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E-raamat: Onstage Violence in Sixteenth-Century French Tragedy: Performance, Ethics, Poetics

(Assistant Professor of French and Medieval Studies, Wesleyan University)
  • Formaat: 240 pages
  • Ilmumisaeg: 21-Oct-2021
  • Kirjastus: Oxford University Press
  • Keel: eng
  • ISBN-13: 9780192658029
  • Formaat - EPUB+DRM
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  • Formaat: 240 pages
  • Ilmumisaeg: 21-Oct-2021
  • Kirjastus: Oxford University Press
  • Keel: eng
  • ISBN-13: 9780192658029

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The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies--including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588--to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism.
List of Figures
xiii
A Note on Editions and Translations xv
Introduction: (Re)Centering Violence in Sixteenth-Century 1(9)
French Tragedy
1 Performance, Ethics, and Poetics of Violence: An Overview
10(40)
1.1 A Definition of Violence
10(5)
1.2 Performance: Some Theoretical and Historical Considerations
15(14)
1.3 The Ethics of Onstage Violence
29(9)
1.4 The Poetics of Offstage versus Onstage Violence
38(12)
2 Biblical Violence in Catholic and Calvinist Tragedy
50(42)
2.1 Lecoq's Tragedie de Cain: Violence as Counterexample on the Catholic Stage
51(7)
2.2 From Catholic Mystery to Calvinist Tragedy: The Case of David and Goliath
58(34)
2.2.1 David and Goliath on the Catholic Stage
62(5)
2.2.2 Staging the Duel in Coignac's Desconfiture de Goliath and Des Masures' David combattant
67(10)
2.2.3 Thou Shalt (Not) Kill? Calvin on Violence
77(8)
2.2.4 Militant and Transcendent Violence
85(7)
3 Women Who Kill
92(30)
3.1 The Genesis of La Peruse's Medee
98(2)
3.2 Midie and the Question of Performance
100(3)
3.3 MEDEE TU'ENFANT: Staging Medee's Double Filicide
103(12)
3.4 Coda: Medea, Alive and Well
115(7)
4 State-Inflicted Violence and the Ethics of Suffering
122(34)
4.1 Bounin's Soltane
123(14)
4.1.1 Performing Moustapha's Murder
126(5)
4.1.2 The Other as Example
131(6)
4.2 Beaubreuil's Regulus
137(19)
4.2.1 The Legend of Regulus
139(2)
4.2.2 The Rise and Demise of Atilie
141(5)
4.2.3 Atilie: From Rash Warrior to Model of Virtue
146(10)
5 The Duke of Guise's Murder and the Imperative of Vengeance
156(36)
5.1 The Assassination of the Guise Brothers
160(5)
5.2 Legitimizing "Henricide"
165(5)
5.3 Belyard's Guysien: Staging the Assassination
170(11)
5.4 The Imperative of Vengeance
181(8)
5.5 Coda: Topical French Tragedy after the Edict of Nantes
189(3)
Concluding Remarks: Onstage Violence at the Turn of the Seventeenth Century 192(11)
Bibliography 203(28)
Index 231
Michael Meere is Associate Professor of French and Medieval Studies at Wesleyan University. He is a scholar of early francophone literatures and cultures with a focus on theater and performance, forms and representations of violence, travel narratives and cross-cultural interactions, and gender, queer, Indigenous, and disability studies. He has also written on contemporary theater, notably the work of Mohamed Kacimi. He is the editor of French Renaissance and Baroque Drama: Text, Performance, Theory (2015), guest co-editor with Valérie M. Dionne of a special issue of Early Modern French Studies on "Staging Violence in Early Modern France" (2020), and co-editor with Kelly Fender McConnell ofCoups de maître. Studies in Medieval and Early Modern Literature and Culture, in honour of John D. Lyons (2021).