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E-raamat: Primitivist Imaginary in Iberian and Transatlantic Modernisms

Edited by (NOVA University of Lisbon, Portugal), Edited by (NOVA University of Lisbon, Portugal)
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"Taking into account politics, history, and aesthetics, this edited volume explores the main expressions of primitivism in Iberian and Transatlantic modernisms. Ten case studies are thoroughly analyzed concerning both the circulations and exchanges connecting the Iberian and Latin American artistic and literary milieus with each other and with the Parisian circles. Chapters also examine the patterns and paradoxes associated with the manifestations of primitivism, including their local implications and cosmopolitan drive. This book opens up and deepens the discussion of the ties that Spain and Portugal maintained with their imperial pasts, which extended into European twentieth-century colonialism, as well as the nationalist and folk aesthetics promoted by the cultural industry of Iberian dictatorships. The book significantly rethinks long-established ideas about modern art and the production of primitivist imagery. The book will be of interest to scholars working in art history, Iberian studies, Latin American studies, colonialism, and modernism"--

Taking into account politics, history, and aesthetics, this edited volume explores the main expressions of primitivism in Iberian and Transatlantic modernisms.

Ten case studies are thoroughly analyzed concerning both the circulations and exchanges connecting the Iberian and Latin American artistic and literary milieus with each other and with the Parisian circles. Chapters also examine the patterns and paradoxes associated with the manifestations of primitivism, including their local implications and cosmopolitan drive. This book opens up and deepens the discussion of the ties that Spain and Portugal maintained with their imperial pasts, which extended into European twentieth-century colonialism, as well as the nationalist and folk aesthetics promoted by the cultural industry of Iberian dictatorships. The book significantly rethinks long-established ideas about modern art and the production of primitivist imagery.

The book will be of interest to scholars working in art history, Iberian studies, Latin American studies, colonialism, and modernism.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.



Taking into account politics, history, and aesthetics, this edited volume explores the main expressions of primitivism in Iberian and Transatlantic modernisms.

Part I: Circulations
1. Decentering Primitivism: Latin America, Cultural
Authority, and the Modernist Writing of the European Primitive
2.
Cosmopolitan Cubism, Provincial Paris
3. Los Pintores Íntegros: A Primitivist
Rationale for Iberian and Transatlantic Modernisms
4. Primitivising the Mural
Either Side of the Atlantic: Discourse and Contingency in Joaquín
Torres-García's Murals
5. Benjamin Pérets Remarks on Afro-Brazilian
Religions. Primitivist Longings, Ethnocentric Critiques, Surrealist
Ethnographies Part II: Patterns and Paradoxes
6. Antropofagia, Primitivism
and Anti-Primitivism
7. Troping the Primitive in Portuguese Narratives of
Modernity and Colonialism
8. Returning to What Never Was: Primitivisms in
Canto da Maya
9. The Pastoral in Modern Catalan Art: Joaquim Sunyer and Joan
Miró
10. Puppets, Child Art, and an Illuminated Manuscript: Puppet Shows with
Multilayers of Primitivism in 1920s Granada
Joana Cunha Leal is Full Professor at the Art History Department and Senior Researcher at the Art History Institute of the School of Social Sciences and HumanitiesUniversidade NOVA de Lisboa.

Mariana Pinto dos Santos is Associate Researcher at the Art History Institute of the School of Social Sciences and HumanitiesUniversidade NOVA de Lisboa and invited lecturer at the Art History Department at NOVA.