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E-raamat: Performing Adaptations: Essays and Conversations on the Theory and Practice of Adaptation

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  • Formaat: 285 pages
  • Ilmumisaeg: 26-Mar-2009
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443809351
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  • Formaat: 285 pages
  • Ilmumisaeg: 26-Mar-2009
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443809351
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Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on adaptation in the arts. An ideal text for students of theatre, drama, and performance studies, this volume offers a ground-breaking set of essays, interviews, and artistic reflections that assess adaptation from the perspective of live performance, an aspect of the field that has been under-explored until now. The diverse authors and interview subjects in this anthology take a variety of approaches to both creating and analyzing adaptations, demonstrating the form's suitability for testing and speaking back to dominant models of creation, production, and analysis. Featuring articles by pioneering adaptation scholar Linda Hutcheon and critically acclaimed writer and critic George Elliott Clarke, Performing Adaptations advances the field of adaptation studies in new and exciting ways. The authors in Performing Adaptations do not comprise a comprehensive view of adaptation studies, but represent a collection of "gutsy" voices that use adaptation to test, and speak back to dominant models of creation, production, and analysis. Some of these perspectives include a group of artists from the African Diaspora, Europe, and Canada (the AfriCan Theatre Ensemble); the voice of Chinese-Canadian playwright, Marjorie Chan; the innovative storytelling of Beth Watkins, and her adaptation of letters written by transgendered student activist, Jesse Carr; the views of vanguard Canadian queer filmmaker, John Greyson; and African-Canadian poet, novelist, and critic, George Elliott Clarke. Their adaptation of sources to other genres, mediums, and cultural contexts represent the act of a radical, dialogical reading, writ large.
List of Images
ix
Preface: Creators and Critics on Adaptating: Learning About Critical Adaptation xi
Linda Hutcheon
Acknowledgements xv
Introduction: Performing Adaptations: the Role of Performance in Adaptation Studies xvii
Michelle MacArthur
Lydia Wilkinson
Keren Zaiontz
The Art of Repeating Stories
1(10)
Linda Hutcheon
Digital Performance, Live Technology: Video Games and the Remediation of Theatrical Spectatorship
11(14)
Natalie Corbett
Pacifist Antigones
25(18)
Alison Forsyth
"Look into Fengo's Hole ... and Win!!": Paratextuality as a Strategy for Evading Anti-Adaptation Prejudices in Michael O'Brien's Mad Boy Chronicle
43(16)
James McKinnon
The Garden: Reinterpreting Hamlet as an Image-Based Creation
59(14)
Tom Stroud
"Pretty, Isn't It?": Adapting Film Noir to the Stage
73(14)
Tony Perucci
Time and Uncle Tom: Slowing Down Edwin S. Porter's film of Uncle Tom's Cabin
87(26)
Stephen Johnson
Adaptation as Remembrance
113(16)
Marjorie Chan
Intercultural Adaptation in Market of Tales
129(18)
Modupe Olaogun
Aktina Stathaki
Ronald Weihs
Chick Joint: Adapting (to) Life Behind Bars
147(36)
Beth Watkins
Colonizing the "Original": John Greyson and Queer Adaptations
183(20)
John Greyson
The Epistemology of Adaptation in John Greyson's Lilies
203(20)
Lawrence Howe
Embracing Beatrice Chancy
223(4)
George Elliott Clarke
Adapting Identities: Race and Rescue in the Work of George Elliott Clarke
227(16)
George Elliott Clarke
Appendix 1 A Description of Tommers 243(4)
Stephen Johnson
Appendix 2 An Aggressive Adaptation of the Auction Scene 247(10)
Stephen Johnson
Marlis Schweitzer
List of Contributors 257(6)
Editors 263(2)
Index 265
Michelle MacArthur is a PhD candidate at the Graduate Centre for Study of Drama, University of Toronto. Her dissertation research focuses on the critical reception of feminist theatre in Toronto and Montreal. She has published in alt.theatre and contributed theatre entries to the online Canadian Encyclopedia. She is also co-editor of the fall 2009 issue of Canadian Theatre Review on audiences. Lydia Wilkinson is a PhD Candidate at the Graduate Centre for Study of Drama, University of Toronto. She is currently working towards the completion of her thesis entitled "Trudeau and the Performance of Canadian Identities", which analyzes the former prime minister as a performance subject, deconstructing Trudeau's performance of self and popular representations of the PM. Lydia will once again co-edit with Michelle in the fall 2009 Canadian Theatre Review: Audiences. She has also published in alt.theatre.Keren Zaiontz is a PhD candidate at the Graduate Centre for Study of Drama, University of Toronto. Her dissertation focus is on contemporary Canadian site-specific companies in Montreal, Toronto, and Vancouver. She is a co-editor of the anthology, Reluctant Texts from Exuberant Performance: Canadian Devised Theatre with Bruce Barton, Natalie Corbett, and Birgit Schreyer-Duarte. She has published in Canadian Theatre Review and the anthology Critical Perspectives on Canadian Theatre: Environmental and Site-specific Theatre, edited by Andrew Houston.