"In this edited volume, Polgovsky Ezcurra and her contributors look at the rise in the creation of community-focused art projects, from public cinema, to off-stage dance and theatre, and to the creation of anti-monuments that have redefined what public art is and how people have engaged with it within Mexico City in particular, as well as other regions of Mexico, since the 1980s. With a mixture of in-depth studies and artist dossiers, the manuscript is organized into five main sections: Historical Return, Infra-Political Art, the Infrastructures of Commoning, Forensic Publics, and Grassroots Memorials and Distributed Publics"--
Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s.
Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s.
The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.
Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s.
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