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E-raamat: Philosophy of War Films

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Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen.

In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.

Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006),Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically,The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.

Introduction: War Films and the Ineffability of War 1(80)
David LaRocca
Part 1 The Aesthetics of War On-Screen
War and Representation
81(26)
Fredric Jameson
War Pictures: Digital Surveillance from Foreign Theater to Homeland Security Front
107(26)
Garrett Stewart
Lenses into War: Digital Verite in Iraq War Films
133(22)
Stacey Peebles
Beyond Panopticism: The Biopolitical Labor of Surveillance and War in Contemporary Film
155(24)
Joshua Gooch
Seeing Soldiers, Seeing Persons: Wittgenstein, Film Theory, and Charlie Chaplin's Shoulder Arms
179(26)
Burke Hilsabeck
Part 2 War as Condition of Self-Formation and Self-Dissolution
Apocalypse Within: The War Epic as Crisis of Self-Identity
205(42)
Garry L. Hagberg
The Violated Body: Affective Experience and Somatic Intensity in Zero Dark Thirty
247(14)
Robert Burgoyne
"All in War with Time": Medium as Meditation in Sherman's March
261(26)
Lawrence F. Rhu
The Power of Memory and the Memory of Power: Wars and Graves in Westerns and Jidaigeki
287(26)
Inger S. B. Brodey
Part 3 The Ethical Tribulations of War
The Ubiquitous Absence of the Enemy in Contemporary Israeli War Films
313(22)
Holger Potzsch
General Patton and Private Ryan: The Conflicting Reality of War and Films about War
335(20)
Andrew Fiala
The Work of Art in the Age of Embedded Journalism: Fiction versus Depiction in Zero Dark Thirty
355(30)
K. L. Evans
Part 4 War, Nature, and the Absolute
Vernacular Metaphysics: On Terrence Malick's The Thin Red Line
385(28)
Robert Pippin
War and Its Fictional Recovery On-Screen: Narrative Management of Death in The Big Red One and The Thin Red Line
413(24)
Elisabeth Bronfen
"Profoundly Unreconciled to Nature": Ecstatic Truth and the Humanistic Sublime in Werner Herzog's War Films
437(46)
David LaRocca
Acknowledgments 483(6)
Appendix. The Multifarious Forms of War Films: A Taxonomy of Subgenres 489(14)
Contributors 503(8)
Index 511
David LaRocca is visiting scholar in the Department of English at Cornell University, USA and lecturer in aesthetics and film in the Department of Philosophy at the State University of New York College at Cortland, USA. He is the author of Emerson's English Traits and the Natural History of Metaphor and editor of The Philosophy of Charlie Kaufman and Stanley Cavell's Emerson's Transcendental Etudes.