Muutke küpsiste eelistusi

E-raamat: Painting and Publishing as Cultural Industries: The Fabric of Creativity in the Dutch Republic, 1580-1800

Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 55,89 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
Painting and Publishing as Cultural Industries: The Fabric of Creativity in the Dutch Republic, 1580-1800Suurem pilt
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing—in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Clara Rasterhoff shows how industrial organizations played a role in shaping patterns of growth and innovations—as early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers—though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.

Arvustused

"[ In this book] there is a great deal to admire, and [ it] will be required reading for any future students of the Dutch Golden Age." - Andrew Pettegree, University of St Andrews, English Historical Review Volume 133, Issue 565 (December 2018) "This is a remarkable work of integration and synthesis of scholarship that advances a fresh understanding and illustrates novel analytical tools at work in an area of study exceptionally rich." - Sandra van Ginhoven, BMGN - Low Countries Historical Review. 132. (2017).

Acknowledgements 5(6)
List of figures, tables, and illustrations
11(4)
1 Introduction
15(20)
The Dutch Golden Age
16(5)
Cultural industries
21(1)
Spatial clustering
22(2)
A dynamic analytical framework
24(3)
Book structure and approach
27(8)
Part I Publishing
2 1580-1610: Window of Opportunity
35(28)
The Dutch Revolt, an external shock
36(3)
New publishers, new markets
39(4)
New markets, new products
43(6)
Business structure and strategy
49(7)
Conclusion
56(7)
3 1610-1650: Unlocking Potential
63(28)
Differentiation of demand
64(3)
Book sizes and prices
67(5)
Related and supporting industries
72(11)
Conclusion
83(8)
4 1610-1650: Buzz and Pipelines
91(36)
A polycentric urban structure
91(6)
Local competition
97(10)
Openness and embeddedness
107(13)
Conclusion
120(7)
5 1650-1800: Mature Markets
127(42)
Economic setbacks
128(1)
International markets
129(3)
A reading revolution?
132(3)
Geographic distribution
135(2)
Related and supporting industries
137(5)
From production to distribution
142(2)
Distribution and finance
144(7)
Reproduction of skills and routines
151(2)
Competition
153(5)
Conclusion
158(11)
Part II Painting
6 1580-1610: A Period of Transition
169(24)
Expansion of the art market
170(2)
Spatial clustering and the impact of immigration
172(5)
Measuring artistic prominence
177(2)
Prominence in Dutch painting
179(4)
Styles, genres, and ties with related industries
183(3)
Conclusion
186(7)
7 1610-1650: Unlocking Potential
193(22)
Golden Age painting
193(2)
From large potential to real consumption
195(1)
Artistic novelties of the 1610s and 1620s
196(4)
Product and process innovations
200(2)
The invisible hand of supply and demand
202(1)
Competition
203(8)
Conclusion
211(4)
8 1610-1650: Buzz and Pipelines
215(30)
Geography of production
216(6)
Quality and quantity
222(3)
Spin-offs and spillovers
225(5)
Institutional organization
230(6)
Distribution
236(3)
Conclusion
239(6)
9 1650-1800: Mature Markets
245(38)
The downturn in the art market
246(3)
Geographic distribution
249(3)
Artistic decline
252(1)
Artists' strategies
253(1)
Luxury and elegance
254(10)
Institutional organization
264(10)
Conclusion
274(9)
10 Conclusion
283(14)
The life cycles of painting and publishing
283(4)
Painting and publishing as cultural industries
287(5)
Spatial clustering as an explanatory framework
292(2)
Creative flames and golden ages
294(3)
Appendix 1 Methods and Data 297(10)
Sources and Bibliography 307(30)
Index 337
Claartje Rasterhoff studied history at the University of Amsterdam and Utrecht University. She currently works as a post-doctoral researcher and lecturer in Arts and Culture Studies at Erasmus University Rotterdam.
Lisainfo e-raamatute kohta Lisainfo e-raamatute kohta
Püsilink: https://www.kriso.ee/db/97810407745336e.html