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E-raamat: Politics of Postmodernism

  • Formaat: 232 pages
  • Sari: New Accents
  • Ilmumisaeg: 16-May-2002
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9780203426050
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  • Formaat: 232 pages
  • Sari: New Accents
  • Ilmumisaeg: 16-May-2002
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9780203426050

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This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten years and into the future, responding to claims that it has, once and for all, 'failed'.
Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.
General Editor's Preface vii
Acknowledgements ix
Representing the postmodern
1(28)
What is postmodernism?
1(1)
Representation and its politics
2(8)
Whose postmodernism?
10(13)
Postmodernity, postmodernism, and modernism
23(6)
Postmodernist representation
29(30)
De-naturalizing the natural
29(11)
Photographic discourse
40(4)
Telling stories: fiction and history
44(15)
Re-presenting the past
59(30)
`Total history' de-totalized
59(8)
Knowing the past in the present
67(8)
The archive as text
75(14)
The politics of parody
89(25)
Parodic postmodern representation
89(8)
Double-coded polities
97(5)
Postmodern film?
102(12)
Text/Image border tensions
114(23)
The paradoxes of photography
114(6)
The ideological arena of photo-graphy
120(10)
The politics of address
130(7)
Postmodernism and feminisms
137(28)
Politicizing desire
138(8)
Feminist postmodernist parody
146(10)
The private and the public
156(9)
Epilogue: The postmodern... in retrospect 165(17)
`What was postmodernism?'
165(7)
Internationalizing the postmodern... and colliding with the postcolonial
172(4)
Irony versus nostalgia: postmodernism and queer theory and practice
176(3)
The world, the text, and the critique
179(3)
Concluding Note: some directed reading 182(3)
Bibliography 185(28)
Index 213


Linda Hutcheon is Professor of English and Comparative Literature at the University of Toronto. She has published extensively on postmodernism, parody and irony (including Irony's Edge: The Theory and Politics of Irony) and has recently done interdisciplinary work with Michael Hutcheon on opera and medicine (Opera: Desire, Disease and Death, and Bodily Charm: Living Opera).