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1 Technologies, Possibilities, Emergence and an Ethics of Responsibility: Refiguring Techniques |
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1 | (12) |
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2 | (2) |
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1.2 What Does the `Technological Possible' Mean for Digital Visual Research? |
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4 | (2) |
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1.3 What are the Implications of Seeing Researcher Engagement with New and Emerging Technologies as Improvisation Rather Than Innovation? |
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6 | (1) |
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1.4 What Does This Mean for an Ethics of Responsibility in Digital Visual Research? |
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7 | (1) |
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1.5 How Can We Harness Techniques that Involve Digital Visual Technologies for Making or Ensuring Better Futures? |
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8 | (2) |
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1.6 How Can Digital Visual Technologies and Techniques Benefit Collaborations with 1-Aternal Research Partners and Stakeholders to Gain Understandings that Will Enable Us and Them to Better Judge How We Move on into Our Digital Futures? |
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10 | (1) |
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11 | (2) |
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11 | (2) |
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2 Non-human Sensing: New Methodologies for the Drone Assemblage |
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13 | (12) |
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14 | (1) |
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15 | (3) |
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2.3 Drone Piloting and the Wayward Object |
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18 | (3) |
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21 | (4) |
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22 | (3) |
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3 Immersive Reflexivity: Using 360° Cameras in Ethnographic Fieldwork |
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25 | (14) |
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25 | (1) |
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3.2 Visual Practices and Digital Affordances |
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26 | (2) |
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3.3 Locating 360° Cameras Within Photographic History |
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28 | (2) |
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3.4 Sensing the Emplacement of Doing Fieldwork with 360° Images |
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30 | (4) |
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3.5 360° Images: Sharing Fieldwork Experiences |
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34 | (1) |
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3.6 360° Images as Visual Fieldnotes |
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35 | (1) |
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36 | (3) |
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37 | (2) |
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4 Empathetic Visuality: GoPros and the Video Trace |
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39 | (12) |
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40 | (1) |
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4.2 Cameras on Our Bodies: Situating the GoPro |
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41 | (1) |
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41 | (1) |
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42 | (1) |
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4.5 Empathy and the Video Trace |
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43 | (3) |
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4.6 The Video Trace and Auto-Ethnography at a Public Event |
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46 | (2) |
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48 | (3) |
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49 | (2) |
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5 In Defence of the "Thin": Reflections on the Intersections Between Interactive Documentaries and Ethnography |
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51 | (16) |
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52 | (2) |
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54 | (1) |
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5.3 Defining the Interactive Documentary |
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55 | (3) |
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5.4 Academic Engagements with iDocs |
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58 | (3) |
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61 | (6) |
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63 | (4) |
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6 Ethnography Through the Digital Eye: What Do We See When We Look? |
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67 | (14) |
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68 | (2) |
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6.2 How Does Eye-Tracking Work and What can it `Measure'? |
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70 | (2) |
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6.3 Eye-Tracking and Ethnography: Exploratory Case Studies |
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72 | (5) |
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77 | (4) |
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78 | (3) |
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7 Visual Documentation in Hybrid Spaces: Ethics, Publics and Transition |
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81 | (12) |
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82 | (1) |
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7.2 Scene 1: Viewing Walls in Public Space |
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82 | (4) |
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7.3 Scene 2: Publics and the Museum |
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86 | (4) |
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7.4 Reading the Image of Hybrid Spaces |
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90 | (3) |
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91 | (2) |
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8 At the Edges of the Visual Culture of Exile: A Glimpse from South Australia |
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93 | (12) |
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94 | (2) |
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96 | (4) |
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8.3 Between Here and There |
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100 | (5) |
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103 | (2) |
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9 Careful Surveillance at Play: Human-Animal Relations and Mobile Media in the Home |
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105 | (12) |
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106 | (2) |
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9.2 Non-Anthropocentric Understandings of Surveillance and Care Cultures |
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108 | (4) |
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9.3 Cross-Species Nature of Play |
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112 | (2) |
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9.4 Conclusion: Careful Surveillance |
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114 | (3) |
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115 | (2) |
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10 Imagining Technique: Reflexivity, Ethnographic Arts and the Digital-Real |
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117 | (14) |
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118 | (2) |
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120 | (2) |
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122 | (4) |
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126 | (5) |
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128 | (3) |
| Index |
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131 | |
Lisainfo e-raamatute kohta