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E-raamat: Performing Waste: To Re-member Pasts and Fabulate Futures

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Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.



Performing Waste offers groundbreaking insights into the vibrant interdisciplinary field of waste studies through the lens of performance and artistic practice.

This pioneering collection examines how waste and wasting are performed across diverse media and genres, from Afrofuturist musical works to contemporary scrap art installations. Distinguished international scholars present original research using situated methodologies, including ethnographic approaches, to analyse compelling case studies that span global contexts. The volume explores eco-trauma and toxic kinship in artistic works, investigates the relationship between extractivism and knowledge production, and examines critical sites like the Polish-Belorussian border and e-waste processing in Ghana and Peru. By reframing familiar environmental narratives and introducing novel perspectives on waste agency, materiality, and performance, the collection challenges conventional understandings of our discarded materials and practices. Each contribution illuminates how waste performance can help us reimagine ecological relationships and envision alternative futures beyond extractivist paradigms.

This volume is an essential reading for students and scholars in environmental humanities, post humanist theory, decolonial studies, eco-arts, media studies, and performance studies, as well as anyone concerned with creative responses to our global waste crisis.

Note on Contributors

Performing Waste: An Introduction by Dorota Sajewska and Magorzata Sugiera

Part I: Practices of Wasting and Knowing

Chapter
1. Beneath Your Very Eyes: Mining and Knowledge Production by Ruth
Schmidt

Chapter
2. "The Rejected Remains as Fact": Writing Disjointed Archives with
Plastic Waste by Katarzyna Trzeciak

Chapter
3. Notes on Waste: The Performance of the "Wasted I" in Lee Lorenzo's
Notebooks by Dorota Sajewska

Chapter
4. On Rag-picking as Creative Intervention in Knowledge Production by
Magorzata Sugiera

Part II: Following Waste

Chapter
5. Unruly Performativity and Tactics of the Wastebound: A Case of
Neptune Frost (2021) by Mateusz Borowski

Chapter
6. Suspending Discarding: Performing with/in/as Waste by Bettina
Knaup

Chapter
7. Performing Scrap: Rethinking Metal Waste in the Wasteocene by
Marta Tomczok and Pawe Tomczok

Chapter
8. Below the Threshold: Following Toxic Remnants from Europe to Ghana
and Back Again by Julia Schade

Chapter
9. People on the Move and Their Things: Reflecting on Waste on the
Polish-Belarusian Border by Filip Ryba

Part III: Re-membering Wasted Lands

Chapter
10. Spoiling Occupation: Performing Sinkholes in Times of Waste Siege
by Mateusz Chaberski

Chapter
11. Living After an End of the World: Eco-Trauma and Transspecies
Solidarity in Michael Marder and Anais Tondeur's Chernobyl Herbarium by
Catherin Persing

Chapter
12. Wandering Through the Smell of the Capitalocene: Landscapes of
Waste and the Remains of the Future in the Peruvian City of Chimbote by Leon
Gabriel

Chapter
13. The Song of the Sirens and the Enchantment of Plastic by Fabienne
Liptay

Index
Dorota Sajewska is a Full Professor for Theatre and Performance Studies at the Ruhr-University Bochum, Germany.

Magorzata Sugiera is a Full Professor at Jagiellonian University in Krakow, Poland, and Head of the Department of Performativity Studies.
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