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E-raamat: Reading, Publishing and the Formation of Literary Taste in England, 1880-1914

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In 1881, the publication of a revised version of the New Testament by the Oxford University Press was greeted by a huge amount of interest on the part of the general public and the volume went on to become a publishing sensation. Three decades later, a similar thing was to happen to another English book, the popular novel, The Rosary by Florence Barclay. Between these two events, as Hammond (literature and book history, Open U., UK), "lies a rich landscape of changing literary taste shaped and fought over by governments, philanthropists, educators and clerics; by writers, publishers, agents and distributors, and, of course, by readers of both genders and all classes." It is this landscape that is the subject of his book, which contains chapters exploring tensions between the Public Library Committee, fears around the immorality of art, reader demand, and financial restrictions of English public libraries; literatures available at the public arena of railway station; the role of the Oxford University Press in legitimizing the importance of certain works; and the ways certain popular authors (Hall Caine, Marie Corelli, Arnold Bennett, and Florence Barclay) were implicated in debates about fictional form, gender, race, art, morality, public spaces, religion, new technologies, and readers and how these debates were reflected in the way these authors were marketed and reviewed. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)

Arvustused

Shortlisted for the SHARP/DeLong prize for the best book history monograph of 2006 'This splendid study recounts the ideological battleground of the fin-de-siècle when new literary tastes were being formed and the canon of modern English letters as we know it was being constructed. In this impeccably researched and exquisitely written book, Hammond shows herself to be that rare scholar, equal parts book historian, literary theorist, and critic of novelistic form. She vividly uncovers the public spheres in which the novel circulated in late Victorian England. Every study of English modernism will have to contend with Hammond's keen account that links modernism closely to its late Victorian predecessors and to the cut and thrust of a marketplace of print and prestige. Every book historian and literary scholar will have to take note of Hammond's innovations with the archive and the vistas they open.' Priya Joshi, Temple University, USA 'The book is aimed squarely at an academic market and will be required reading for those studying the publishing history of the period... The chapters on the free library system, the rise of W.H. Smith and Oxford University Press's role in popularising classic literature are particularly interesting and display a great breadth of scholarship...' Rare Books Newsletter ... this is a valuable work whose case study examples open out our understanding of the role played by production, distribution and reception in catering for or denying general British reading public interests and tastes... It is well worth a read. Review of English Studies Hammond's study illuminates the rich world of the period's printing culture, so much of which is unseen today... this is [ ...] the value of Hammond's book, which both sheds new light on the dimmer reaches of that literary environment and also invites further explorations of its contours. English Literature in Transition

List of Figures vii
General Editors' Preface ix
Acknowledgements xi
Introduction: Modernity and the Reading Public 1
1 'The Great Fiction Bore': Free Libraries and Their Users 23
Gissing and the Common Reader
23
The Public Library Movement
27
Fiction and the Public Space
31
Libraries, Reading and the Performance of Gender and Class
37
Moral Guardianship and the Librarian
45
2 Sensation and Sensibility: W.H. Smith and the Railway Bookstall 51
An Engine for Social Change
51
Train Travel and the Reader's Psyche
55
Circulation and Censorship: Policing the Literature of the Rail
66
'Something Hot and Strong': Bookstalls, Protection and Escapism
72
3 'People Read So Much Now and Reflect So Little': Oxford University Press and the Classics Series 85
Creating a Classic
85
A New Direction for Oxford University Press
95
'The Husks of Books': Cheap Classics and Cultural Distinction
106
4 'The Little Woman' and 'The Boomster': Marie Corelli, Hall Caine and the Literary Field of the 1890's 117
The Power to Consecrate: The Critic as Novelist
117
Hall Caine and the 'Realist' Romance
121
The Reviewing of Gender
134
Marie Corelli and the Romance of Emancipation
144
5 'Mr Bennett and Mrs Barclay': The Literary Field before the First World War 155
Authorship and Art
155
'Infuriating the Ungodly': The Popular Fiction of Florence Barclay
160
'Like a Machine': Bennett and the Popular as Art
173
Conclusion 193
Bibliography 197
Index 207


Mary Hammond is Lecturer in Literature and Book History at the Open University, UK.