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E-raamat: Rebellion and Revolution: Defiance in German Language, History and Art

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  • Formaat: 285 pages
  • Ilmumisaeg: 22-May-2020
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781527553347
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  • Formaat: 285 pages
  • Ilmumisaeg: 22-May-2020
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781527553347

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Rebellion and Revolution: Defiance in German Language, History and Art is a transnational collection of twelve essays by scholars of history, literature and film. It offers new perspectives on several of the key moments in history when the German revolutionary spirit was at its peak. Inspired by both the 20th anniversary of the Fall of the Berlin Wall and the 40th anniversary of the student movements of 1968, this book contributes to current discourses on resistance by providing a retrospective look at events and time periods ranging from the German Peasants' War of 1525 to the American War for Independence and the French Revolution in the 18th century; and from the tumultuous period of the Weimar Republic up until the final days of the German Democratic Republic. This book not only provides a new outlook on important historical moments and sociopolitical issues, rather the articles take a multidisciplinary approach to analyze a variety of artistic works inspired by historical rebellious movements. This book provides a variety of theoretical interpretations which will be useful to readers interested in historiography, gender studies, rhetoric, philosophy, film, music and literature.

Arvustused

"This inspiring collection illuminates a topic whose relevance for today cannot be overstated. Its broad literary scopeGoethe, Schiller, Kleist, Döblin, Brechtand engagement with genres including visual culture, philosophy, social movements, and film illuminate a wide-reaching dialectics of revolution and society. Powerful and unpredictable, roiling beneath or erupting through, resistance profoundly constitutes our ever-changing world fabric. The trenchant and often surprising, firmly contextualized readings in this book explore culture as privileged site of rebellion in theory and praxis. As scholarly "angels of history," they offer new ways of seeing, particularly in their expert scrutiny of "canonical" texts for variegated and sustained engagement with radical change."Jennifer Ruth Hosek, Queen's University"This interdisciplinary volume challenges the widespread notion of German culture as inherently authoritarian and averse to revolution. Featuring an impressive range of approacheshistorical, sociological, psychoanalytical, gendered, literaryit offers fresh perspectives on texts by such iconic German authors as Goethe, Schiller, Kleist, and Brecht and on actual moments of rebellion and revolution in German and European history, from the peasant revolt of 1525 to the student protests of 1968. While they recover what is revolutionary about these texts and historical moments, however, the book's authors adeptly demonstrate the complexity and ambivalence with which the revolutionary idea itself is laden. The book shows how German culture grapples with revolution's potential liberation and its potential violence, providing just the right balance of celebration and restraint. A laudable scholarly achievement."Jill Suzanne Smith, Bowdoin College

List of Illustrations
ix
Acknowledgements xi
Introduction xiii
Chapter One 1525 and All That: The German Peasants' War in Modern Memory
1(13)
Thomas A. Brady Jr.
Chapter Two The Rebel with the Iron Hand: "Rebellion" and "Hegemonic Masculinity" in Goethe's Gotz von Berlichingen
14(18)
Martin Blawid
Chapter Three Schiller's Declarations of Independence: The Dutch Oath of Abjuration, The "American War," and the Untimely Rhetoric of Marquis Posa
32(30)
Jeffrey L. High
Chapter Four Rebellious Bodies: The Human Form as Site of Social and Political Conflict in Heinrich von Kleist's Die Hermannsschlacht and Penthesilea
62(27)
Julie Koser
Chapter Five Language Unmoored: On Kleist's "The Betrothal in St. Domingue"
89(31)
Andreas Gailus
Chapter Six Antigone-Figures: Alfred Doblin, Friedrich Becker, and Rosa Luxemburg in Karl und Rosa
120(32)
Dayton Henderson
Chapter Seven Bedeviled Humanity: Revolutionary Violence and the Classical Tradition in Wilhelm Speyer's Der Revolutionar and Bertolt Brecht's Die Maßnahme
152(23)
Matthias Buschmeier
Chapter Eight Rhetoric of Revolt: On the Dialectical Function of Manifesto and Art Program in Naturalism, Expressionism and Dadaism
175(14)
Christoph Kleinschmidt
Chapter Nine The Rebellious Body of the New Human Being: Socialist Nudism in the Weimar Republic 1919-1933
189(15)
John Alexander Williams
Chapter Ten Waiting for my Band: Music, Legacy and Identity in Peter Zadek's Ich bin ein Elefant, Madame
204(20)
Priscilla Layne
Chapter Eleven How the Discourse of Violence, Nationalism and Neo-Colonialism Informed the German Student Movement of 1968
224(19)
Elliot Neaman
Chapter Twelve Skinhead and Stasi: Impossible Rebellions and the GDR Neo-Nazi Problematic
243(11)
Seth Howes
Contributors 254
Melissa Etzler received her MA in German from California State University, Long Beach and she is currently a PhD candidate in the Department of German at the University of California, Berkeley. Her interests include contemporary German cinema and foreign language pedagogy. Her dissertation focuses on madness in twentieth-century literature.Priscilla Layne is a PhD candidate in the Department of German at UC Berkeley where she researches issues of rebellion in German literature, music and film. She received her BA in Comparative Literature from the University of Chicago in 2003 and her MA in German from UC Berkeley in 2006.