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E-raamat: Netflix Vision of Horror: A Narrative Structural Analysis of Original Series

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  • Formaat: 194 pages
  • Ilmumisaeg: 22-Jun-2021
  • Kirjastus: McFarland & Co Inc
  • Keel: eng
  • ISBN-13: 9781476643120
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Netflix Vision of Horror: A Narrative Structural Analysis of Original SeriesSuurem pilt
  • Formaat: 194 pages
  • Ilmumisaeg: 22-Jun-2021
  • Kirjastus: McFarland & Co Inc
  • Keel: eng
  • ISBN-13: 9781476643120
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Since the emergence of on-demand streaming platforms, television as a storytelling medium has drastically changed. The lines between TV and cinema are blurred. Traditionally, television relied on narrative forms and genres that were highly formulaic, striving to tease the viewer onward with a series of cliffhangers while still maintaining viewer comprehension. Now, on platforms such as Netflix, the lack of commercial breaks and the practice of "binge-watching" have led to a new type of television flow that urges viewers to see and consume a series as a whole and not as a fragmented narrative.

This book examines the structuring methods of 13 Netflix original horror series, including Chilling Adventures of Sabrina, Stranger Things, Hemlock Grove, The Haunting of Hill House, and Santa Clarita Diet. Although these shows use television as the medium of storytelling, they are structured according to the classical rules of film.
Table of Contents


Acknowledgments

Introduction

One. Netflix Original Horror Series: Films in Disguise

Two. The Narrative Structure of the Complex Discovery Plot

Three. The Narrative Structures of Triple and Double Function Plots

Conclusion

Filmography

Appendix A: Series Corpus

Appendix B: ­Three-Act Structures

Appendix C: Types of Plot and Horror

Chapter Notes

Bibliography

Index
Sotiris Petridis is an adjunct professor at Hellenic Open University, Greece. His research interests are about film and television genres, audiovisual horror, screenwriting theory and practice, viral marketing, and the new ways of film and television promotion and has written academic books and articles on cinema and audiovisual narrative. He is a member of the European Film Academy and the Greek Film Academy.
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