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E-raamat: Picturing Art History: The Rise of the Illustrated History of Art in the Eighteenth Century

  • Formaat: PDF+DRM
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040775301
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040775301

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Today's book buyer takes for granted that art books will be illustrated with quality full-color reproductions of famous masterpieces. Yet, it was only in the eighteenth century that they began to be illustrated for the first time. In Picturing Art History, Ingrid R. Vermeulen investigates the role that illustrations played in the emergence of the field of art history, arguing that the use of prints and drawings collections by such scholars as Giovanni Bottari, Johann Winckelmann and Jean-Baptiste Seroux d'Agincourt was inextricably bound up with the belief that the artistic past should not be pictured as a history of artists, but as a history of art.

Today’s book buyer takes for granted that books on art history will be illustrated with quality full-color reproductions of famous masterpieces. Yet it was only in the eighteenth century that art books began to be illustrated. In Picturing Art History, Ingrid R. Vermeulen investigates the role that illustrations played in the emergence of the field of art history, arguing that the reproduction collections of such scholars as Giovanni Bottari, Johann Winckelmann, and Jean-Baptiste Seroux d’Agincourt led to the belief that the artistic past should not be pictured as a history of artists, but as a history of works.

Arvustused

Vermeulens comments far exceed everything published so far (...). Christian Rümelin, editor of Print Quarterly|Picturing Art History by Ingrid R. Vermeulen is a well-written work with an original and topical theme, and is based on thorough scholarly research. Debora J. Meijers, Associate Professor of Art History of the Modern Period, University of Amsterdam|Picturing Art History is a fundamental chapter in the history of art. It demonstrates how important reproductions of works of art have been in the development of ideas on art history (...). For the first time an analysis is presented of the way art history texts were accompanied by images. (...) The three case studies highlight different relevant aspects of the subject as such. (...) More generally, the book contributes to the study of how mankind became familiar with artworks without having to see them firsthand. Ger Luijten, Director Fondation Custodia, Paris

Introduction 7(12)
1 Unfulfilled Projects to Illustrate Vasari
19(72)
The Visualisation of Artistic Progress in Print Collections
22(6)
The Corsini Collection and its Discontents
28(31)
Gaps in the Past
28(3)
Decay and the Necessity of Documentation
31(7)
Reproduction and the Character of Art
38(21)
From Print Collecting into Art-Historical Illustration
59(32)
Print Annotations to Vasari's `Vite'
59(2)
Print Collections as Bodies of Art History
61(2)
Filling in the Gaps
63(6)
Artists' Biographies with Reproductive Prints
69(9)
Artistic Schools and the Illustration of Artistic Progress
78(13)
2 The Artistic Past at a Glance
91(86)
The Prominence of Drawings
93(13)
Winckelmann's Interest in Drawing Collections
97(2)
The Disadvantage of Antiquarian Collections
99(3)
Vase Paintings as Drawings
102(4)
Connoisseurship and the Invention of Art History
106(17)
Detecting Artists
106(2)
Detecting Artistic Schools
108(2)
The Question of Artistic Progress
110(4)
The Art of Art History
114(9)
The Cabinet of Art History
123(31)
Drawings as a Point of Departure (Baldinucci)
124(6)
The Unity of Drawings and Biographies (d'Argenville)
130(8)
Acknowledging a Tradition (Winckelmann)
138(16)
Drawings and the Illustration of Art History
154(23)
3 The `Histoire De L'Art Par Les Monumens'
177(86)
The Book as Museum
179(5)
Illustrating the Artistic Past
184(31)
The Case of the Bolognese School
185(9)
Artists' Oeuvres at a Glance
194(9)
Expression as an Art-historical Category
203(8)
The Universal Chain
211(4)
The Problem of Faithful Reproduction
215(35)
Reproduction Critique
218(18)
Tracing
236(14)
The Realization of the Illustrated Overview
250(13)
Conclusion 263(4)
Appendices 267(14)
Archival Material 281(2)
Notes 283(38)
Bibliography 321(20)
Index 341(18)
Illustration Credits 359
INGRID R. VERMEULEN is Associate Professor of Early-Modern Art History at Vrije Universiteit Amsterdam. Her research focuses on the early-modern history of art history grounded in art literature, collections, and museums. It generated the book Picturing Art History (2010) and the project The Artistic Taste of Nations (2015) funded by the Dutch Research Council (NWO). .