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E-raamat: Practical Guide to Documentary Editing: Techniques for TV and Film

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(Film and TV editor, UK)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 07-Apr-2017
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781351870108
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Practical Guide to Documentary Editing: Techniques for TV and FilmSuurem pilt
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 07-Apr-2017
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781351870108
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The Practical Guide to Documentary Editing sets out the techniques, the systems and the craft required to edit compelling professional documentary television and film. Working stage by stage through the postproduction process, author Sam Billinge explores project organization, assembling rushes, sequence editing, story structure, music and sound design, and the defining relationship between editor and director.

Written by a working documentary editor with over a decades worth of experience cutting films for major British and international broadcasters, The Practical Guide to Documentary Editing offers a unique introduction to the craft of documentary editing, and provides working and aspiring editors with the tools to master their craft in the innovative and fast-paced world of contemporary nonfiction television and film.

Arvustused

"A brilliant introduction to the art of editing. You need process to create and method to find clarity. This book shares the secrets that allow ideas to flow and magic to happen. Documentary editing is the best job in the world. Sam Billinge's book helps you understand why."

Sean Mackenzie, Two-time BAFTA TV Award-winning Editor; Arena (1975), Amish: A Secret Life (2012)

"This thorough and informative work written by Sam Billinge, an actual practitioner in the art form of which he writes, will be my go-to book recommendation for anyone interested in learning or expanding the craft of documentary editing. When Im asked, 'How do I learn about documentary editing,' this is the book I will be recommending to people."

Colin Goudie, GBFTE, Editor, Rogue One: A Star Wars Story (2016), Monsters (2010)

"If youre looking to learn how to edit documentaries well, then Sam offers professional expertise and insight that will help you at every stage of the creative and collaborative process."

--Jonny Elwyn, freelance film editor and creator of jonnyelwyn.co.uk

Acknowledgements x
Introduction 1(3)
Preface 4(7)
The Power of Documentary
6(2)
Who Are Film Editors and What Do They Do?
8(3)
1 The Fundamentals
11(30)
Storytelling 1.0
11(6)
Editing 1.0
17(24)
2 Starting to Edit
41(36)
Understanding the Task Ahead
41(2)
Deciding What to Cut First
43(2)
Appraising a New Scene
45(3)
Structuring a New Scene
48(2)
Ordering Interview Clips
50(3)
Trimming Interviews
53(2)
Working With Actuality
55(1)
Working With Voiceover
56(5)
Deciding Where Voiceover Is Needed
61(3)
Voiceover Writing Basics
64(7)
Managing a Voiceover Recording
71(6)
3 Picture Editing
77(53)
Visual Storytelling
77(1)
The Kuleshov Effect
78(2)
Types of Picture Sequence
80(1)
Types of Shot
81(7)
Structuring a Picture Sequence
88(6)
Sequencing Shots
94(4)
A Practical Method for Building a Sequence
98(1)
The Art of the Cut
99(1)
What Makes a Good Cut?
100(10)
What Shots Cut Well Together?
110(2)
Judging Pacing and the Rhythm of Sequences
112(5)
Enhancing the Visual Style of a Sequence
117(4)
Working With Cutaways
121(3)
Working With Stock Footage
124(3)
Working With Still Images
127(3)
4 Sound Editing
130(26)
Working With Sound Design and Music
130(2)
Understanding Sound
132(6)
Working With Music
138(1)
Why We Use Music in Filmmaking
139(2)
Some Good Ways to Use Music
141(7)
A Practical Method for Working With Music
148(1)
Auditioning Music
149(2)
Composed, Library or Commercial Music?
151(5)
5 Story Structure
156(34)
Ordering and Connecting Scenes
156(1)
Common Documentary Story Structures
157(5)
Working With Shooting Scripts and Paper Edits
162(2)
Choosing a Running Order
164(2)
Scene Cards
166(3)
Working to a Deadline
169(3)
Making Improvements
172(1)
Viewing a Film for the First Time
173(9)
Working to a Final Duration
182(5)
Reaching Picture Lock
187(3)
The Cutting Room Relationship 190(8)
Workflow Summary 198(6)
Conclusion 204(3)
Glossary 207(24)
Index 231
Sam Billinge, GBFTE is a documentary editor with more than a decade's worth of experience editing prime-time documentaries for British and international television.
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