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E-raamat: Recording Voiceover: The Spoken Word in Media

  • Formaat: 266 pages
  • Ilmumisaeg: 12-Mar-2015
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781134744961
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  • Formaat: 266 pages
  • Ilmumisaeg: 12-Mar-2015
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781134744961

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The only book on the market to specifically address its audience, Recording Voiceover is the comprehensive guide for engineers looking to understand the aspects of capturing the spoken word.Discussing all phases of the recording session, Recording Voiceover addresses everything from microphone recommendations for voice recording to pre-production considerations, including setting up the studio, working with and directing the voice talent, and strategies for reducing or eliminating distracting noise elements found in human speech.Recording Voiceover features in-depth, specific recommendations for recording radio and television commercials, corporate communications, documentaries, tracks for gaming and animation, radio drama, interviews and roundtable discussions. A discussion of the voice in film and television is also included.Special attention is paid to the final release format and its impact on recording strategies. Exploration of using telephone interfaces – including both analogue and digital ISDN, as well as recording across the internet – is included.
Author's Biography xi
Foreword xiii
Preface xvii
Acknowledgments xix
Chapter 1 Introduction
1(8)
A Life in Sound
2(1)
A Bit About This Book
2(2)
The Making of a Superior Voiceover Recording
4(2)
A Short Case Study
6(3)
Chapter 2 The Voice in Media
9(18)
Information Theory
10(3)
The Beginning of Digital Audio
13(2)
Historical Precedents
15(2)
Psychoacoustics
17(3)
Reverberation
20(1)
The Disembodied Voice
21(2)
Recording Foreign Languages
23(4)
Chapter 3 Room Acoustics
27(18)
Insight: Daniel Porter
33(7)
Insight: John Storyk
40(5)
Chapter 4 Microphones
45(24)
Fundamentals of the Human Voice
46(3)
Microphone Design Types
49(1)
Polar Response
50(4)
Frequency Response
54(2)
Microphone Experiments
56(3)
Dynamic Microphones
59(2)
Condenser Microphones
61(4)
Digital Microphones
65(2)
USB Microphones
67(2)
Chapter 5 The Engineer
69(18)
The Role of the Engineer in Voice Recording
69(2)
Collaboration---Communication---Responsibility
71(1)
Multitasking
72(2)
Insight: Interview with Terry Schedeler
74(2)
Insight: Charlie Pickard
76(2)
Building a Sense of Trust
78(1)
Preparation
79(3)
Insight: Interview with Linda Wolfe
82(1)
The Team
83(4)
Chapter 6 The Studio
87(16)
A Few Simple Truths
88(1)
Lighting
88(2)
Insight: John Storyk
90(2)
The Script Easel
92(2)
Seated or Standing?
94(1)
Monitoring
95(3)
Video Monitoring
98(2)
Keep it Organized
100(1)
Additional Considerations
101(2)
Chapter 7 The Session
103(24)
Insight: Bryen Hensley
104(1)
Documentation and Notes
105(7)
The Co-producer Role
112(1)
Working With the Voice Talent
113(1)
Insight: Harlan Hogan
114(3)
Insight: Doug James
117(1)
Some Tips and Tricks
118(3)
Documentation (Part II)
121(3)
Studio Weirdness
124(3)
Chapter 8 Your Personal Recording Space
127(22)
The Basics
128(2)
The Space
130(4)
Hardware
134(5)
Software
139(2)
Delivery---The Remote Session
141(4)
Additional Costs
145(2)
The Matter of Trust
147(2)
Chapter 9 Recording for Commercials
149(22)
The Dictatorship of the Clock
151(2)
How Long Is Too Long?
153(4)
The Commercial Session
157(5)
Insert Lines and Redos
162(3)
Editing and Intercutting
165(3)
After the Session
168(1)
One Final Word
169(2)
Chapter 10 Recording Long-Form Narration
171(14)
The Long-Form Session
175(2)
Documentation
177(1)
Recording to Picture
178(3)
Further Thoughts on Long-Form Narration
181(4)
Chapter 11 Recording for Games and Animation
185(16)
Game Voice Recording
186(2)
Insight: D. B. Cooper
188(3)
Recording for Animation
191(1)
Watch Your Levels!
192(1)
Insight: Vince Caro
193(4)
An Experiment in Voice Recording
197(4)
Chapter 12 Recording Interviews and Roundtable Discussions
201(20)
Interviews
203(5)
Insight: Ray Van Steen
208(2)
Video Interviews
210(1)
Boom and Shotgun Mic Techniques
211(3)
Recording Roundtable Discussions
214(3)
Live Mixing of Roundtable Discussions
217(4)
Chapter 13 More Voiceover Opportunities
221(8)
Voice Response
222(1)
Public Announcements
223(1)
Web Content
223(1)
Voice Talent Demos
224(1)
Audio Books
225(1)
The Wacky World of Toys
226(1)
Audio Tours
226(1)
Something Completely Different
227(1)
In Conclusion
228(1)
Chapter 14 That's a Wrap
229(8)
Building the Sense of Trust
230(3)
Your Insurance Policy
233(2)
A Passion for Voice
235(2)
Resources
237(4)
Bibliography
237(1)
Useful Web Sites
238(3)
Index 241
Tom Blakemore has been an active audio engineer for over thirty years, working in film, television, commercial, and corporate communications as a supervising sound editor and mixer. His film work includes Emmy Award winning documentaries, Academy Award nominees, Directors Guild of America Best Documentary winners, and Audience Award winners at the Toronto, Chicago and Amsterdam Film Festivals. Tom lives in Chicago, where he is an adjunct professor at Tribeca Flashpoint Media Arts Academy teaching film sound, and is a member of the Motion Picture Sound Editors (MPSE) and the Audio Engineering Society (AES).