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E-raamat: Patternmaking History and Theory

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Edited by (The Pratt Institute, New York, USA)
  • Formaat: 280 pages
  • Ilmumisaeg: 05-Sep-2019
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-13: 9781350062658
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Patternmaking History and TheorySuurem pilt
  • Formaat: 280 pages
  • Ilmumisaeg: 05-Sep-2019
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-13: 9781350062658
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Fashion design is increasingly gaining attention as an important form of cultural expression. However, scholarship has largely focused on specific designers and their finished products. This collection reveals the crucial foundational art and craft of patternmaking design, with essays that explore the practice in specific historical and cultural contexts.

Probing the theoretical underpinnings that inform patternmaking, Patternmaking History and Theory interrogates topics that span cultures and time periods, ranging from high fashion to home sewing. Taking the reader from women's making and mending for victory during World War Two, to Jamaican dress history and today's complex 3D pattern cutting software, the book examines the creative aspect of a culturally rich skill.

Beautifully illustrated and rooted in original research, Patternmaking History and Theory brings together a group of leading international scholars to provide a range of perspectives on a key but often overlooked aspect of design.

Arvustused

Highlighting important new ideas from contemporary experts, Patternmaking History and Theory is one of the first of its kind. This is an exciting contribution to pattern cutting literature. * Kevin Almond, Organiser and Chair of 'The Second International Conference for Creative Pattern Cutting, 2016 * Well-researched histories of patternmaking are rare because of the dual requirements for scholars to have technical expertise as well as skills in historical research. This book demonstrates that such specialists exist. [ A] much-needed perspective on fashion history. * Susan L. Hannel, University of Rhode Island, USA *

Muu info

A collection of essays that reveal how patternmaking informs the design of apparel both historically and conceptually.
List of Illustrations
vii
Notes on Contributors xii
Preface xvi
Introduction Jennifer Grayer Moore 1(10)
1 A Brief History of Patternmaking Jennifer Grayer Moore
11(22)
Part 1 Approaches to Patterning Apparel: Formal Systems and Improvisation
2 An Education in Pattern Cutting c. 1950; the work of E. Sheila MacEwan
33(18)
Hannah Wroe
3 "Knitting Instructions": An Analysis of Red Cross Clothing Patterns, 1917-65
51(20)
Rebecca J. Keyel
4 Making and Mending for Victory: Pattern Creation, Distribution, Use, and the Goal of Conservation for Home Sewers During the Second World War
71(20)
Jennifer Grayer Moore
Part 2 Perspectives on Technical Design and Technological Advancement in Apparel Pattern Drafting
5 The Tailor's Voice: Pattern Drafting Systems and the State of the Art
91(18)
Catherine Roy
6 Computer-Aided Patternmaking: A Brief History of Technology Acceptance from 2D Pattern Drafting to 3D Modeling
109(18)
Fatma Bay tar
Eulanda Sanders
7 Patternmaking Methods for Creating Size-Adjustable Garments
127(22)
Ellen McKinney
Bingyue Wei
8 Home Sewing Transformed: Changes in Sewing Pattern Formats and the Significance of Social Media and Web-Based Platforms in Participation
149(16)
Addie Martindale
Part 3 Creative Diversity: Multicultural Approaches to Pattern Creation
9 Creolized Patternmaking: A Jamaican Perspective
165(16)
Elli Michaela Young
10 Re-Make, Re-Model, Re-Define: Fashioning a Nation's Identity
181(20)
Anthony Bednall
11 The Ottoman Kaftan: Designed to Impress
201(14)
Gozde Goncu-Berk
Notes 215(26)
Bibliography 241(18)
Index 259
Jennifer Grayer Moore is Lecturer of Fashion and Textiles at The Pratt Institute, New York, USA.
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