| Foreword |
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| Acknowledgments |
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| Preface |
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| Part I: QLab Basics |
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Chapter 1 What's New in Version 4 |
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3 | (10) |
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3 | (2) |
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3 | (1) |
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3 | (1) |
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4 | (1) |
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4 | (1) |
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Pop-Out Inspector, Cue Lists, and Carts |
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4 | (1) |
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Keep Audition Window on Top |
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5 | (1) |
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5 | (1) |
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5 | (1) |
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6 | (1) |
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New Fade Curve Shape and Audio Domain |
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6 | (1) |
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6 | (1) |
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1.3 Integrated Lighting Control |
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6 | (1) |
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7 | (1) |
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7 | (2) |
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8 | (1) |
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8 | (1) |
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8 | (1) |
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9 | (1) |
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9 | (1) |
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Copy/Paste Surface Geometry |
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9 | (1) |
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Set Durations for Still Images and Text Cues |
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9 | (1) |
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10 | (2) |
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10 | (1) |
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Adjust Video Surface Control Points |
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10 | (1) |
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Access to Light Levels in Inspector |
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11 | (1) |
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11 | (1) |
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11 | (1) |
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11 | (1) |
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12 | (1) |
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Chapter 2 Getting to Know QLab 4 |
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13 | (26) |
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2.1 QLab 4 System Recommendations |
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13 | (2) |
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13 | (1) |
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14 | (1) |
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14 | (1) |
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14 | (1) |
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2.2 Understanding QLab 4 Licensing |
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15 | (2) |
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15 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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17 | (1) |
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2.3 Installing the Software |
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17 | (1) |
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18 | (1) |
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18 | (1) |
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Modernizing QLab 3 Licenses |
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19 | (1) |
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2.5 Organization and Work Flow |
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19 | (2) |
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21 | (1) |
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21 | (8) |
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22 | (2) |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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Cue Numbering and Auto-Load |
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24 | (1) |
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24 | (1) |
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24 | (1) |
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24 | (1) |
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25 | (1) |
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25 | (1) |
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25 | (1) |
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25 | (2) |
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27 | (1) |
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27 | (1) |
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28 | (1) |
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29 | (3) |
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29 | (1) |
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30 | (1) |
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Send Aggregate Usage Data |
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31 | (1) |
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31 | (1) |
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31 | (1) |
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Art-Net Lighting Network Interface |
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31 | (1) |
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32 | (1) |
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32 | (1) |
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2.9 Preparing Your Computer for Running a Show |
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32 | (1) |
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Design Tips: Using Terminal |
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33 | (1) |
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Internet Related Concerns |
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33 | (1) |
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Delete All Extraneous Software |
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34 | (1) |
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34 | (1) |
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35 | (1) |
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35 | (1) |
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35 | (1) |
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35 | (2) |
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Design Tips: Backup Systems and Saving Protocol |
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37 | (2) |
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Chapter 3 Understanding the QLab Workspace |
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39 | (30) |
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3.1 Understanding Cues and the Cue Structure |
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39 | (4) |
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39 | (3) |
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Design Tips: Using Time Display Modes |
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42 | (1) |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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43 | (1) |
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43 | (12) |
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43 | (4) |
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44 | (1) |
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45 | (1) |
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Design Tips: Toolbox and Load to Time |
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45 | (2) |
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47 | (4) |
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47 | (1) |
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48 | (1) |
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Design Tips: Assigning a MIDI Trigger |
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49 | (1) |
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50 | (1) |
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51 | (7) |
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51 | (1) |
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52 | (1) |
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52 | (1) |
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Lists, Carts, and Active Cues Sidebar |
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52 | (2) |
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54 | (1) |
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55 | (1) |
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55 | (1) |
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3.4 Setting Targets for Cues |
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55 | (2) |
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3.5 Navigation and View Quick Keys |
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57 | (1) |
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Design Tips: Searching the Workspace |
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58 | (1) |
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58 | (1) |
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58 | (4) |
