Concepts of Nature – the first volume of the project Naturally Hypernatural – argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.
Nature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally Hypernatural. Concepts of Nature – the first volume of this project – argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.
| Acknowledgements |
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7 | (2) |
| Introduction |
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9 | (10) |
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On Nature and Human Coldness |
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19 | (12) |
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How much Life is in a Still-Life? Art's Hypernatural Nature |
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31 | (22) |
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Natural -- Supernatural -- Hypernatural Modernity's Struggle against Naturalism |
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53 | (16) |
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Hybridformen zeitgenossischer Kunst mit Natur -- in Werken von Per Kirkeby, Andreas Eriksson, Carsten Holler und Pierre Huyghe |
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69 | (14) |
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83 | (22) |
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Inside the Green Room The Ideology of Nature in Contemporary Architecture |
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105 | (16) |
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121 | (16) |
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137 | (8) |
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145 | (8) |
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153 | (18) |
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171 | (10) |
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Creative Nature in Renaissance Landscape |
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181 | (14) |
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Painting a Portrait: From the Natural to the Hypernatural |
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195 | (12) |
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| Contributors |
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207 | |
Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. Her seminal text The Molecular Gaze: Art in the Genetic Age (co-authored with the late Dorothy Nelkin) was published in 2004. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005.
Sabine Flach is Professor of Modern and Contemporary Art at the University of Graz where she is also Chair of the Art History Institute. She studied art history, theory of literature, philosophy and humanities in Marburg, Perugia, Kassel and Berlin.
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