In 1881, the publication of a revised version of the New Testament by the Oxford University Press was greeted by a huge amount of interest on the part of the general public and the volume went on to become a publishing sensation. Three decades later, a similar thing was to happen to another English book, the popular novel, The Rosary by Florence Barclay. Between these two events, as Hammond (literature and book history, Open U., UK), "lies a rich landscape of changing literary taste shaped and fought over by governments, philanthropists, educators and clerics; by writers, publishers, agents and distributors, and, of course, by readers of both genders and all classes." It is this landscape that is the subject of his book, which contains chapters exploring tensions between the Public Library Committee, fears around the immorality of art, reader demand, and financial restrictions of English public libraries; literatures available at the public arena of railway station; the role of the Oxford University Press in legitimizing the importance of certain works; and the ways certain popular authors (Hall Caine, Marie Corelli, Arnold Bennett, and Florence Barclay) were implicated in debates about fictional form, gender, race, art, morality, public spaces, religion, new technologies, and readers and how these debates were reflected in the way these authors were marketed and reviewed. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)