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E-raamat: Pipe Organ: A Composer's Guide

(Sub-Organist, Gloucester Cathedral)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Jun-2023
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780197645314
  • Formaat - EPUB+DRM
  • Hind: 26,75 €*
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Jun-2023
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780197645314

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"This book is a guide to composing for the pipe organ. Many contemporary music commissions come from organists, orchestras (which often employ an organist part-time) and church, cathedral and chapel choirs (where the organ is the main accompanying instrument). However, there are currently very few resources available for composers, and so many organ compositions do not explore the instrument's full potential. This book explains how to write idiomatically for the instrument, both explaining basic notationand demonstrating the extent of organ virtuosity by drawing on organ music from the past 500 years. Through practical analysis of previous repertoire, this composer's guide for the organ shows not only what the organ was, or what it is, but also what it can be"--

The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples
are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.

Arvustused

This concise but remarkably comprehensive book is essential reading for music creators. It fills a significant gap. The organ, despite its great history and exciting contemporary presence, has hitherto hardly figured at all in orchestration guides. Composers will find ideas, encouragement and inspiration within these pages. * Judith Weir CBE, Master of the King's Music * This is essential reading for any lover of the organ as a reminder of how historical and important the instrument is. For anyone unfamiliar with the organ, it will be a fascinating journey of discovery, wonderfully written and informative. It could have been so easily dry and predictable, but it is the antithesis of that. What a superb piece of work. * David Hill MBE, President, Royal College of Organists * I recommend this guide unreservedly to anyone who is interested in composing for the organ. I have no doubt that it will become an invaluable resource. * Imogen Morgan, Cathedral Music * This accessible, engaging text aims to remedy this injustice through this brilliant introduction to his wonderful instrument. This book is a treasure trove of useful hints and tips for exploring. Moreover, the supplementary material attached to this book is entertaining and supports and expands upon the main text well. * Kymani Armstrong-Williams, Physics Book Reviews *

Foreword vii
John Rutter
Acknowledgements ix
About the Companion Website xi
Introduction 1(8)
How to Use this Book
3(1)
A Note on the Musical Examples
3(1)
Getting Your Organ Music Performed
4(1)
The Organ and Religion
5(1)
Accessing an Organ
6(1)
Software Instruments
7(1)
Extra Resources
7(2)
1 Introduction to the Organ
9(18)
Overview
9(7)
Organ Building Trends
16(2)
Historic Organs
17(1)
Common Mistakes
18(4)
Writing Outside the Written Range
19(1)
Unidiomatic Textures
19(2)
Not Enough Use of the Pedals
21(1)
Misuse of Double Pedalling
21(1)
Misunderstanding the Relationship between Registration and Dynamics
21(1)
Balance
22(1)
Extended Techniques
22(5)
Clusters
23(1)
Half-Drawn Stops/Half-Depressed Notes
24(1)
Removing/'Preparing' Pipes
24(1)
`Stuck' Notes
24(1)
`Registration' Trill
25(1)
Altering the Organ Wind Pressure
25(1)
Turning the Organ On/Off Mid-Chord
25(1)
Electronic Amplification/Audio Effects
25(2)
2 Registration
27(38)
Overview
27(9)
Main Stop Categories
36(14)
Principals
36(1)
Flutes
37(2)
Strings
39(1)
Reeds
40(10)
Other Categories
50(5)
Foundations
50(1)
Mixtures
51(1)
Mutations
52(2)
Miscellaneous Stops
54(1)
Couplers
55(3)
Registration Aids
58(7)
General Pistons
58(3)
Divisional Pistons
61(2)
Crescendo Pedal
63(2)
3 The Manuals
65(27)
Overview
65(3)
Idiomatic Writing
68(18)
Non-Chordal Techniques
70(7)
Chordal Techniques
77(9)
Playing on Multiple Manuals
86(6)
4 The Pedals
92(31)
Overview
92(6)
Idiomatic Writing
98(7)
Double/Multi-Pedalling
105(7)
The Pedals in Context
112(11)
5 Other Types of Organ
123(16)
Overview
123(1)
Chamber Organ
123(3)
Harmonium
126(6)
Theatre Organ
132(3)
Hammond Organ
135(4)
6 The Organ in Ensemble
139(24)
Overview
139(1)
Organ and Choir
139(6)
Organ and Orchestra
145(8)
Concertos
151(2)
Organ and Chamber Ensembles
153(8)
Organ and Electronics
161(2)
Appendix: National Organ Styles 163(6)
Glossary 169(6)
Index 175(6)
Index of Composers 181
James Mitchell is the current Sub-Organist at Gloucester Cathedral. He graduated from Girton College, Cambridge with a Double First, subsequently completing an MPhil in Musicology at Emmanuel College, Cambridge. He is also an award-winning composer; his music has been published by the RSCM and has been performed at various UK cathedrals and churches, including at the 2021 London Festival of Contemporary Church Music.