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E-raamat: Queer Youth and Media Cultures

  • Formaat: PDF+DRM
  • Ilmumisaeg: 05-Oct-2014
  • Kirjastus: Palgrave Macmillan
  • Keel: eng
  • ISBN-13: 9781137383556
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 05-Oct-2014
  • Kirjastus: Palgrave Macmillan
  • Keel: eng
  • ISBN-13: 9781137383556

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This collection explores the representation and performance of queer youth in media cultures, primarily examining TV, film and online new media. Offering an interdisciplinary focus and presenting a diverse range of contributions from authors based in and/or writing about the United States of America, the United Kingdom, Turkey, India, Scandinavia and Africa, it is organized under three sections: 'Performance and Culture', 'Histories and Commodity' and 'Transnational Intersections'. Specific themes of investigation include the context of queer youth suicide and educational strategies to avert this within online new media; the significance of coming-out videos produced online; the historical precedence of television and film representation; the representation of age-different relationships within film; transgender youth and the use of online media; educational video projects involving affirmation; cyberbullying and hierarchies in new media identity; and limitations in Scandinavian coming-out films.
List of Figures and Tables xiii
Preface xiv
Acknowledgements xvi
Notes on Contributors xviii
Introduction 1(18)
Christopher Pullen
Don't Ever Wipe Tears and Shemetov's photograph
1(3)
Queer media cultures and youth
4(2)
Coming out, education, bullying and homophobia
6(1)
Queer youth and identification
7(3)
Structure of book
10(2)
Conclusion
12(7)
Part I Performance and Culture
1 Stories like Mine: Coming Out Videos and Queer Identities on YouTube
19(15)
Bryan Wuest
Visibility and acculturation
23(7)
Conclusion
30(4)
2 Transgender Youth and YouTube Videos: Self-Representation and Five Identifiable Trans Youth Narratives
34(12)
Matthew G. O'Neill
Introduction
34(1)
Self-representation in trans youth: A theoretical framework
34(4)
Adaptable methods in the study of trans youth and YouTube videos
38(2)
Five identifiable trans youth narratives
40(3)
Conclusion
43(3)
3 'A Safe and Supportive Environment': LGBTQ Youth and Social Media
46(17)
Stephen Tropiano
LGBT teens online
49(1)
It Gets Better Project: 'Give hope to LGBT youth'
50(5)
The Trevor Project: 'Saving young lives'
55(8)
4 Media Responses to Queer Youth Suicide: Trauma, Therapeutic Discourse and Co-Presence
63(23)
Christopher Pullen
Introduction
63(1)
Method
64(1)
The commodity of the It Gets Better Project
65(2)
Counter public, confession and therapeutic discourse
67(2)
Shame, remembering and pedagogic work
69(1)
Intimate and painful contributions: Justin Aaberg's and Asher Brown's parents
70(3)
The It Gets Better Project, consensual validation and the sociality of pain
73(7)
Conclusion
80(6)
5 Sexually Marginalized Youth in the South: Narration Strategies and Discourse Coalitions in Newspaper Coverage of a Southern High School Gay-Straight Alliance Club Controversy
86(12)
Skyler Lauderdale
Data and methods
87(1)
GSA controversy in Currituck County, North Carolina
88(1)
Discourse coalitions and people production in Currituck County
89(1)
Margaret Smiley
90(1)
Local elected officials
91(2)
GSAs as sexual recruitment clubs
93(1)
Resolution and aftermath
94(1)
Discussion
95(3)
6 'We've Got Big News': Creating Media to Empower Queer Youth in Schools
98(17)
Karyl Ketchum
Signifying regimes and Debord's 'spectacle'
100(2)
Background
102(3)
The shoot
105(3)
Conclusion
108(2)
Post script
110(5)
Part II Histories and Commodity
7 Talking Liberties: Framed Youth, Community Video and Channel 4's Remit in Action
115(16)
Ieuan Franklin
Introduction: A licence to be queer?
115(1)
Prefigurative? The origins of Framed Youth
116(2)
The documentary aesthetics of Framed Youth
118(3)
Framed? Distribution, education and Section 28
121(3)
Documenting struggle/documentary (as) struggle
124(2)
Overcoming political fragmentation
126(1)
Conclusion: Re-Framed Youth
127(4)
8 We Need to Talk about Jack! On the Representation of Male Homosexuality in American Teen Soaps
131(14)
Mareike Jenner
Introduction
131(3)
The teen soap: Constructing identity
134(2)
Before Jack: Homosexuality and 'otherness'
136(2)
But what about Jack? Moving homosexuality into the 'mainstream'
138(3)
After Jack: The normality of 'otherness'
141(1)
Conclusion: The 'gay kid' as part of the mainstream?
