Muutke küpsiste eelistusi

E-raamat: Postwar Italian Art History Today: Untying 'the Knot'

Edited by (Independent Scholar, Italy), Edited by (Independent Art Historian and Curator, USA)
  • Formaat: 320 pages
  • Ilmumisaeg: 28-Jun-2018
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781501330063
  • Formaat - PDF+DRM
  • Hind: 39,77 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 320 pages
  • Ilmumisaeg: 28-Jun-2018
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781501330063

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad.

Arvustused

Sharon Hecker and Marin R. Sullivans Postwar Italian Art History Today is a long-overdue reflection on a vital period in contemporary art history one that has rarely been approached comprehensively. Offering a wide variety of perspectives on a number of lesser known artists and underexplored artistic and cultural interchanges, this collection of essays provides a much needed reassessment of Italian postwar art history and the intricacies and oppositions that define it. * Claire Gilman, Chief Curator, The Drawing Center, USA * I couldn't be more pleased to learn of this publication. It is a glorious reflection of the state of the field of postwar Italian Art Historyinternational, multigenerational, polyglot, endlessly informative, and catalytic--and proof that the history of postwar Italian art is as richly diverse and complex as any. This volume contains a wonderful collection of ground-breaking scholarship that will be valuable to scholars and students for generations to come. * Adrian R. Duran, Associate Professor of Art History, University of Nebraska at Omaha, USA *

Muu info

This volume presents a current cross-section of Anglo-American and Italian art historical research on the art of postwar Italy (1948-1978).
List of Figures
vii
List of Contributors
xi
Acknowledgements xvii
Introduction 1(20)
Sharon Hecker
Marin R. Sullivan
Section I Reconsidering the Weight of Italy
1 "Yes, but are you Italian?" Considering the Legacy of Italianita in Postwar and Contemporary Italian Art
21(16)
Laura Petican
2 Learning from Artists: Methodological Notes on Postwar Italian Art History
37(16)
Denis Viva
3 Gianni Pettena and Ugo La Pietra: Crossing the Boundaries Between Theory and Practice
53(20)
Silvia Bottinelli
4 Our Lady of Warka: Gino De Dominicis and the Search for Immortality
73(22)
Gabriele Guercio
Section II Re-imagining Realism
5 Transadantic Exchanges. Piero Dorazio: Non-objective Art vs. Abstract Expressionism?
95(18)
Davide Colombo
6 Gleaning Italian Pop, 1960--6: The 1964 Venice Biennale, Renato Mambor's "Thread," and Pop as a Global Phenomenon
113(22)
Christopher Bennett
7 Photography, Visual Poetry, and Radical Architecture in the Early Works of Franco Vaccari
135(20)
Nicoletta Leonardi
Section III Rethinking Modes of Patronage
8 Buying Marino Marini: The American Market for Italian Art after World War II
155(18)
Antje K. Gamble
9 A House No Longer Divided: Patronage, Pluralism, and Creative Freedom in Italian Pre- and Postwar Art
173(16)
Laura Moure Cecchini
10 Co-research and Art: Danilo Montaldi's Horizontal Production of Knowledge
189(18)
Jacopo Galimberti
11 Shaping and Reshaping: Private and Institutional Patronage
207(22)
Martina Tanga
Section IV Reassessing Arte Povera
12 Isolated Fragments? Disentangling the Relationship Between Arte Povera and Medardo Rosso
229(16)
Sharon Hecker
13 Gilberto Zorio's Radical Fluidity
245(16)
Elizabeth Mangini
14 Summer Solstice AD MCMLXIII: Luciano Fabro's Early Works
261(16)
Giorgio Zanchetti
15 Transatlantic Arte Povera
277(18)
Raffaele Bedarida
Index 295
Sharon Hecker specializes in Italian modern and contemporary art and is a leading authority on Medardo Rosso. She most recently published A Moments Monument: Medardo Rosso and the International Origins of Modern Sculpture (2017).

Marin R. Sullivan (PhD, University of Michigan, USA) is a Chicago-based art historian and curator. She is the author of Sculptural Materiality in the Age of Conceptualism (2017) and numerous publications on modern and contemporary sculpture.