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59 | (1) |
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59 | (1) |
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Delete Number of Selected Cues |
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59 | (1) |
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59 | (1) |
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Jump to Selected Cue's Target |
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59 | (1) |
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60 | (1) |
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60 | (1) |
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61 | (1) |
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Black Out and Restore Desktop Backgrounds |
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61 | (1) |
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61 | (1) |
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Set Parameters from Target |
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61 | (1) |
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Set Audio Levels from Target |
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62 | (1) |
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Set Video Geometry from Target |
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62 | (1) |
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62 | (1) |
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62 | (2) |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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64 | (1) |
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64 | (5) |
| Part II: QLab Audio Control |
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Chapter 4 QLab and Audio Basics |
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69 | (12) |
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69 | (2) |
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4.2 Basic Audio Equipment and Terminology |
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71 | (2) |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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4.3 Understanding Basic Signal Flow: Input/Output |
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73 | (1) |
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4.4 Understanding Software Signal Flow |
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73 | (2) |
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74 | (1) |
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74 | (1) |
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74 | (1) |
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74 | (1) |
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Levels Faders (Cue Outputs) |
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75 | (1) |
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75 | (1) |
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Audio Device Output Routing |
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75 | (1) |
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4.5 A Word About Audio Devices |
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75 | (1) |
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4.6 Audio System Configurations |
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76 | (5) |
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Basic Stereo Playback with Multiple Speakers |
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76 | (1) |
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Multichannel Playback System with External Signal Processing |
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77 | (1) |
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Multichannel Playback System with QLab Signal Processing |
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78 | (1) |
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Design Tips: Redundant Systems |
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79 | (2) |
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Chapter 5 Setting Up QLab with Your Audio System |
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81 | (25) |
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5.1 Multichannel Sound Systems |
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81 | (1) |
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82 | (3) |
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83 | (1) |
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84 | (1) |
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85 | (6) |
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86 | (1) |
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86 | (1) |
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87 | (1) |
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87 | (1) |
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88 | (1) |
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88 | (1) |
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89 | (1) |
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Design Tips: Balancing Audio Output |
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89 | (1) |
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Default, Silent, and Gangs |
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90 | (1) |
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5.4 Editing Audio Patches |
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91 | (2) |
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Audio Patch Editor: Cue Outputs |
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91 | (1) |
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Audio Patch Editor: Device Routing |
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91 | (1) |
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92 | (1) |
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Audio Patch Editor: Device Outputs |
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92 | (1) |
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5.5 Setting Up QLab with an Audio Device |
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93 | (3) |
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Customizing Your Audio Patches |
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93 | (1) |
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Project 5.1 Setting Up Your System |
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93 | (3) |
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5.6 Audio Device Volume Levels |
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96 | (2) |
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Balancing Audio Device Output |
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97 | (1) |
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5.7 Audio Effects and How to Use Them |
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98 | (6) |
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Audio Effects and Cue Outputs |
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99 | (1) |
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Project 5.2 Creating a Reverb Send in QLab |
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99 | (5) |
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5.8 Using Multichannel Audio Files |
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104 | (2) |
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106 | (16) |
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6.1 Inserting an Audio Cue |
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106 | (1) |
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106 | (1) |
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107 | (1) |
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107 | (1) |
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6.4 Inspector: Time & Loops |
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107 | (10) |
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107 | (3) |
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110 | (1) |
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Design Tips: Multitouch Gestures |
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110 | (1) |
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110 | (1) |
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110 | (3) |
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Design Tips: Looping Sliced Tracks |
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113 | (1) |
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Integrated Volume Levels and Playback Rate |
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113 | (1) |
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Controlling Playback Rate |
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114 | (1) |
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Project 6.1 Manipulating Start/End Times |
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115 | (1) |
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Project 6.2 Adding Slices |
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116 | (1) |
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Project 6.3 Manipulating Playback Rate |
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116 | (1) |
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6.5 Inspector: Audio Levels |
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117 | (2) |
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Audio Output Patch and Device Edit |
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118 | (1) |
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118 | (1) |
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118 | (1) |
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118 | (1) |
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118 | (1) |
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Audio Levels and Crosspoint Matrix |
