In Hegel’s aesthetics, the element of speculative philosophy is always a notorious aspect that attracts the most complaints from modern art criticism. The book, however, justifies the intelligibility in art in light of Hegel’s philosophy of metaphysics.
In Hegel’s aesthetics, the element of speculative philosophy is always a notorious aspect that attracts the most complaints from modern art criticism. The book, however, justifies the intelligibility in art in light of Hegel’s philosophy of metaphysics.
The author explores the philosophical motivations of Hegelian aesthetics, its underlying logic, the relationship between metaphysical core and artistic expression, as well as the contemporary significance and value of metaphysicalised theories of art exemplified by Hegelian aesthetics. Through elucidating the metaphysical core implicit in Hegel’s lectures on aesthetics, this book proves that the philosophical considerations of Absolute Idealism bring to art the spiritual seriousness which the Romantics lack. Ultimately, this approach reveals the broad consensus which both Hegel’s aesthetics and modern philosophical hermeneutics share, thus bridging the gap between ancient and the modern philosophy of art.
The book will appeal to scholars and students studying classical German philosophy, German Romantic literature criticism, and modern art theory.
Introduction: The Intellectual Background of Hegels Aesthetics, Its
Controversies, and Its Metaphysical Roots 1 The Implications of the
Metaphysical Core of Hegels Aesthetics 2 The Particular Determinations of
the Metaphysical Idea in Artistic Beauty: Movement, Opposition, and Balance 3
The Fore-Structures of Understanding the Art Forms 4 Metaphysical
Connotations of the Genres of the Arts 5 Conclusion: The Contemporary
Significance of Metaphysicalised Hegelian Aesthetics
Changjiang Xing teaches at the Department of Philosophy, Xiangtan University, China, with research interests in classical German philosophy, metaphysics, and aesthetics.
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