142(3)
9 Queering TV Conventions: LGBT Teen Narratives on Glee
145(13)
Raffl Sarkissian
Introduction and history
145(2)
From multiplicity to microcosm
147(3)
Serial narrative
150(4)
Concluding thoughts
154(4)
10 Boy Wizards: Magical and Homosocial Power in Harry Potter and the Goblet of Fire and The Covenant
158(12)
Katherine Hughes
Homosociality in the teen film genre
158(3)
Masculinity in homosocial space
161(2)
Textual codes and queer reading
163(1)
Reading boy witches
164(6)
11 Androgynous Social Media and Visual Culture
170(12)
Stephanie Selvick
1950's periodicals and fashion
172(2)
Contemporary androgynous Tumblr
174(3)
The importance of non-binary style
177(5)
12 Queer Youth Cyber-Bullying and Policing the Self-Brand
182(15)
Taylor Nygaard
Technologies and Cyberbullying
183(1)
Parker's article and self branding
184(3)
Dharun Ravi and Tyler Clementi
187(6)
Conclusion
193(4)
13 Looking at Complicated Desires: Gay Male Youth and Cinematic Representations of Age-Different Relationships
197(14)
Kylo-Patrick R. Hart
Important predecessors and their insights into the phenomenon of looking
198(3)
Looking at the complicated desires of cinematic gay boys, soldiers and teachers
201(5)
Concluding observations: Absent yet present
206(5)
Part III Transnational Intersections
14 Straight Eye for the Queer Guy: Gay Youth in Contemporary Scandinavian Film
211(13)
Anders Lysne
Introduction
211(1)
A divisive love story: The Scandinavian youth film
212(2)
Tone and the teen on the screen
214(2)
Straight out of youth: The Man Who Loved Yngve
216(2)
Gays and dolls: Love Is in the Air
218(3)
Conclusion
221(3)
15 'Born This Way': Media and Youth Identities in Uganda's Kuchu Community
224(15)
Melanie Butler
Paul Falzone
Introduction
224(3)
Film Fridays and Community Sundays: Media Usage in Kuchu Organisations
227(3)
Survival techniques: Education, visibility and awareness
230(3)
Born this way: Identity, identification and resistance
233(3)
Conclusion
236(3)
16 'Be Wary of Working Boys': The Cultural Production of Queer Youth in Today's West Africa
239(12)
Noah Tsika
Translating local queer youth: Same-sex prostitution and Senegalese TV
240(4)
Sidestepping the spectre of paedophilia: Qualifying the youth category
244(2)
Queer youth in New African media: Ghallywood, Nollywood and Gay Ghana Online
246(5)
17 LGBT Student Groups at Universities and Their Usage of Social Media as a Public Sphere: A Case Analysis - luBUnya
251(14)
Idil Engindeniz Sahan
Universities and the LGBT movement
252(2)
Social media usage of LGBT student groups: An overview
254(1)
Facebook
255(2)
Twitter
257(1)
luBUnya on Facebook
257(3)
luBUnya on Twitter
260(1)
luBUnya on blogosphere
261(1)
Conclusion
262(3)
18 Parties, Advocacy and Activism: Interrogating Community and Class in Digital Queer India
265(13)
Rohit K. Dasgupta
Whose community is it anyway?
266(1)
Pink Kolkata Party
267(3)
Class identification and the fractured community
270(1)
When race meets class
271(2)
Conclusion
273(5)
19 The It Gets Better Project: A Study in (and of) Whiteness - in LGBT Youth and Media Cultures
278(14)
Michael Johnson Jr
Racialized sexuality and queer youth of colour
284(2)
What does 'better' look like?
286(2)
Conclusion
288(4)
Index 292
Melanie Butler, Peripheral Vision International Rohit K Dasgupta, University of the Arts London, UK ?dil Engindeniz ?ahan, Galatasaray University, Turkey Paul Falzone, Peripheral Vision International Ieuan Franklin, Bournemouth University, UK Kylo-Patrick R. Hart, Texas Christian University, USA Katherine Hughes, ASKlabs Documentary Films, USA Mareike Jenner, Aberystwyth University, UK Michael Johnson Jr., Washington State University, USA Karyl Ketchum, California State University, Fullerton, USA Skyler Lauderdale, University of South Florida, USA Anders Lysne, University of Oslo, Norway Taylor Nygaard, University of Southern California's School of Cinematic Arts, USA Matthew G. O'Neill, Queens University of Belfast, UK Christopher Pullen, Bournemouth University, UK Raffi Sarkissian, Annenberg School of Communication and Journalism, USA Stephanie M. Selvick, World Literature at Utica College, New York, USA Stephen Tropiano, Ithaca College Los Angeles Program, USA Noah Tsika, Queens College, City University of New York, USA Bryan Wuest, UCLA, USA