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118 | (1) |
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6.6 Inspector: Audio Trim |
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119 | (1) |
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6.7 Inspector: Audio Effects |
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119 | (1) |
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Project 6.4 Editing with Audio Effects |
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120 | (2) |
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122 | (14) |
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7.1 Understanding the Mic Cue |
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122 | (3) |
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122 | (1) |
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123 | (2) |
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7.2 Setting Up Your Audio Device |
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125 | (1) |
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Design Tips: Getting to Know Your Equipment |
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125 | (1) |
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126 | (1) |
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Setting Default Levels for New Mic Cues |
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126 | (1) |
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127 | (1) |
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127 | (1) |
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7.3 Inserting and Editing a Mic Cue |
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128 | (2) |
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128 | (1) |
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128 | (1) |
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128 | (1) |
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Audio Input and Output Patch |
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129 | (1) |
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129 | (1) |
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129 | (1) |
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129 | (1) |
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129 | (1) |
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Levels & Crosspoint Matrix |
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130 | (1) |
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130 | (1) |
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130 | (1) |
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7.4 Audio Effects and Mic Cues |
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130 | (6) |
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131 | (1) |
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Project 7.1 Creating a Global EQ Send with Cue Outputs |
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131 | (3) |
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134 | (1) |
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Project 7.2 Assigning an Audio Effect to a Device Output |
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134 | (2) |
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136 | (22) |
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8.1 Inserting and Editing Audio Fade Cues |
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136 | (1) |
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137 | (1) |
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137 | (1) |
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138 | (1) |
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8.4 Inspector: Curve Shape |
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138 | (3) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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141 | (1) |
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8.5 Inspector: Audio Levels |
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141 | (3) |
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Fade Type: Absolute vs. Relative |
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141 | (1) |
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142 | (1) |
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Design Tips: Fading Group Cues |
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143 | (1) |
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Levels and Crosspoint Matrix |
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143 | (1) |
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Set from Target/Set All Silent |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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8.6 Inspector: Audio Effects |
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144 | (3) |
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144 | (1) |
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145 | (1) |
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Set Audio Effects from Target |
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145 | (1) |
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145 | (1) |
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Project 8.1 Pitch Bend to Replicate a Reel-to-Reel Malfunction |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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Basics, Triggers, and Curve Shape |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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Project 8.2 Creating a Zero-Count Fade Cue |
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149 | (1) |
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150 | (1) |
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Project 8.3 Automated Fade-In and Fade-Out of an Audio Cue |
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150 | (3) |
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153 | (1) |
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Project 8.4 Panning via Fade Cue |
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153 | (2) |
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155 | (1) |
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Project 8.5 Ducking Audio |
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155 | (1) |
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8.12 Copy/Paste Fade Parameters |
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156 | (1) |
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157 | (1) |
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158 | (11) |
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9.1 Start, Stop, and Pause Cues |
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158 | (1) |
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158 | (1) |
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158 | (1) |
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159 | (1) |
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159 | (1) |
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Design Tips: Load Cues and Playback Position |
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160 | (1) |
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161 | (1) |
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161 | (1) |
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Project 9.1 Vamping an Audio Cue with Loops |
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162 | (1) |
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Project 9.2 Vamping an Audio Cue with Slices |
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163 | (1) |
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164 | (1) |
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164 | (1) |
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164 | (1) |
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165 | (1) |
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166 | (1) |
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166 | (1) |
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167 | (1) |
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Design Tips: Hotkey Safety |
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168 | (1) |
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Project 9.3 Creating a Hotkey Activated Script Cue |
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168 | (1) |
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169 | (7) |
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10.1 Understanding Group Cues |
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169 | (1) |
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10.2 Inserting and Editing Group Cues |
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170 | (1) |
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170 | (1) |
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170 | (1) |
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171 | (1) |
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172 | (1) |
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172 | (1) |
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173 | (1) |
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Hiding Group Cue Contents |
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173 | (1) |
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173 | (1) |
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Project 10.1 Using the Group Cue to Create a Playlist |
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174 | (1) |
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Project 10.2 Simultaneous Playback of Children |
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175 | (1) |
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176 | (11) |
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11.1 Understanding Cue Carts |
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176 | (1) |
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177 | (1) |
