Muutke küpsiste eelistusi

E-raamat: Prison Theatre and the Global Crisis of Incarceration

(University of Michigan, Ann Arbor, USA), Series edited by (Loyola Marymount University, Los Angeles, USA), Series edited by (University of Galway, Ireland)
  • Formaat: 272 pages
  • Sari: Critical Companions
  • Ilmumisaeg: 03-Sep-2020
  • Kirjastus: Methuen Drama
  • ISBN-13: 9781472511706
Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 29,24 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 272 pages
  • Sari: Critical Companions
  • Ilmumisaeg: 03-Sep-2020
  • Kirjastus: Methuen Drama
  • ISBN-13: 9781472511706
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view, despite the many journalistic and cinematic portrayals which try to imagine or rationalize a nation's practices of imprisonment. Inside the walls, prisoners stage their own theatrical productions, articulating their identities and experiences for audiences carefully monitored by gatekeepers. Prison Theatreexamines performances within prisons across the globe, offering a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book looks at the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills, address public health crises, and maintain hope.
Distinct examples of theatre performed in prisons are explored throughout the main text and also in a section of Critical Perspectives by international scholars and practitioners exploring and considering the rationale and the impact on audiences and actors. A section of additional resources, including bibliographies, lists of organisations facilitating prison theatre workshops and of online resources, make this volume a terrific resource for students, facilitators and teachers of prison theatre.

Arvustused

This powerful account of theater, both in prison and in the free-world, eloquently reveals that those two worldsand the people who inhabit themare not distinct. This is an ethical, moving act of scholarship that matters. * Tressie McMillan Cottom, National Book Award Finalist and author of Thick and Other Essays * Well thought out, masterfully researched and heart wrenchingly honest, Ashley delivers a book for the ages. With heart and soul she reveals to us the power of theater to not only transform stages, she shows us how it transforms lives. * Shaka Senghor, author of Writing My Wrongs:Life, Death, and Redemption in an American Prison * This is an essential book on prisons in the global age of mass incarceration, the fine-grain deep damage that a crude system inflicts on human beings and their families. This is also one of the great books on theater, the shared and inexplicable phenomenon that shifts perceptions, changes lives in real time, and instigates collective reimaginings of moral action, hierarchy, and purpose in the face of unexpected vulnerabilities and difficult truth-telling. Prison theater is perhaps the one place where theater works as it did in early societies, with lives at stake, piercing questions of justice, and the soul of a nation or a community or a family hanging in the balance. Professor Ashley Lucas, herself the daughter of a father who spent more than 20 years in Texas prisons, writes with stunning insight, attentive to the nuance and detail of process within large institutions and informal groups, alert to the circumstances in which emotional life is transfigured and revealed, and the conditions under which it is buried alive. A deeply inspiring book that demonstrates hundreds of positive, healing, and creative ways forward from a misbegotten culture of failure and shame. * Peter Sellars, Director of the Boethius Initiative and Distinguished Professor of World Arts and Cultures at UCLA, USA *

Muu info

A critical survey of theatrical performances inside prisons in nine countries with an examination of the ways in which incarcerated people use theatre to build skills and accomplish goals beyond those achieved in performance.
List of Illustrations
ix
Foreword Heather Ann Thompson x
Acknowledgments xiii
Part I Prison Theatre: Strategies for a Better Life Introduction: Journeys in Prison Theatre
3(162)
1 Theatre as a Strategy for Community Building
29(51)
2 Theatre as a Strategy for Professionalization
80(33)
3 Theatre as a Strategy for Social Change
113(15)
4 Theatre as a Strategy for Hope
128(37)
Conclusion: Glorious Beings Live Here
144(21)
Part II Critical Perspectives
5 Dancing in the Wings: Does Prison Theatre Offer a Radical Containment or a Pedagogy of Utopia? Selina Busby
165(11)
6 "The Actors Have All the Power": Angola's Life of Jesus Christ Stephanie Gaskill
176(12)
7 Citizens Theatre, Scotland, Facilitates Changes in Life Directions through Creative Arts Mediums Neil Packham and Elly Goodman
188(13)
8 Bad Girls, Monsters, and Chicks in Chains: Clean Break Theatre Company's Disruption of Representations of Women, Crime, and Incarceration Caoimhe McAvinchey
201(12)
Notes 213(23)
Selected Bibliography on Prison Theatre 236(3)
Selected List of Prison Theatre Companies and Programs 239(5)
Notes on Contributors 244(2)
Index 246
Ashley Lucas is Associate Professor of Theatre & Drama and the Residential College at the University of Michigan, Ann Arbor, USA, and Former Director of the Prison Creative Arts Project. She and Jodie Lawston co-edited the book Razor Wire Women: Prisoners, Scholars, Artists, and Activists (2011), and they cofounded a blog by the same name. Lucas also write the play Doin Time: Through the Visiting Glass, which she has performed as a one-woman show since 2004.