This book investigates creative writing as an area of research, building from a recognition of its qualities as a creative human practice. It presents a critical examination of current methodologies and highlights many of the latest advancements in the field of creative writing studies.
This book, New Writing Explorations: Researching Creative Writing, investigates creative writing as an area of research, building from a recognition of its qualities as a creative human practice. It presents a critical examination of current methodologies and highlights many of the latest advancements in the field of creative writing studies.
This book’s contributors examine writerly knowledge and action, places and spaces, tested methods and an array of associated concepts. Chapters draw not only on critical ideas formed by examining the works of creative writers, but also on a range of individual writing activities and the lively and fluid dynamics we frequently encounter when we seek to use writing for both communication and art. The chapters in this volume provide excellent examples of the many avenues of inquiry seen in both practice-led and critical research in creative writing. This volume is relevant for students and scholars interested in the field of creative writing and cognate fields.
The chapters in the book were originally published as articles and editorials in the New Writing journal. They are accompanied by a new Introduction and Conclusion, as well as a Foreword by award-winning poet and critic, Dan Disney.
Foreword Introduction: Prying with Intent: The Prose Poetics of Creative
Writing Research
1. Performances in Contradiction: Facilitating a
Neosophistic Creative Writing Workshop
2. Creative Writing: A Newtonian
Thought
3. Unconscionable Mystification?: Rooms, Spaces and the Prose Poem
4. Thoughts are creative writing
5. Screenwriting studies, screenwriting
practice and the screenwriting manual
6. Creative writing, as it happens: the
case for unpredictability
7. The writer and meta-knowledge about writing:
threshold concepts in creative writing
8. Flight
9. Cognitive poetics and
creative practice: beginning the conversation
10. Structuring empathy
11.
Creative work as scholarly work
12. Why our responses matter
13. Shifting the
power dynamics in the Creative Writing workshop: assessing an instructor as
participant model
14. Creative writing on other planets
15. Different ways of
descending into the crypt: methodologies and methods for researching creative
writing
16. Forms of illumination
17. Retooling workshops of empire:
globalising creative writing with an edge
18. New types of intelligence
relevant to creative writers
19. English-language creative writing in a
Chinese context: translation as a supplement
20. An Agreeable Crest: The New
Writing 20th Anniversary Year Conclusion: Intentional Echoes
Graeme Harper is Editor of New Writing: The International Journal for the Practice and Theory of Creative Writing. He is author of such books as Critical Approaches to Creative Writing (2018) and Creative Writing Analysis (2022) and, as Brooke Biaz, the novel Releasing the Animals (2023) and the forthcoming Robots, among many others.
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