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E-raamat: Portrait Cultures of the Early Modern Cardinal

Edited by , Edited by , Contributions by (Nationalmuseum, Stockholm), Contributions by (Universita di Padova), Contributions by (University of Edinburgh), Contributions by (Independent scholar), Contributions by (Australian Catholic University), Contributions by (Independent scholar), Contributions by (Universiteit van Amsterdam), Contributions by (East Tennessee State University)
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The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analyzed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. Portrait Cultures of the Early Modern Cardinal addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position. This volume will take cardinal portraits beyond traditional studies of portraiture, which have considered cardinals only from a biographical standpoint, or in relation to artists. This volume constitutes the first anglophone study on this topic. The volume will embrace a new inter-disciplinary, methodological approach to the subject, considering cardinal portraits as a specific phenomenon and exploring the religious, political, social, economic, and geographic circumstances from which they emerged.
Illustrations
9(6)
Abbreviations 15(2)
Acknowledgements 17(4)
Introduction: Cardinals and their Images
1 Portraying the Princes of the Church
21(22)
Piers Baker-Bates
Irene Brooke
2 The Early Modern Cardinal An Historical Appraisal
43(26)
Miles Pattenden
Part I Individuality and Identity: Florence and Rome
3 Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence
69(22)
Brian Jeffrey Maxson
4 Dead Ringers: Cardinals and their Effigies, 1400-1520
91(26)
Carol M. Richardson
Part II Divided Loyalties: Venice and Rome
5 The Role of Cardinals' Portraits in Venice: The Case of the Grimani Family and Some Thoughts on the Correr MS Morosini Grimani 270
117(32)
Sarah Ferrari
6 Role Playing: Cardinals in Historical Action in Leandro Bassano's Honorlus III Approving the Rule of St. Dominic in 1216 and the War of the Interdict
149(32)
Alessandra Pattanaro
Part III Collecting and Display: Portraits and Worldly Goods
7 Renaissance Cardinals and Pontifical Mules
181(20)
Philippa Jackson
8 Portraits as Symbols: Cardinals' Portraits in the Roman and Local Collections of Some Counter-Reformation Cardinals
201(30)
Thomas-Leo True
9 Portraits as a Sign of Possession: Cardinals and their Protectorships in Early Modern Rome
231(30)
Arnold Witte
Part IV Post-Tridentine Piety: The Devout Cardinal
10 Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent
261(24)
Irene Brooke
11 Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions
285(34)
Danielle Carrabino
12 Miracle-Working Portraits of a Cardinal Saint: Managing the Devotional Medals of San Carlo Borromeo
319(24)
Minou Schraven
Conclusion: Cardinal Portraits beyond Italy
13 Portraying the Ideal Spanish Tridentine Prelate
343(28)
Piers Baker-Bates
Index 371
Piers Baker-Bates is a Visiting Research Associate at the Open University. He has published extensively on Sebastiano del Piombo and the cultural relations between Italy and Spain in the sixteenth century, including his monographic study Sebastiano del Piombo and the World of Spanish Rome. Irene Brooke is an Associate Lecturer at the Courtauld. Her research focuses on the art and culture of Renaissance Venice. She has published several articles on the Venetian cardinal, Pietro Bembo, and on the engraver, Giulio Campagnola. She recently edited a volume on portraits of Renaissance cardinals published by AUP.