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E-raamat: The Picturesque: Architecture, Disgust and Other Irregularities

(University of Queensland, Australia)
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In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows:

  • what the concept of picture does in the picturesque and how this relates to modern theories of the image
  • how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century
  • how visual values such as ‘irregularity’ become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design
  • why movement is fundamental to picturing the stillness of buildings, cities and landscapes.

Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.

List of figures and credits
ix
Preface and acknowledgements xiii
Introduction
1(18)
The genesis of the picturesque
3(4)
1795
7(2)
Price, Knight and Repton
9(4)
The nineteenth century
13(2)
The picturesque in modernism
15(2)
The reception of the picturesque
17(2)
Pictures
19(38)
Painting and pictures
20(8)
The end of fresco
28(5)
Gilpin, the sketch and composition at large
33(7)
Price, Reynolds and genre
40(7)
Breadth and connection
47(1)
Repton and the limits of the picture
48(4)
Architecture and pictures
52(1)
Coda: Le Corbusier and Herzog and de Meuron, or, the end of the modern picturesque
53(4)
Disgust
57(53)
Feeling and ideation
58(6)
`A dirty fellow with a dirty shovel': rhyparography and the value of disgust in art
64(5)
Disinterestedness
69(3)
Disinterestedness II: disgust in the republic of taste
72(4)
A picturesque butcher's shop
76(4)
Meat in Repton
80(3)
The Carcase of an Ox
83(4)
Sir Uvedale Price's theory of disgust
87(7)
Picturesqueness and objecthood
94(2)
The heartlessness of the picturesque: John Ruskin
96(7)
From savageness to Brutalism and `The Revenge of the Picturesque'
103(5)
Everyday
108(2)
Irregularity
110(66)
The architectural plan and a sketch for its history
111(4)
The Truth about Cottages
115(3)
Cottages - neat and neglected
118(6)
Irregularity in theory and practice
124(7)
Cottage architecture and irregularity as technique
131(8)
Familiarity
139(6)
Plan-form and style
145(9)
Picturesque architecture and form
154(4)
Triangularity
158(3)
Le Corbusier's picturesque
161(7)
Picturesque minimalism?
168(8)
Appropriation
176(57)
Repton's theory of appropriation
177(11)
From landscape and prospect to landscape and power
188(9)
Ivor de Wolfe's picturesque, or, who and what was Townscape?
197(18)
The politics of viewpoint from Civilia to Collage City
215(9)
Horizontality and modern art
224(4)
The franchise of architecture, or looking down with the picturesque
228(2)
Postscript: sharawaggi now
230(3)
Movement
233(29)
Picturesque and Baroque
234(8)
Wolfflin, malerisch and the picturesque movement-effect
242(4)
Movement, space and modernity
246(4)
Imitating movement
250(2)
Benjamin and the non-sensuous imitation of movement
252(6)
Interruption
258(3)
Architecture and the picturesque
261(1)
Notes 262(23)
Index 285


John Macarthur is Reader in Architecture at the The University of Queensland, Australia, where he teaches design and the history and theory of architecture.