Muutke küpsiste eelistusi

E-raamat: Oil and Modern World Dramas: From Petro-Mania to Petro-Melancholia

Teised raamatud teemal:
  • Formaat - PDF+DRM
  • Hind: 51,99 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

The first to focus on the (re-)presentations of oil in dramatic literature, theatre, and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures. Through close analysis, Fakhrkonandeh demonstrates how these dramatic works depict oil, both in its perceived nature and character, as an overdetermined matter/sign/object: a symbol (of freedom, autonomy, speed, wealth, modernity, enlightenment), a commodity, a social-cultural agent, a social relation, and a hyper-object. This book is also distinguished by its innovative and critically manifold conceptual framework, positing the petro-literatures and petro-cultures an inextricable part of a global network. Oil and Modern World Dramas not only demonstrates how the chosen works of petro-drama manifest these concepts in their social-political vision, aesthetics and historical-ontological dynamics, but also reveals how they deploy such assemblage-based approaches both as a cartographical means and aesthetic method for exposing the systemic (Capitalocenic) nature of petro-capitalist exploitation, and as means of proposing ways of resistance and producing alternative modes of subjectivity, community, relationality, and economy.

The first to focus on the (re-)presentations of oil in dramatic literature, theatre and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures.

Arvustused

On the whole, Fakhrkonandehs work is a ground-breaking contribution to the fields of energy and environmental humanities. It is deeply researched, theoretically rigorous, and compellingly argued. It is recommended for all scholars of drama and theatre studies, energy and environmental humanities, and related literatures.

--Yiit Sümbül, Ankara Haci Bayram Veli University, Turkey

Acknowledgments

Prelude

Introduction

Modern And Contemporary Oil Dramas and Cultures

Chapter One

Oil, the Crisis of Representation, and the Dramatic Form

Chapter Two

Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo
Lanias Konjunktur 1 (1928)

Chapter Three

"on a wave of oil England swam towards victory [ ] our weapon of choice was
oil": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo
Lanias Konjunktur 2

Chapter Four

"Oil Is an Idea": From Production to Anti-Production in Leo Lanias Oil Field
(1934)

Chapter Five

"Its not easy to make oil and love run in harness together": "Petroleum
Odes," "Oil Odour," and "Odious Coolies" in Lion Feuchtwangers Oil Islands

Works Cited

Index
Alireza Fakhrkonandeh is Assistant Professor in Modern and Contemporary Drama and Literary Theory at the University of Southampton, UK. He has recently finished two books, titled Body and Event in Howard Barkers Theatre of Catastrophe (2019) and Evental Ontology, Immanent Ethics and Affective Aesthetics in Howard Barkers Drama (under review). He completed his PhD at Warwick University (2015; funded by WU). Fakhrkonandeh holds degrees in English Literature and Literary Theory (PhD), Continental Philosophy (MA), and Medical Humanities (PhD). His works have featured in various journals and books, including Symploke, Textual Practice, Comparative Drama, English Studies, JCDE, ANQ, The Edinburgh History of Reading (2020), and The Somaesthetics of City Life (2019). He is also a professional academic translator. He is the sole authorized translator of Howard Barkers works into Persian.