Preface |
|
|
|
1 | (12) |
|
|
3 | (1) |
|
Attributes of the Process |
|
|
3 | (10) |
|
A Brief Description of Traditional Ink-on-Paper Printing Methods |
|
|
4 | (1) |
|
|
4 | (1) |
|
|
4 | (1) |
|
|
5 | (1) |
|
The Problem of Continuous Tone |
|
|
6 | (1) |
|
Polymer Plates and How They Work |
|
|
6 | (1) |
|
Polymer Plate Relief Printing |
|
|
7 | (1) |
|
Polymer Plate Intaglio Printing |
|
|
7 | (1) |
|
|
8 | (1) |
|
|
8 | (5) |
|
Section One The Polymer Photogravure Studio: Overview of Studio Preparation |
|
|
13 | (40) |
|
Chapter 2 The Physical Studio: Materials and Equipment |
|
|
15 | (32) |
|
|
15 | (1) |
|
|
15 | (1) |
|
Minimize Skin Contact with Any Chemicals |
|
|
15 | (1) |
|
Minimize Exposure to Vapors |
|
|
15 | (1) |
|
|
16 | (1) |
|
|
16 | (1) |
|
|
16 | (5) |
|
|
16 | (1) |
|
|
16 | (1) |
|
The Parts of an Etching Press |
|
|
17 | (2) |
|
|
19 | (1) |
|
|
20 | (1) |
|
Etching Press Accessories |
|
|
21 | (4) |
|
|
23 | (1) |
|
Types of Photopolymer Plates |
|
|
23 | (1) |
|
|
24 | (1) |
|
|
25 | (11) |
|
|
25 | (1) |
|
|
26 | (1) |
|
|
26 | (2) |
|
Marking and Measuring Tools |
|
|
28 | (1) |
|
|
28 | (1) |
|
|
29 | (3) |
|
|
32 | (1) |
|
|
32 | (1) |
|
|
32 | (1) |
|
|
32 | (1) |
|
|
33 | (1) |
|
|
34 | (2) |
|
Studio Consumable Materials |
|
|
36 | (6) |
|
|
36 | (1) |
|
Overhead Transparency Film |
|
|
37 | (1) |
|
|
37 | (1) |
|
|
38 | (1) |
|
|
39 | (1) |
|
|
39 | (1) |
|
|
39 | (1) |
|
|
39 | (1) |
|
|
40 | (1) |
|
|
41 | (1) |
|
|
41 | (1) |
|
|
42 | (1) |
|
General Studio Requirements |
|
|
42 | (1) |
|
|
42 | (1) |
|
|
42 | (5) |
|
|
43 | (1) |
|
General Printmaking Supplies |
|
|
43 | (1) |
|
|
43 | (1) |
|
|
43 | (1) |
|
General Studio Equipment and Materials |
|
|
43 | (1) |
|
|
43 | (4) |
|
Chapter 3 Digital Studio: The Virtual Workspace |
|
|
47 | (6) |
|
|
47 | (1) |
|
|
47 | (1) |
|
|
48 | (1) |
|
Scanners and Scanner Software |
|
|
48 | (1) |
|
|
48 | (1) |
|
Setting Up the Digital Workspace |
|
|
49 | (1) |
|
Basic Digital Editing Knowledge |
|
|
49 | (1) |
|
|
50 | (3) |
|
Section Two The Process of Polymer Photogravure |
|
|
53 | (64) |
|
If You Are New to the Process |
|
|
53 | (1) |
|
|
54 | (3) |
|
Chapter 4 Making a Photogravure Print |
|
|
57 | (1) |
|
Paper and Press Preparation |
|
|
57 | (1) |
|
|
57 | (1) |
|
Tearing Down the Paper to Size |
|
|
57 | (1) |
|
|
57 | (1) |
|
Press Preparation Overview |
|
|
58 | (1) |
|
Inking, Wiping, and Printing |
|
|
58 | (4) |
|
|
62 | (1) |
|
Wiping the Ink onto the Plate |
|
|
63 | (1) |
|
Wiping the Ink from the High Areas of the Plate |
|
|
64 | (2) |
|
