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E-raamat: No Mother, No Future: Performing Motherhood and Reproductive Loss

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No Mother, No Future examines how theatre portrays pregnancy loss as challenging dominant narratives linking motherhood with futurity. Through intersectional feminism and reproductive justice theories, it analyzes how reproductive loss becomes a site of resistance against systemic violence targeting marginalized communities.



No Mother, No Future investigates how theatre and performance use pregnancy loss to represent a lost future. Spanning the twentieth and twenty-first centuries, this book analyzes performances that challenge dominant cultural scripts linking motherhood with futurity and nationhood in Canada and the United States.

Combining intersectional feminism with theories of reproductive justice and reproductive futurity, this work interrogates how pregnancy loss—especially when experienced by those excluded from white, heteronormative ideals of motherhood—is often portrayed as a societal failure. It examines reproductive loss not only as a dramatic device but also as a political reality shaped by systemic violence, including slavery, forced sterilization, and child welfare policies that disproportionately target Indigenous and Black communities. Through in-depth analyses and original interviews with playwrights, directors, and actors, this volume offers a critical framework for understanding how performance stages reproductive loss as a site of resistance.

As the first book-length study of motherhood and reproduction in Canadian theatre, it is essential reading for scholars and students in theatre, performance studies, feminist theory, cultural studies, and reproductive justice.

Acknowledgements

Setting the Stage and Staging the Future: Baby Makers as Nation Makers

An Interview with Maev Beaty About Her Performance of Secret Life of a
Mother

1. A Child Would Die Here: Motherhood as Nationhood in Marsh Hay and Still
Stands the House

An Interview with Richard Plant on Directing the First Production of Marsh
Hay

2. Give Me Children, Or Else I Die: The Limits of Radical Motherhood in The
Handmaids Tale and its Television Adaptation

An Interview with Bruce Miller, the Showrunner of The Handmaids Tale
Television Series

3. We are Still Here: The Indigenous Child and Futurity in Dry Lips Oughta
Move to Kapuskasing and Tombs of the Vanishing Indian

An Interview with Yvette Nolan About Directing Tombs of the Vanishing Indian


4. The Future Stops Here: Racial Reproductive Futurity in Harlem Duet and
Beatrice Chancy

An Interview with Djanet Sears About Writing and Directing Harlem Duet

Afterword: Resistance thats Embodied

Index
Kailin Wright is Associate professor of Canadian theatre and literature at St. Francis Xavier University in Nova Scotia, Canada.