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11.3 Cue Cart Setup: Inspector |
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178 | (1) |
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178 | (1) |
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178 | (1) |
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179 | (1) |
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11.4 How to Use Cue Carts |
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179 | (2) |
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11.5 Integrating the QLab Remote |
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181 | (1) |
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Project 11.1 Using a Cue Cart for Flexible Playback |
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182 | (5) |
| Part III: QLab Video Control |
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Chapter 12 QLab Video System Basics |
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187 | (27) |
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12.1 Understanding Video Systems |
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187 | (1) |
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187 | (1) |
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Video Reinforcement Systems |
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188 | (1) |
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12.2 Video System Components |
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188 | (13) |
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189 | (1) |
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189 | (1) |
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190 | (9) |
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191 | (1) |
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Video Graphics Array (VGA) |
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191 | (1) |
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191 | (1) |
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192 | (1) |
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192 | (1) |
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Video Only - Analog/Digital |
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193 | (1) |
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Digital Visual Interface (DVI) |
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193 | (1) |
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Video and Audio - Digital |
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194 | (1) |
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High-Definition Multimedia Interface (HDMI) |
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194 | (1) |
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194 | (1) |
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Mini DisplayPort/Thunderbolt 2 |
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195 | (1) |
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196 | (1) |
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196 | (1) |
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197 | (1) |
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Universal Serial Bus (USB) |
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197 | (1) |
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Category 5/6 (CAT 5/CAT 6) |
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198 | (1) |
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199 | (1) |
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199 | (1) |
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200 | (1) |
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12.3 Understanding Video Signal Flow |
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201 | (3) |
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Video/Image File/Video Feed |
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201 | (1) |
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201 | (1) |
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202 | (1) |
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Design Tips: Surface Control |
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202 | (2) |
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204 | (1) |
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204 | (1) |
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12.4 Hardware Considerations |
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204 | (6) |
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205 | (1) |
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205 | (1) |
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206 | (1) |
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206 | (1) |
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The Need for Multiple Drives |
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207 | (1) |
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207 | (1) |
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208 | (1) |
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208 | (1) |
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Regarding Codecs and Compression |
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209 | (1) |
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209 | (1) |
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209 | (1) |
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210 | (1) |
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210 | (1) |
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12.5 Connecting to a Video Display |
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210 | (3) |
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What Types of Connector(s) Are Needed? |
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210 | (1) |
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211 | (1) |
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212 | (1) |
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12.6 Graphics Expansion Devices |
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213 | (1) |
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Chapter 13 Video System Preferences and Setup |
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214 | (17) |
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13.1 Workspace Settings: Video Surfaces |
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214 | (1) |
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214 | (1) |
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215 | (1) |
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215 | (1) |
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215 | (6) |
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Editing the Single-Screen Surface |
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215 | (1) |
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Surface Name and Dimensions |
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216 | (1) |
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216 | (1) |
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217 | (1) |
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Individual Screen Controls |
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218 | (1) |
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219 | (2) |
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13.3 Creating and Editing New Surfaces |
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221 | (2) |
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Tools of the Trade: Remote Control for Your Workspace |
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222 | (1) |
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13.4 Setting Up a Graphics Expansion Device with QLab |
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223 | (1) |
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Project 13.1 Plug-and-Play Setup |
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224 | (1) |
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Project 13.2 Individual Screen Control with an Expansion Module |
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225 | (3) |
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13.5 Creating a Surface with Edge Blending |
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228 | (1) |
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Project 13.3 Creating a Surface with Edge Blending |
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228 | (1) |
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13.6 Workspace Settings: Camera |
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229 | (2) |
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229 | (1) |
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Tools of the Trade: Syphon Output |
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230 | (1) |
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Chapter 14 Video, Camera, and Text Cues |
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231 | (24) |
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14.1 Inserting a Video Cue |
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231 | (1) |
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232 | (1) |
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232 | (1) |
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Design Tips: A Word About FileFormats |
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232 | (1) |
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233 | (1) |
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14.4 Inspector: Display & Geometry |
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233 | (8) |
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233 | (1) |
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234 | (1) |
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234 | (1) |
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235 | (1) |
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Design Tips: Rotation Options |
