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List of figures and credits |
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ix | |
Preface and acknowledgements |
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xiii | |
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1 | (18) |
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The genesis of the picturesque |
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3 | (4) |
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7 | (2) |
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9 | (4) |
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13 | (2) |
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The picturesque in modernism |
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15 | (2) |
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The reception of the picturesque |
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17 | (2) |
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19 | (38) |
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20 | (8) |
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28 | (5) |
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Gilpin, the sketch and composition at large |
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33 | (7) |
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Price, Reynolds and genre |
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40 | (7) |
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47 | (1) |
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Repton and the limits of the picture |
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48 | (4) |
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Architecture and pictures |
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52 | (1) |
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Coda: Le Corbusier and Herzog and de Meuron, or, the end of the modern picturesque |
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53 | (4) |
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57 | (53) |
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58 | (6) |
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`A dirty fellow with a dirty shovel': rhyparography and the value of disgust in art |
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64 | (5) |
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69 | (3) |
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Disinterestedness II: disgust in the republic of taste |
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72 | (4) |
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A picturesque butcher's shop |
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76 | (4) |
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80 | (3) |
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83 | (4) |
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Sir Uvedale Price's theory of disgust |
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87 | (7) |
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Picturesqueness and objecthood |
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94 | (2) |
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The heartlessness of the picturesque: John Ruskin |
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96 | (7) |
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From savageness to Brutalism and `The Revenge of the Picturesque' |
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103 | (5) |
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108 | (2) |
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110 | (66) |
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The architectural plan and a sketch for its history |
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111 | (4) |
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115 | (3) |
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Cottages - neat and neglected |
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118 | (6) |
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Irregularity in theory and practice |
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124 | (7) |
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Cottage architecture and irregularity as technique |
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131 | (8) |
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139 | (6) |
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145 | (9) |
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Picturesque architecture and form |
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154 | (4) |
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158 | (3) |
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Le Corbusier's picturesque |
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161 | (7) |
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168 | (8) |
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176 | (57) |
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Repton's theory of appropriation |
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177 | (11) |
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From landscape and prospect to landscape and power |
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188 | (9) |
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Ivor de Wolfe's picturesque, or, who and what was Townscape? |
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197 | (18) |
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The politics of viewpoint from Civilia to Collage City |
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215 | (9) |
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Horizontality and modern art |
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224 | (4) |
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The franchise of architecture, or looking down with the picturesque |
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228 | (2) |
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Postscript: sharawaggi now |
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230 | (3) |
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233 | (29) |
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234 | (8) |
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Wolfflin, malerisch and the picturesque movement-effect |
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242 | (4) |
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Movement, space and modernity |
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246 | (4) |
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250 | (2) |
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Benjamin and the non-sensuous imitation of movement |
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252 | (6) |
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258 | (3) |
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Architecture and the picturesque |
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261 | (1) |
Notes |
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262 | (23) |
Index |
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285 | |