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E-raamat: Reading Typographically: Immersed in Print in Early Modern France

  • Formaat: 328 pages
  • Sari: Stanford Text Technologies
  • Ilmumisaeg: 18-Jun-2024
  • Kirjastus: Stanford University Press
  • Keel: eng
  • ISBN-13: 9781503639164
  • Formaat - PDF+DRM
  • Hind: 75,40 €*
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  • Formaat: 328 pages
  • Sari: Stanford Text Technologies
  • Ilmumisaeg: 18-Jun-2024
  • Kirjastus: Stanford University Press
  • Keel: eng
  • ISBN-13: 9781503639164

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"Anxieties about the fate of reading in the digital age reveal how deeply our views of the moral and intellectual benefits of reading are tied to print. These views take root in a conception of reading as an immersive activity, exemplified by the experience of "losing oneself in a book." Against the backdrop of digital distraction and fragmentation, such immersion leads readers to become more focused, collected, and empathetic. How did we come to see the printed book as especially suited to deliver this experience? Print-based reading practices have historically included a wide range of modes, not least the disjointed scanning we associate today with electronic text. In the context of religious practice, literacy's benefits were presumed to lie in such random-access retrieval, facilitated by indexical tools like the numbering of Biblical chapters and verses. It was this didactic, hunt-and-peck reading that bound readers to communities. Exploring key evolutions in print in 17th- and 18th-century France, from typeface, print runs, and format to editorial organization and punctuation, this book argues that typographic developments upholding the transparency of the printed medium were decisive for the ascendancy of immersive reading as a dominant paradigm that shaped modern perspectives on reading and literacy"--

Anxieties about the fate of reading in the digital age reveal how deeply our views of the moral and intellectual benefits of reading are tied to print. These views take root in a conception of reading as an immersive activity, exemplified by the experience of "losing oneself in a book." Against the backdrop of digital distraction and fragmentation, such immersion leads readers to become more focused, collected, and empathetic.

How did we come to see the printed book as especially suited to deliver this experience? Print-based reading practices have historically included a wide range of modes, not least the disjointed scanning we associate today with electronic text. In the context of religious practice, literacy's benefits were presumed to lie in such random-access retrieval, facilitated by indexical tools like the numbering of Biblical chapters and verses. It was this didactic, hunt-and-peck reading that bound readers to communities.

Exploring key evolutions in print in 17th- and 18th-century France, from typeface, print runs, and format to editorial organization and punctuation, this book argues that typographic developments upholding the transparency of the printed medium were decisive for the ascendancy of immersive reading as a dominant paradigm that shaped modern perspectives on reading and literacy.

Arvustused

"This book will shift discussions of the public sphere, imagined communities, and the role of the public intellectual. In the looming controversies surrounding AI in education, this book makes the case against fetishizing one historically specific kind of reading." George Hoffmann, University of Michigan "This is a fascinating study. Reading Typographically is an important contribution to our histories of reading, and essential for students and historians of reading." Jennifer Richards, University of Cambridge "This provocative and exciting book considers how typographical devices were used for erasing the perception of the materiality of the text and create an unmediated relationship between the reader and characters' voices or the writer's heart. Important and innovative." Roger Chartier, Collège de France "Brilliantly joining literary criticism with book history, this superbly researched study explores the emergence in the 18th century 'reading revolution' of a new kind of 'immersive' reading, abetted by new kinds of page layout and typography.... Highly recommended."D. L. Patey, CHOICE

Acknowledgments
Introduction: The Benefits of Reading
1. Typeface: Disappearing Letters from the Romain du Roi to Didot
2. Print Runs: Tender Maps in the Marketplace
3. Format: Appropriations of the Book
4. Editorial Labors: The Typography of Intimate Texts
5. Punctuation Marks: Bringing Speech to Life on the Printed Page
Conclusion: Hybridity and Text Technologies
Notes
Selected Bibliography
Index
Geoffrey Turnovsky is Associate Professor of French at the University of Washington, Seattle. He is the author of The Literary Market: Authorship and Modernity in the Old Regime (2011).