Muutke küpsiste eelistusi

E-raamat: Postscript: Writing After Conceptual Art

  • Formaat: 432 pages
  • Ilmumisaeg: 12-May-2018
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781442621015
  • Formaat - PDF+DRM
  • Hind: 75,32 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 432 pages
  • Ilmumisaeg: 12-May-2018
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781442621015

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions.Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts.

Arvustused

"Anderssons collection is significant in so far as it is one of the first exhibitions or catalogues that begins to approach a definition of conceptual writing."

- Louisa Lee (Art History)

Acknowledgments ix
Preface xi
Nora Burnett Abrams
"I, too, wondered...": An Introduction to Writing after Conceptual Art
3(24)
Andrea Andersson
The Conceptualist Turn: Wittgenstein and the New Writing
27(14)
Marjorie Perloff
From "The Fate of Echo" (Introduction to Against Expression: An Anthology of Conceptual Writing)
41(13)
Craig Dworkin
Was Ist Los
54(9)
Seth Price
Echo 'Hχω
63(10)
Vanessa Place
Sharon Hayes and Most People
73(13)
Rachel Haidu
What Do We Mean by Performance Writing?
86(7)
Caroline Bergvall
Rescuing the Past: Repetition and Re-enactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes
93(15)
Patrick Greaney
From Notes on Conceptualisms
108(9)
Robert Fitterman
Vanessa Place
The Melancholy of Conceptualism
117(12)
Michael Golston
Untimely Models
129(6)
Lytle Shaw
Indifferent Voices
135(6)
Paul Elliman
A Week of Blogs for the Poetry Foundation
141(11)
Kenneth Goldsmith
Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing
152(16)
Brian Reed
To Teach and Delight -- A Few Precedents for an Art of Instruction
168(16)
Cathleen Chaffee
Semantic Analysis: The Art of Parsing Found Text
184(13)
Sarah Cook
Conceptual Computing and Digital Writing
197(14)
Nick Montfort
Poetry without Poets
211(10)
Darren Wershler
Documents from "True Mirror"
221(12)
David Reinfurt
Stuart Bailey
From Distribution to Dispersion: Conceptual Writing in the Age of the Internet
233(10)
Gwen Allen
Little Bastard: The Invention and Introduction of a New Word
243(17)
Ryan Gander
Alice Fisher
Stuart Bailey
What Was Conceptual Writing?
260(10)
Nick Thurston
The Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing
270(20)
Paul Stephens
Two Dots over a Vowel
290(13)
Christian Bok
Like in Valencia: On Translating Equivalence
303(13)
Monica De La Torre
Russian Lessons for Conceptual Writing
316(19)
Jacob Edmond
Reading as Art
335(7)
Simon Morris
Thomas Campbell
Ambivalence of the Grid
342(16)
Liz Kotz
The Concrete, The Conceptual, and the Galaxias
358(15)
Antonio Sergio Bessa
N.B.
373(8)
Seth Kim-Cohen
Plagiarism: A Response to Thomas Fink
381(6)
Tan Lin
Bibliography 387(22)
Index 409
Andrea Andersson is The Helis Foundation Chief Curator of the Visual Arts at the Contemporary Arts Center in New Orleans.