Color Analog IR Images
278(2)
Applications of IR Photography
280(1)
Polarized Light
280(1)
Polarization of Light
280(1)
Other Applications of Polarized Light
281(2)
Case Study: Preparing a Vitamin Specimen for Polarized Light Photography
283(1)
Using a Laptop or Tablet PC
283(2)
16 Contemporary Light Microscopy Practices
285(38)
Introduction
285(1)
Foundations of Magnified Images
286(1)
Magnification
287(1)
The Objective as a Lens
288(2)
Optical Components of a Light Microscope
290(2)
A Deep Dive into Objective Lenses
292(2)
Explaining Numerical Aperture
294(1)
Forming Highly Resolved Images: The Role of Diffraction and Resolution
294(1)
Demystifying Concepts about Numerical Apertures
295(1)
Airy Disk
296(1)
Objective Corrections
297(2)
Environmental Influences
299(1)
Fundamentals of Operating a Microscope
299(1)
Using Eyepieces
299(1)
Focusing an Image
300(1)
Operating with Very Small Working Distances
300(1)
Interpupillary Distance
300(1)
Using the Microscope's Body Tube
300(1)
Nosepiece
301(1)
Substage Condenser and Adjustments
301(1)
Using the Field Diaphragm or Field Stop
301(1)
Light and Lamps
302(1)
Aperture Diaphragm
302(1)
Establishing Proper Brightfield Illumination when using Transmitted Light Microscopes
303(1)
Establishing Proper Kohler Illumination
303(1)
Setting Up Kohler Illumination and More
303(3)
Reflected Light and Industrial Microscopes
306(2)
Darkfield Transmitted Light Illumination
308(1)
Establishing Darkfield Illumination
308(2)
Modifying a Brightfield Condenser for Darkfield Illumination
310(1)
Challenges in Darkfield Microscopy
310(1)
Digital Microscopes
310(1)
Stereo Microscopes
311(2)
Photographing
313(4)
Using a DSLR on a Microscope
317(1)
DSLR Camera Advantages
317(1)
DSLR Camera Disadvantages
318(1)
Attaching and Operating the Camera
318(3)
Case Study: Photographing Live Material using Electronic Flash on a Microscope
321(2)
17 Photographing Small Animals in Captivity by Charles Hedgcock
323(12)
Introduction
323(1)
Careful Handling of Living Organisms Maximizing Their Safety and Yours
324(2)
Selecting a Background
326(1)
Lighting Small Living Subjects
327(1)
Scale
328(1)
Controlled but not Contained
329(1)
Photographing in Aquaria
329(6)
18 Time Based Imaging by Ted Kinsman
335(16)
Introduction to Time-Lapse Imaging Best Practices
335(1)
Theory
335(2)
Long Exposure Time-Lapse Events
337(2)
More on Wait-Time
339(1)
Photographic Considerations
339(1)
Digital Formats and Equipment Considerations
340(1)
Inter valometer
341(1)
The Best Way to Determine the Timing of a Sequence
342(1)
Photographing a Time-Lapse Sequence
342(1)
Image Editing Time-Lapse Photos
343(1)
Final Thoughts About Time-Lapse Videos
343(1)
Case Study: Making a Time-Lapse of a Plant Growing
343(3)
Photographing High Speed Events
346(1)
Case Study: Photographing Birds and Insects in Flight with a Capping Shutter
346(5)
PART IV After Capture Post Production
351(56)
19 Image Processing in Science by Staffan Larsson
353(54)
Introduction
353(1)
Manipulation, Enhancement, or Clarification
354(1)
Image Editing Software
355(1)
Basic Color Theory
356(2)
Fundamental Digital Color Models
358(1)
Channels
358(2)
Layers
360(1)
Global Image Editing
361(1)
Monitor Calibration
361(1)
Image Processing Tools Overview
362(1)
Image Size and Display Resolution
363(1)
Image Editing Tools Overview
363(2)
Image Processing Fundamentals
365(2)
File Formats
367(1)
Improving Contrast and Appearance
368(2)
Changing Contrast
370(3)
Color and Contrast Corrections
373(9)
Sharpening
382(3)
Noise Reduction
385(4)
Camera RAW Image Processing
389(2)
Pseudo-Coloring Black and White Images
391(1)
Creating Composite Images for Publication
392(4)
The Type Tool
396(1)
Shapes
397(2)
Preparing Files for Publication
399(8)
Index 407
Michael R. Peres is an award-winning photo-educator and biomedical photographer. A professor at Rochester Institute of Technology, Peres has been a leader in the field for more than 40 years. He has lectured and led workshops in more than 15 countries and authored more than ten books, including the Focal Encyclopedia of Photography, Fourth Edition and Laboratory Imaging and Photography.