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E-raamat: Race and Cultural Practice in Popular Culture

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 17-Oct-2018
  • Kirjastus: Rutgers University Press
  • Keel: eng
  • ISBN-13: 9781978801325
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 17-Oct-2018
  • Kirjastus: Rutgers University Press
  • Keel: eng
  • ISBN-13: 9781978801325

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This book is an innovative work that takes a fresh approach to the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation.


Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.  

Arvustused

"The ugly eruptions of racism and resurgent white supremacy in this 'post-racial' time are grim reminders of just how vital it is that we understand and engage the complex and contested logics of race in the United States and other settler states. This volume is an impressive and indeed essential tool for that purpose. The editors have brought together a community of thoughtful, provocative thinkers in conversation at the crossroads of folklore, popular culture, critical theory, political action, and lived experience. Collectively and individually the contributors take race and (self-) representation seriously, in often unexpected, sometimes playful, occasionally fierce, but always compelling ways; they challenge readers to reconsider our own biases and boundaries around knowledge and cultural production, and extend the horizon of what is and can be possible in our critical conversations and embodied understandings. Race and Cultural Practice in Popular Culture offers vital, nourishing intellectual sustenance in these cruel and incurious times." Daniel Heath Justice, author of Why Indigenous Literatures Matter "Domino Perez and Rachel González-Martin have assembled a dynamic and eclectic collection that urges us to see, hear, and place race and racialized representations beyond stereotypical, silenced, and sedentary subjectivities. Engaging the contemporary social politics of race in television, film, music, and other performative sites, Race and Cultural Practice in Popular Culture deftly reframes, remixes, and resituates discourse on folklore and pop culture to usher in nuanced understandings and challenging conversations befitting who we are and where we may be going as local and global creators, consumers, and critics of the popular." Dustin Tahmahkera, author of Tribal Television: Viewing Native People in Sitcoms

Foreword: Assembling an Intersectional Pop Cultura Analytical Lens ix
Frederick Luis Aldama
Introduction: Re-imagining Critical Approaches to Folklore and Popular Culture 1(14)
Domino Renee Perez
Rachel Gonzalez-Martin
Part I Visualizing Race
1 A Thousand "Lines of Flight": Collective Individuation and Racial Identity in Netflix's Orange Is the New Black and Senses
15(18)
Ruth Y. Hsu
2 Performing Cherokee Masculinity in JheDoeBoy
33(26)
Channette Romero
3 Truth, Justice, and the Mexican Way: Lucha Libre, Film, and Nationalism in Mexico
59(17)
James Wilkey
4 Native American Irony: Survivance and the Subversion of Ethnography
76(15)
Gerald Vizenor
Part II Sounding Race
5 (Re)imagining Indigenous Popular Culture
91(19)
Mintzi Auanda Martinez-Rivera
6 My Tongue Is Divided into Two
110(22)
Olivia Cadaval With Quique Aviles
7 Performing Nation Diva Style in Lila Downs and Astrid Hadad's La Tequilera
132(19)
K. Angelique Dwyer
8 (Dis)identifyingwith Shakira's "Global Body": A Path toward Rhythmic Affiliations beyond the Dichotomous Nation/Diaspora
151(24)
Daniela Gutierrez Lopez
9 Voicing the Occult in Chicana/o Culture and Hybridity: Prayers and the Cholo-Goth Aesthetic
175(22)
Jose G. Anguiano
Part III Racialization in Place
10 Ugly Brown Bodies: Queering Desire in Machete
197(28)
Nicole M. Guidotti-Hernandez
11 "Bitch, how'd you make it this far?": Strategic Enactments of White Femininity in The Walking Dead
225(16)
Jaime Guzman
Raisa Alvarado Uchima
12 Bridge and Tunnel: Transcultural Border Crossings in The Bridge and Sicario
241(21)
Marcel Brousseau
13 Red Land, White Power, Blue Sky: Settler Colonialism and Indigeneity in Breaking Bad
262(17)
James H. Cox
Acknowledgments 279(2)
Notes on Contributors 281(4)
Index 285
DOMINO PEREZ is an associate professor of English at the University of Texas in Austin. She is the author of There Was a Woman: La Llorona from Folklore to Popular Culture.  RACHEL GONZÁLEZ-MARTIN is an assistant professor of Mexican American and Latina/o studies at the University of Texas.