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236 | (1) |
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Project 14.1 Fade Controls for Video Cues |
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237 | (1) |
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Project 14.2 Animating Image Rotation with Fade Cues |
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238 | (1) |
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Project 14.3 Using the Anchor to Your Advantage |
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239 | (2) |
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14.5 Inspector: Time & Loops |
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241 | (2) |
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241 | (1) |
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241 | (1) |
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242 | (1) |
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Integrated Fade Envelope and Playback Rate |
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243 | (1) |
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14.6 Inspector: Audio Levels, Audio Trim, and Audio Effects |
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243 | (1) |
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14.7 Inspector: Video Effects |
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244 | (2) |
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Tools of the Trade: Quartz Composer |
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245 | (1) |
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246 | (1) |
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14.9 Inspector: Basics and Triggers |
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246 | (1) |
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14.10 Inspector: Display & Geometry |
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247 | (1) |
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Project 14.4 Creating a Ghostly Effect |
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248 | (1) |
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14.11 Inspector: Video Effects |
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249 | (1) |
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Quartz Composer Integration |
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250 | (1) |
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250 | (1) |
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250 | (1) |
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251 | (1) |
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Project 14.5 Singalong Lyrics |
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251 | (2) |
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Project 14.6 Intergalactic Title Effects |
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253 | (2) |
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255 | (26) |
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15.1 Video Effects Presets: Color and Exposure |
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255 | (7) |
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255 | (1) |
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256 | (1) |
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256 | (1) |
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257 | (1) |
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Tools of the Trade: macOS Color Picker |
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258 | (3) |
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261 | (1) |
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261 | (1) |
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15.2 Video Effects Presets: Titles |
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262 | (3) |
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262 | (1) |
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262 | (2) |
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264 | (1) |
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265 | (1) |
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265 | (1) |
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265 | (1) |
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265 | (1) |
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15.3 Video Effects Presets: Blur/Sharpen |
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265 | (3) |
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266 | (1) |
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266 | (1) |
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266 | (1) |
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267 | (1) |
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267 | (1) |
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15.4 Video Effects Presets: Textures and Edge Effects |
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268 | (5) |
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268 | (1) |
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269 | (1) |
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270 | (1) |
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270 | (1) |
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270 | (1) |
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Crystallize and Pointillize |
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271 | (1) |
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271 | (1) |
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272 | (1) |
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273 | (1) |
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273 | (1) |
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15.5 Video Effects Presets: Distortion Effects |
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273 | (2) |
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Circle Splash/Hole Distortion |
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273 | (1) |
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274 | (1) |
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274 | (1) |
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Twirl/Circular Wrap/Vortex |
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275 | (1) |
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275 | (1) |
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15.6 Video Effects Presets: Tiles |
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275 | (2) |
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276 | (1) |
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276 | (1) |
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276 | (1) |
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276 | (1) |
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276 | (1) |
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15.7 Video Effects Presets: Custom Compositions |
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277 | (1) |
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Tools of the Trade: Syphon Recorder |
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277 | (1) |
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15.8 Video Effects Projects |
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278 | (1) |
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Project 15.2 Video Effects and Fade Cues |
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278 | (1) |
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Project 15.3 Combining Video Effects |
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279 | (2) |
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Chapter 16 Projection Mapping and Surfaces |
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281 | (20) |
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281 | (2) |
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Design Tips: Gradation and Masks |
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283 | (1) |
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16.2 Overlapping Geometric Surfaces |
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284 | (1) |
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Project 16.1 Creating Surfaces for Overlapping Geometric Areas |
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285 | (4) |
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16.3 Mapping on Non-Planar Surfaces |
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289 | (1) |
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Project 16.2 Mapping to 3D Surfaces |
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289 | (5) |
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Tools of the Trade: External Mapping Options: Mad Mapper |
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294 | (1) |
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295 | (1) |
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Project 16.3 Using QLab as a Masking Tool |
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295 | (6) |
| Part IV: QLab Lighting Control |
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Chapter 17 QLab Lighting System Basics |
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301 | (10) |
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17.1 Understanding Lighting Systems |
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301 | (4) |
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301 | (1) |
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302 | (1) |
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Lighting Instruments/Accessories/DMX-Controlled Devices |
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302 | (1) |
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303 | (1) |
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303 | (2) |
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17.2 Understanding Lighting Consoles |
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305 | (3) |
