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E-raamat: Oxford Handbook of Hip Hop Dance Studies

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Edited by (Associate Professor of Dance, York University), Edited by (Assistant Professor of Critical Dance Studies, University of California, Riverside)
  • Formaat: EPUB+DRM
  • Sari: Oxford Handbooks
  • Ilmumisaeg: 18-Nov-2022
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780190247898
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Oxford Handbook of Hip Hop Dance StudiesSuurem pilt
  • Formaat: EPUB+DRM
  • Sari: Oxford Handbooks
  • Ilmumisaeg: 18-Nov-2022
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780190247898
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Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and Imani Kai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, Terry Bright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space.

The Oxford Handbook of Hip Hop Dance Studies offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of hip hop, and the cultural shift into theatre, TV, and the digital social media space.

Arvustused

Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture. * E. Milenkiewicz, Choice * Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture. * Choice * The Oxford Handbook of Hip Hop Dance Studies is an important contribution to hip-hop research, and in the coming years it will likely function as a central reference work in the production of knowledge concerning hip-hop in general and hip-hop dance specifically. Not least, I reckon that it should be relevant as an encyclopedia and reference work for those interested in breaking when it appears in the Paris Olympics this summer. * Jacob Kimvall, idrottsforum.org *

About the Contributors Introduction Mary Fogarty and Imani Kai Johnson
Part I. Hip Hop Dance Legacies and Traditions
1. Foundation: Context and
Components of Breaking Fundamentals Kenneth "Ken Swift" Gabbert and Yarrow
"Osofly" Lutz
2. The Camera in the Cypher: High Times and Hypervisibility in
Early Hip Hop Dance
Vanessa Lakewood
3. The Technical Developments in Breaking from Conditioning
to Mindset Niels "Storm" Robitzky
4. Connecting Hip Hop History and Heritage
E. Moncell Durden
5. Kung Fu Fandom: NYC B-Boys and the Grindhouse
Distribution of Kung Fu Films Eric Pellerin
6. What Makes a Man Break? Mary
Fogarty Part II. Hip Hop Dance Methodologies
7. Learn Your History: Using
Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop
Scholarship MiRi Park
8. Hard Love Part. 1: Corporealities of Women
Ethnographers of Hip Hop Dances Imani Kai Johnson
9. Framing Hip Hop Dance as
an Object of Sociological and Cultural Research Andy Bennett
10. Through
Sound and Space: Notes on Education from the Edge of the Cypher Emery
Petchauer
11. The Vault: Collecting and Archiving Street Dance Footage Marc
"Scramblelock" Sakalauskas
12. Hard Love Part 2: Critical Hiphopography in
Streetdance Communities Imani Kai Johnson Part III. Overstanding Identities
in Hip Hop Streetdance Practices
13. Breaking in My House: Popular Dance,
Identity Politics, and Postracial Empathies Thomas F. DeFrantz
14.
Globalization and the Hip Hop Dance Cipher Halifu Osumare and Terry Bright
Kweku Ofosu
15. Asian American Liminality: Racial Triangulation in Hip Hop
Dance grace shinhae jun
16. Breakin' Down the Bloc: Hip Hop Dance in Armenia
Serouj "Midus" Aprahamian
17. Twerking and P-Popping in the Context of New
Orleans' Local Hip-Hop Scene Matt Miller
18. Is She B-boying or B-girling?
Understanding how B-girls Negotiate Gender and Belonging Helen Simard Part
IV. Breaking with Convention
19. Streetdance and Black Aesthetics Naomi
Bragin
20. Living in the Tension: The Aesthetics and Logics of Popping
Rosemarie A. Roberts
21. Staging Hip Hop Dance: Fly Girls in the House Leah
"McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty
22. Battles
and Ballets: Hip Hop Dance in France Roberta Shapiro (Translation by David
Lavin, Roberta Shapiro and Imani Kai Johnson)
23. Negotiating the Metaspace:
Hip Hop Dance Artists in the Space of UK Dance/Theatre Paul Sadot
24. Make
the Letters Dance: A Hip Hop Approach to Creative Practice Anthony "YNOT"
DeNaro and Mary Fogarty Part V. Hip Hop Health: Injury, Healing and
Rehabilitation
25. Hip Hop Dance and Injury Prevention Tony Ingram
26. They
Come for the Hip Hop, But Stay for the Healing Stephen "Buddha" Leafloor
27.
Can Expert Dancers Be A Springboard Model to Examine Neurorehabilitation Via
Dance? Rebecca Barnstaple, Débora B. Rabinovich, and Joseph FX DeSouza
Afterword: Dance, Hip Hop Studies and the Academy Joseph Schloss
Acknowledgments Index
Mary Fogarty is a lifelong B-Girl and Associate Professor in the Department of Dance at York University, Toronto, Canada. She is the co-editor of Movies, Moves and Music: The Sonic World of Dance Films (with Mark Evans) and has contributed to The Oxford Handbook of Dance and Competition, The Routledge Reader on the Sociology of Music, and Ageing and Youth Cultures: Music Style and Identity, among other publications.

Imani Kai Johnson is an interdisciplinary-trained Professor of Critical Dance Studies at UC Riverside. She is also founder and chair of the Show & Prove Hip Hop Studies Conference series and author of Dark Matter in Breaking Cyphers: The Life of Africanist Aesthetics in Global Hip Hop (OUP, 2022). She currently resides in Long Beach, CA.
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