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E-raamat: Pindar and the Sublime: Greek Myth, Reception, and Lyric Experience

(University of Bristol, UK)
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Pindarthe Theban eagle, as Thomas Gray famously called himhas often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hölderlin (17701843), arguably Pindars greatest modern reader, he develops the case for an aesthetic appreciation of Pindars odes as literature.

Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindars odes as text. This change of emphasis yields a fresh discussion of many facets of Pindars astonishing art, including the relation of the poems to their occasions, performativity, the poets persona, his imagery, and his myths. Consideration of Pindars views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.

Arvustused

This heartfelt study should prompt further debate about the value of Greek lyric and how to read it ... The books tone and pace clearly emerge from masterful teaching, making it an excellent introduction for students. * The Classical Review * Robert Fowlers Pindar and the Sublime: Greek Myth, Reception, and the Lyric Experience is a profound, erudite, and stimulating book. * Greece and Rome * A superb introduction to Pindar and his poetry. Fowler argues lucidly and passionately that Pindar's odes are examples of sublime literature which transcend their historical context and can still enthuse and inspire audiences today. -- Ian Rutherford, Professor of Classics, University of Reading, UK

Muu info

A new assessment of Pindar as literature using the concept of the sublime as a master-key.
Preface vii
Acknowledgements xiii
1 Sublime Receptions
1(58)
Ancient perceptions of Pindar
1(4)
Preliminary remarks on early modern receptions
5(2)
Abraham Cowley and English receptions
7(3)
Boileau, Perrault and Pindar
10(5)
Herder and the exaltation of genius
15(4)
Edmund Burke
19(2)
Immanuel Kant
21(5)
Reaction to Kant: Friedrich Schiller
26(6)
Friedrich Holderlin
32(9)
Lyric parataxis
41(9)
Ancient and modern receptions in conversation
50(9)
2 Shared Experience
59(78)
The first Pythian
59(4)
Primary and secondary (and tertiary) audiences
63(5)
The lyric `now' and lyric experience: Being there
68(5)
Occasions: The Pindaric komos
73(10)
Personae, performativity and authors
83(11)
Pindar acting `Pindar'
94(8)
`So I too': Pindar's T and us
102(14)
The shadows dream
116(7)
On the razor's edge: The poet, the kairos, art and politics
123(14)
3 Exceeding Limits
137(52)
Greek myth, Greek religion
137(7)
Transcendence and immanence
144(3)
Personifications
147(9)
Probing the boundary of eternity
156(7)
Divine epiphanies
163(7)
In and out of time: Pindaric temporality
170(7)
`As when': Pindaric metaphor and the limits of language
177(12)
Epilogue 189(4)
Notes 193(32)
Bibliography 225(24)
Index of Passages 249(8)
Index of Names and Subjects 257
Robert L. Fowler is Wills Professor of Greek Emeritus at the University of Bristol, UK. He is the author of The Nature of Early Greek Lyric: Three Preliminary Studies (1987) and Early Greek Mythography (2 volumes, 2000-2013). He has published widely on Greek poetry, mythology, historiography, reception and the history of Classical scholarship. He is a Fellow of the British Academy.