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305 | (1) |
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305 | (1) |
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306 | (1) |
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306 | (1) |
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307 | (1) |
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307 | (1) |
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307 | (1) |
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17.3 QLab as a Lighting Controller |
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308 | (3) |
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308 | (1) |
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308 | (1) |
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309 | (1) |
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309 | (1) |
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309 | (1) |
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309 | (1) |
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310 | (1) |
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310 | (1) |
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310 | (1) |
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Chapter 18 Preparing to Cue Lights |
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311 | (10) |
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311 | (3) |
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Design Tips: A Word About Polling |
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314 | (1) |
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314 | (3) |
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315 | (1) |
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316 | (1) |
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316 | (1) |
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18.3 Definitions and the Light Library |
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317 | (1) |
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318 | (1) |
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18.4 Putting It All Together |
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318 | (3) |
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318 | (3) |
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321 | (16) |
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19.1 Inserting a Light Cue |
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321 | (1) |
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19.2 Inspector: Basics and Triggers |
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321 | (1) |
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322 | (2) |
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322 | (1) |
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322 | (1) |
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322 | (1) |
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322 | (1) |
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The Lighting Commands List |
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323 | (1) |
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Design Tips: Live vs. Blind Programming |
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324 | (1) |
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324 | (1) |
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19.4 Inspector: Curve Shape |
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324 | (1) |
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324 | (2) |
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19.6 The DMX Status Window |
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326 | (1) |
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19.7 Understanding Lighting Command Language |
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326 | (3) |
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Selection Ranges and Passing |
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328 | (1) |
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328 | (1) |
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328 | (1) |
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329 | (1) |
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329 | (3) |
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Project 19.1 Creating a Chase Effect |
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332 | (5) |
| Part V: QLab Show Control and Networking |
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Chapter 20 Show Control Systems |
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337 | (8) |
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337 | (3) |
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Entertainment Control Systems |
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337 | (1) |
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338 | (1) |
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339 | (1) |
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339 | (1) |
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20.2 Entertainment Control Systems |
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340 | (2) |
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340 | (1) |
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340 | (1) |
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341 | (1) |
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Additional Control Systems |
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342 | (1) |
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20.3 Show Control Systems |
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342 | (2) |
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343 | (1) |
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343 | (1) |
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Video/Projection Control Systems |
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343 | (1) |
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20.4 Show Control Considerations |
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344 | (1) |
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Chapter 21 Understanding OSC and Network Cues |
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345 | (11) |
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345 | (1) |
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346 | (3) |
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347 | (1) |
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Design Tips: Networking Options |
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348 | (1) |
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349 | (4) |
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Inspector: Basics and Triggers |
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349 | (1) |
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350 | (1) |
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350 | (1) |
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351 | (1) |
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352 | (1) |
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Playback Control Commands |
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352 | (1) |
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Parameter-Change Commands |
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352 | (1) |
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352 | (1) |
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353 | (1) |
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Project 21.1 Creating a Cue Cart Interface |
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353 | (1) |
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Tools of the Trade: OSCulator |
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354 | (2) |
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356 | (14) |
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356 | (1) |
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22.2 What Is MIDI Show Control? |
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356 | (1) |
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357 | (2) |
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Workspace Settings: MIDI Controls |
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357 | (2) |
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359 | (1) |
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Design Tips: MIDI Across Network |
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359 | (1) |
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359 | (2) |
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Inspector: Basics and Triggers |
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360 | (1) |
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360 | (1) |
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361 | (3) |
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22.6 MIDI Show Control (MSC) |
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364 | (3) |
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365 | (1) |
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366 | (1) |
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367 | (1) |
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368 | (2) |
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Tools of the Trade: Go Box |
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368 | (2) |
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370 | (4) |
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370 | (1) |
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371 | (1) |
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23.3 Triggering Cues from Timecode |
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|
372 | (1) |
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|
372 | (2) |
| Index |
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374 | |
Lisainfo e-raamatute kohta