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E-raamat: Polymath of the Baroque: Agostino Steffani and His Music

3.00/5 (2 hinnangut Goodreads-ist)
(Professor of Music, University of Birmingham)
  • Formaat: PDF+DRM
  • Ilmumisaeg: 23-Oct-2003
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780195348279
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Polymath of the Baroque: Agostino Steffani and His MusicSuurem pilt
  • Formaat: PDF+DRM
  • Ilmumisaeg: 23-Oct-2003
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780195348279
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This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.

Arvustused

This impressive study is as entertaining as it is informative, both for music specialists and for vistors from other disciplines...Steffani's life is fascinating, and very well told by Timms. * TLS *

List of Abbreviations
xi
A Note on Currencies xiii
Introduction xv
Part I: The Life
Castelfranco and Padua, 1654--1667
3(7)
Munich 1667--1688
10(28)
Court and Chamber Musician
15(9)
Director of Chamber Music
24(14)
Hanover 1688--1703
38(45)
Musical and Operatic Background
45(5)
Kapellmeister
50(18)
Envoye Extraordinaire
68(15)
Dusseldorf 1703--1709
83(18)
Statesman and Bishop
86(7)
Musician
93(8)
Apostolic Vicar of North Germany 1709--1728
101(38)
The Provostship of Seltz
107(2)
Problems in Padua
109(7)
Retirement and Return
116(7)
Coda
123(16)
Part II: The Music
The Sacred Works
139(38)
Psalmodia vespertina (1674)
144(5)
Early Manuscript Works
149(6)
Sacer Ianus quadrifrons (1685)
155(9)
Later Manuscript Works
164(7)
Doubtful Works
171(6)
The Operas, I: General Survey
177(32)
Subject and Spectacle
180(1)
Steffani's Writing for the Voice
181(4)
Aria Technique and Form
185(7)
Instruments and Accompaniments
192(6)
Duets
198(3)
Overtures and Dances
201(6)
Reception
207(2)
The Operas, II: Case Studies
209(41)
Music and Drama in Alarico il Baltha
209(8)
Niobe, Amphion, and Max Emanuel
217(5)
Problems in the Revision of Alessandro
222(7)
Ariosto, Mauro, and Steffani: Orlando generoso
229(11)
Arminio: Apologia pro Pasticcio
240(5)
The Question of Tassilone
245(5)
The Chamber Music
250(60)
Cantatas for Solo Voice
253(11)
Chamber Duets
264(41)
Canon and Chronology
267(4)
Content and Style
271(17)
Structure
288(6)
Revisions
294(9)
Reception
303(2)
Other Works
305(5)
Conclusion: Personality and Achievement
310(7)
Appendix A: Documents
317(6)
Steffani's Autobiography (1706)
317(3)
Steffani's Letter to Giacomo Antonio Stievani (1724)
320(1)
Arrangements for Opera in Munich in 1688
321(2)
Appendix B: Catalogue of Steffani's Musical Works
323(23)
Appendix C: Analyses of Steffani's Operas
346(7)
Notes 353(34)
Bibliography 387(20)
Index 407


Colin Timms is Peyton and Barber Professor of Music at the University of Birmingham, UK.
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