Cleaning the Edges and the Back of the Plate |
|
|
66 | (1) |
|
|
67 | (2) |
|
Chapter 5 Making a Polymer Photogravure Plate |
|
|
69 | (1) |
|
Exposing and Processing a Polymer Plate |
|
|
69 | (1) |
|
Material and Equipment Needed |
|
|
69 | (1) |
|
Making the Aquatint Screen Exposure |
|
|
69 | (1) |
|
Making the Image Exposure |
|
|
69 | (1) |
|
Etching the Plate in the Water |
|
|
69 | (2) |
|
Drying the Plate with Heat |
|
|
71 | (1) |
|
|
71 | (1) |
|
Trimming and Deburring the Plate |
|
|
71 | (1) |
|
Exposure Calibration of Polymer Plates |
|
|
71 | (7) |
|
|
72 | (1) |
|
Estimating a Ballpark Screen Exposure |
|
|
72 | (2) |
|
Determining a Screen Exposure Value Using the Screen Exposure Test Strip Image |
|
|
74 | (4) |
|
Fine-tuning the Gradation |
|
|
78 | (5) |
|
Some Final Thoughts on Calibration |
|
|
83 | (1) |
|
Turning this Workflow into a Photoshop Action |
|
|
84 | (7) |
|
Chapter 6 Photogravure: Additional Techniques |
|
|
91 | (10) |
|
|
91 | (1) |
|
|
91 | (1) |
|
|
92 | (3) |
|
Printing on Unusual Substrates |
|
|
95 | (1) |
|
Direct Gravure, Photograms, and Non-Camera Techniques |
|
|
96 | (5) |
|
Chapter 7 Troubleshooting |
|
|
101 | (6) |
|
|
101 | (1) |
|
|
101 | (2) |
|
Wavy Prints Under the Plate Impression |
|
|
103 | (1) |
|
Unwanted Patterns in the Print |
|
|
103 | (1) |
|
|
103 | (1) |
|
|
103 | (4) |
|
Chapter 8 Printing Portfolios and Editions |
|
|
107 | (10) |
|
General Considerations for Editions |
|
|
107 | (1) |
|
|
108 | (1) |
|
|
108 | (1) |
|
|
108 | (1) |
|
|
108 | (2) |
|
|
108 | (1) |
|
|
108 | (1) |
|
|
109 | (1) |
|
|
109 | (1) |
|
|
110 | (3) |
|
|
110 | (1) |
|
|
110 | (3) |
|
|
113 | (1) |
|
|
113 | (1) |
|
|
113 | (1) |
|
|
113 | (2) |
|
|
115 | (1) |
|
|
115 | (2) |
|
Section Three Current Practitioners of Polymer Photogravure |
|
|
117 | (174) |
|
Chapter 9 Contemporary Polymer Photogravure Artists |
|
|
119 | (172) |
|
|
120 | (5) |
|
|
125 | (6) |
|
|
131 | (4) |
|
|
135 | (6) |
|
|
141 | (5) |
|
|
146 | (4) |
|
|
150 | (4) |
|
|
154 | (6) |
|
|
160 | (5) |
|
|
165 | (6) |
|
|
171 | (3) |
|
|
174 | (6) |
|
|
180 | (5) |
|
|
185 | (6) |
|
|
191 | (4) |
|
|
195 | (4) |
|
|
199 | (5) |
|
|
204 | (5) |
|
|
209 | (6) |
|
|
215 | (5) |
|
|
220 | (5) |
|
|
225 | (6) |
|
|
231 | (6) |
|
|
237 | (5) |
|
|
242 | (9) |
|
|
251 | (9) |
|
|
260 | (4) |
|
|
264 | (5) |
|
|
269 | (4) |
|
|
273 | (5) |
|
|
278 | (6) |
|
|
284 | (7) |
|
|
291 | (3) |
|
Polymer Intaglio Printing |
|
|
291 | (1) |
|
General Intaglio Printing Techniques |
|
|
292 | (1) |
|
Traditional Copper Photogravure |
|
|
293 | (1) |
Index |
|
294 | |