When the arts, culture, and entertainment industries came to a halt in late winter 2020, many claimed this was the end of art as we knew it. Theatre managers, museum directors, performers, artists, and everyday folks had to figure out new strategies for living and thriving in a new world order. As the global pandemic and its consequences continue to play out, the question of how we have learned—as creators or consumers—to play, is far from settled. This collection addresses pandemic play in broad terms: how did creative industries adapt to a majority virtual world? How have our understandings of community and play evolved? Might new forms of art and play outlive the pandemic and supplant earlier iterations? Pandemic Play takes these questions as a starting point, exploring strategies, case studies, and effects of the arts worlds gone virtual.
Chapter 1- Going Viral: Cultivating COVID Play. Part I: Making Pandemic
Play(s).
Chapter 2 -Facing Up to Death: Nigeria and Its Creative Industry in
the Era of COVID-19.
Chapter 3- Distributed Performance as Systems of Mutual
Care.
Chapter 4 -Variant of Concern: University Theatre Pandemic Production
through the Zoom Lens.
Chapter 5- Finding Catharsis in the Pandemic: Reading
Greek Tragedy Online.- Part II - Adapting to the Virtual.
Chapter 6: A Love
that Began as a Game: Gameboys, Filipino Boys Love (BL), & the COVID19
Pandemic.
Chapter 7- Digitally Dairakudakan: An Examination of the 20202021
Pandemic Performance Season.
Chapter 8 -Calling from Canada: Exploring the
Shift to Telephonic Theatre during COVID-19.- Part III - Crossing Media
Chapter 9 - Mixed Media Encounters: Finding the Future of Immersive Work
through the Pandemic.
Chapter 10 -No Longer Merely Players: Porting the
Elements of Theatre into Video Gaming.
Chapter 11- Sing Along with the
Common People: Glastonbury and the Future of Festivals in the Age of
Corona.- Part IV: Community Formation & Support.
Chapter 12- Performing
Dramaturgies of Care in Quarantine: Aging, Inclusivity, and Aesthetics in a
Virtual World.
Chapter 13-The Telelibrary Conspiracy: An Autonomous Audience
and their Creation of Remote Community.
Chapter 14- Cyberpunkd 2020:
Megacorps, Nooks Cranny, and the New Normal.
Chapter 15- Humor and
Introspection in the Pandemic.
Carolyn Ownbey (she/her) is Assistant Professor and Chair of English, Communications, & Literature and Faculty Director of the Degrees+ programs at Golden Gate University, USA. She works on anticolonial literature and media, law, and citizenship. She is published in Law & Literature, Textual Practice, Critique, and Safundi, among others.
Catherine Quirk (she/her) is a Lecturer in Creative Arts at Edge Hill University, UK. Her research focuses on womens performance practices and their incorporation into narrative. She is published in Cahiers Victoriens et Édouardiens, Theatre Notebook, Victorians, Nineteenth-Century Gender Studies, and other venues.
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