Introduction |
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6 | (4) |
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10 | (2) |
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12 | (4) |
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The Optimum Exposure for You |
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16 | (2) |
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Underexposure & Overexposure |
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18 | (2) |
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Challenge: Creative Use of Over- or Underexposure |
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20 | (2) |
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22 | (4) |
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Challenge: Get the Shot with a High ISO |
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26 | (2) |
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28 | (2) |
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The Math Behind the Numbers |
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30 | (4) |
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Challenge: Demonstrate Depth-of-Field Control |
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34 | (2) |
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36 | (4) |
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Challenge: Freeze the Action with a Fast Shutter Speed |
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40 | (2) |
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The Reciprocal Relationship |
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42 | (4) |
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46 | (4) |
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50 | (4) |
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How Light Meters See the World |
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54 | (2) |
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56 | (4) |
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60 | (2) |
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62 | (2) |
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Challenge: Limit Yourself to Spot Metering |
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64 | (2) |
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66 | (4) |
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70 | (4) |
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Challenge: Set a Creative White Balance |
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74 | (2) |
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Handling Extreme Contrast |
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76 | (2) |
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Challenge: Adjust with Exposure Compensation |
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78 | (2) |
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High Dynamic Range Imaging |
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80 | (4) |
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Challenge: Combat the Contrast with an HDR Image |
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84 | (2) |
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The Zone System in a Digital World |
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86 | (4) |
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90 | (4) |
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Challenge: Shoot the Shadows with a Low-Key Shot |
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94 | (2) |
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96 | (2) |
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Challenge: Hug the Highlights with a High-Key Shot |
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98 | (4) |
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Chapter 2 Light & Lighting |
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102 | (2) |
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104 | (4) |
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The Sun Throughout the Day |
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108 | (4) |
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Dealing with Strong Sunlight |
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112 | (4) |
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116 | (2) |
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Challenge: Face the Sun Head-On |
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118 | (2) |
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120 | (2) |
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122 | (4) |
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126 | (4) |
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130 | (2) |
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132 | (2) |
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134 | (2) |
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136 | (2) |
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138 | (4) |
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Balancing Flash to Ambient Light |
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142 | (2) |
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144 | (4) |
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148 | (2) |
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150 | (4) |
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154 | (4) |
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158 | (2) |
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Challenge. Light a Portrait |
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160 | (2) |
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162 | (2) |
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164 | (2) |
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166 | (4) |
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170 | (2) |
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Challenge: Kick It Up a Notch with Hard Light |
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172 | (2) |
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174 | (2) |
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Challenge: Bring Out the Texture |
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176 | (4) |
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180 | (2) |
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182 | (2) |
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184 | (4) |
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188 | (2) |
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190 | (2) |
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192 | (2) |
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Using Lines to Pull Attention |
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194 | (2) |
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Diagonal, Curved & Imaginary Lines |
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196 | (2) |
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Challenge: Lead with Lines |
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198 | (2) |
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200 | (2) |
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202 | (2) |
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Strengthening with Triangles |
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204 | (4) |
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208 | (2) |
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210 | (3) |
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Challenge: Compose with Color |
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213 | (1) |
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214 | (4) |
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218 | (2) |
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220 | (2) |
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222 | (2) |
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224 | (4) |
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228 | (3) |
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Challenge: A Couple's Portrait |
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231 | (1) |
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232 | (2) |
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Wide-Angle Lenses & Perspective |
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234 | (4) |
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238 | (4) |
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242 | (4) |
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246 | (4) |
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Challenge: Communicate Movement through Blur |
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250 | (4) |
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Chapter 4 Processing & Post |
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254 | (2) |
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256 | (2) |
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258 | (2) |
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260 | (4) |
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264 | (2) |
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266 | (4) |
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270 | (2) |
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272 | (2) |
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Adjusting Exposure & Contrast |
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274 | (4) |
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Clarity, Vibrance, & Saturation |
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278 | (2) |
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280 | (4) |
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Removing Spots & Blemishes |
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284 | (2) |
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286 | (2) |
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288 | (2) |
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290 | (2) |
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292 | (2) |
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Challenge: Convert to Black & White |
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294 | (2) |
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Levels in Post-production |
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296 | (2) |
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Color Adjustment in Post-production |
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298 | (4) |
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302 | (2) |
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304 | (2) |
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306 | (2) |
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Removing Unwanted Objects |
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308 | (4) |
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312 | (6) |
Glossary |
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318 | (12) |
Index |
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330 | |