In Philosophical Instruments Daniel Rothbart argues that our tools are not just neutral intermediaries between humans and the natural world, but are devices that demand new ideas about reality. Just as a hunter's new spear can change their knowledge of the environment, so can the development of modern scientific equipment alter our view of the world.
Working at the intersections of science, technology, and philosophy, Rothbart examines the revolution in knowledge brought on by recent advances in scientific instruments. Full of examples from historical and contemporary science, including electron scanning microscopes, sixteenth-century philosophical instruments, and diffraction devices used by biochemical researchers, Rothbart explores the ways in which instrumentation advances a philosophical stance about an instrument's power, an experimenter's skills, and a specimen's properties. Through a close reading of engineering of instruments, he introduces a philosophy from (rather than of) design, contending that philosophical ideas are channeled from design plans to models and from model into the use of the devices.
In Philosophical Instruments Daniel Rothbart argues that our tools are not just neutral intermediaries between humans and the natural world, but are devices that demand new ideas about reality. Just as a hunter's new spear can change their knowledge of the environment, so can the development of modern scientific equipment alter our view of the world.
Working at the intersections of science, technology, and philosophy, Rothbart examines the revolution in knowledge brought on by recent advances in scientific instruments. Full of examples from historical and contemporary science, including electron scanning microscopes, sixteenth-century philosophical instruments, and diffraction devices used by biochemical researchers, Rothbart explores the ways in which instrumentation advances a philosophical stance about an instrument's power, an experimenter's skills, and a specimen's properties. Through a close reading of engineering of instruments, he introduces a philosophy from (rather than of) design, contending that philosophical ideas are channeled from design plans to models and from model into the use of the devices.
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"Exceptional for its clarity of prose and argument. . . . Rothbart integrates profound issues of ontology and epistemology with compelling case studies that traverse the seventeenth to twenty-first centuries."--Technology and Culture
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The surprising roles of instruments and experimentation in acquiring knowledge
CoverTitleCopyrightContentsForeword by Rom HarréPreface1. Science,
Technology, and Philosophy2. Analogies of Design3. Testing Design Plans4.
Icons of Design and Images of Art5. Microscopes, Machines, and Matter6.
Atoms: Easier than Ever Before7. Specimens as
MachinesAfterwordNotesGlossaryReferencesCreditsIndexBack cover
Daniel Rothbart is a professor of philosophy at George Mason University. He is the author of Explaining the Growth of Scientific Knowledge: Metaphors, Models, and Meanings. His edited volumes include Science, Reason and Reality and Modeling: Gateway to the Unknown by Rom Harré.
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