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E-raamat: Painted Triptychs of Fifteenth-Century Germany: Case Studies of Blurred Boundaries

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This book presents four case studies that interrogate how German fifteenth-century painted triptychs engage with, and ultimately blur, various boundaries. Some of the boundaries are internal to the triptych format, for example, transgressed frames between narrative scenes on triptych interiors, or interconnections between imagery on triptych interiors and exteriors. Other blurred boundaries are regional ones between the Netherlands and Cologne; metaphysical ones between heaven and earth; and artistic distinctions between the media of painting and sculpture. The books case studieswhich shed new light on Conrad von Soest, Stefan Lochner, and the Master of the St. Bartholomew Altarpieceilluminate the importance of German fifteenth-century painting, while providing a fresh assessment of relations between German triptychs and their more famous Netherlandish counterparts. The case studies also demonstrate the value of probing Medialität, that is, the implications of format and medium for generating meaning. A coda assesses the triptych in the age of Dürer.
List of Illustrations
9(12)
Acknowledgements 21(2)
Introduction 23(20)
1 Framed Boundaries: Conrad von Soest and Early Fifteenth-Century Westphalian Triptychs
43(50)
2 Transparent Boundaries: Colour on the Exterior of German Fifteenth-Century Triptychs
93(72)
3 Regional Boundaries: Rogier van der Weyden's Columba Altarpiece and Cross-Influences Between the Netherlands and Cologne
165(44)
4 Spiritual Boundaries: The Master of the St. Bartholomew Altarpiece and the Border between Reality and Eternity
209(46)
5 Coda: The Triptych in the Age of Durer
255(30)
Bibliography 285(16)
Index 301
Lynn F. Jacobs is Distinguished Professor at the University of Arkansas. She has published numerous articles as well as three books: Early Netherlandish Carved Altarpieces, 1380-1550: Medieval Tastes and Mass Marketing; Opening Doors: The Early Netherlandish Triptych Reinterpreted; and Thresholds and Boundaries: Liminality in Netherlandish Art.