This book explores desire through the work of a new generation of Japanese women writers, in response to the increased attention these writers have received following the release of their work in the English language.
This book explores desire through the work of a new generation of Japanese women writers, in response to the increased attention these writers have received following the release of their work in the English language.
The contributions explore a wide range of theoretical approaches and psychoanalytic interpretations to "reading" a new generation of Japanese women writers’ relationships to identity, sex/gender, and desire. Through dealing with female spaces, maternal roles, gendered bodies, or resistant speech acts, the book uncovers the overarching theme of desire – desire for language, touch, and recognition. Focusing on authors who have previously been underrepresented in English-language scholarship, the book highlights the diverse nature and the important synergies of writing by women in the last few decades.
Addressing experimental and nonconforming authors whose works challenge gender and culture expectation as well as Orientalist myths, this will be a valuable resource for students and scholars of Asian literature, Japanese culture, and Asian studies.
Introduction
1. The Step to Trample the Unexplored: Family, School
Girlishness (Joshi kksei rashisa), and Lesbian Panic in Matsuura Riekos
Saiai no kodomo (The Most Beloved Child, 2017)
2. Body and/as Food:
Rediscovering Female Subjectivity through the Mother-Daughter Dyad in
Kawakami Hiromis Manazuru (2006)
3. Intersectional Identity in the Works of
Tawada Yko: An Analysis of Unhomely Sounds in the Mother Tongue
4. Writing
and Being Written: Approaches to Reading the Narrative of Kanai Miekos
"Mado" (Window, 1979)
5. Envisioning Community through Womens Spaces: Body,
Precarity, and Language in Kawakami Miekos Natsu monogatari (Breasts and
Eggs, 2019)
6. Writing a Place for Politics in the Space of Capital: Oyamada
Hirokos Kj (The Factory, 2013)
Nina Cornyetz is a professor of interdisciplinary studies at New York University's Gallatin School of Individualized Instruction, USA, and is the author of The Ethics of Aesthetics in Japanese Cinema and Literature: Polygraphic Desire (Routledge, 2007).
Rebecca Copeland is a professor of modern Japanese literature at Washington University in St. Louis, USA, and is the author of the novel The Kimono Tattoo (2021).
Lisainfo e-raamatute kohta