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E-raamat: Operas of Rameau: Genesis, Staging, Reception

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In recent years, interest in Rameaus operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the worlds major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composers operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameaus operas. The individual essays are informed by a variety of disciplines or sub-disciplines including literature, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers.
List of figures
xi
List of music examples
xiii
List of tables
xv
List of abbreviations
xvii
Notes on contributors xix
A checklist of Rameau Operas xxv
Introduction 1(8)
PART I Factions and rivalry
9(52)
1 A little-known contribution to the Lulliste-Ramiste dispute: Jean Galli de Bibiena's Metnoires et aventures de monsieur de *** (1735)
11(14)
Francesca Pagani
2 Destouches and Collin de Blamont: two surintendants in the face of the Ramiste threat
25(21)
Franqoise Escande
Benoft Dratwicki
3 Rameau versus Mondonville: the construction of a post-Lullian musical identity in France
46(15)
Thierry Favier
PART II Librettos: gestation, attributions, interpretation
61(66)
4 Jean-Philippe Rameau's Art d'aimer: music and eroticism in the Age of Enlightenment
63(17)
Raphafille Legrand
5 Re-assessing attributions to Louis de Cahusac of the librettos of Rameau's lo, Zephire and Nelee et Mirthis
80(14)
Thomas Soury
6 The Triumph of Generosity, or `Let's make an opera-ballet'
94(19)
Roger Savage
7 New light on the genesis of the ill-fated opera Linus by La Bruere and Rameau
113(14)
Marie Demeilliez
PART III Borrowings and creative renewal
127(72)
8 A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's Anacreon' (1757)
129(12)
Graham Sadler
9 Recreating Rameau: Jacques-Simon Mangot and his role in Parma
141(18)
Margaret R. Butler
10 An anonymous Messe des marts on themes by Rameau and Mondonville
159(26)
Thomas Leconte
11 `Objet d'etude et de curiosite': Candeille's Castor et Pollux and its audiences, 1791-1817
185(14)
R.J. Arnold
PART IV Production, performance, and criticism
199(102)
12 The impact of human and material contingencies on artistic creation: the case of Rameau's Les Indes galantes
201(14)
Laura Naudeix
13 Staging time and space in Rameau's tragedies en musique
215(13)
Lois Rosow
14 Stage sets and music in Rameau's operas
228(15)
Remy-Michel Trotier
15 Do Rameau's dances `impose physical movement'? A collaborative exploration
243(21)
Hubert Hazebroucq
Rebecca Harris-Warrick
16 Through the Mercure's lens: mid-eighteenth-century acting styles and vocal aesthetics at the Paris Opera
264(14)
Thomas Green
17 Rameau's operas on disc
278(23)
Patrick Florentin
Index of dramatic works cited 301(4)
General Index 305
Graham Sadler is a research professor at the Royal Birmingham Conservatoire and Emeritus Professor of Music at the University of Hull.

Shirley Thompson is Interim Principal of Royal Birmingham Conservatoire.

Jonathan Williams is a leading Rameau specialist in Britain and director of the Rameau Project based at St Hildas College, Oxford.