| Preface |
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viii | |
| Acknowledgements |
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x | |
| Concerning this book: its illustrations, notes, references and appendices |
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x | |
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3 | (58) |
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Painters in all shapes and sizes |
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5 | (3) |
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8 | (3) |
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11 | (3) |
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14 | (1) |
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The internships and journeymen |
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15 | (2) |
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17 | (6) |
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23 | (5) |
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The guild and the emancipation of the painter |
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28 | (3) |
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31 | (3) |
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Art-lovers and connoisseurs |
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34 | (10) |
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Rembrandt's satire on art criticism |
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44 | (6) |
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Painters as socially unconventional free spirits |
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50 | (2) |
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Painting and payment; Rembrandt's prices |
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52 | (4) |
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56 | (5) |
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Towards a reconstruction of Rembrandt's art theory |
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61 | (162) |
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An advantage of creating small-scale history paintings |
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61 | (7) |
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The basic aspects (de Gronden) of the art of painting |
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68 | (7) |
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From Van Mander -- via Rembrandt -- to Van Hoogstraten |
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75 | (5) |
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Confusion over the meaning and purpose of Van Mander's and Van Hoogstraten's treatises |
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80 | (1) |
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80 | (11) |
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Remarks on the pedagogical purpose of Van Hoogstraten's treatise |
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91 | (4) |
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95 | (6) |
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The Gronden, Section 1 Drawing |
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101 | (7) |
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The Gronden, Section 2 The proportions of the human body |
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108 | (18) |
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The Gronden, Section 3 The comportment, posture, and movement of the human figure |
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126 | (5) |
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The Gronden, Section 4 Ordonnance and Invention |
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131 | (13) |
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The Gronden, Section 5 Affects |
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144 | (6) |
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The Gronden, Section 6 Light and shadow |
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150 | (11) |
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The Gronden, Section 7 Landscape |
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161 | (9) |
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The Gronden, Section 8 Livestock, (wild) animals, and birds |
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170 | (12) |
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The Gronden, Section 9 Drapery and dress |
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182 | (6) |
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The Gronden, Section 10 Colour |
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188 | (12) |
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The Gronden, Section 11 Handling of the brush |
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200 | (12) |
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The Gronden, Section 12 Space |
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212 | (6) |
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Towards a reconstruction of Rembrandt's art theory: Conclusion |
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218 | (5) |
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Rembrandt as a searching artist |
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223 | (59) |
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223 | (6) |
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229 | (2) |
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The rules of art and the `classicistic criticism' of Rembrandt |
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231 | (5) |
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Rembrandt among intellectual art-lovers |
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236 | (5) |
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Virtual conversations with Constantijn Huygens |
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241 | (2) |
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243 | (2) |
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245 | (3) |
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The picturesque quality of ugliness |
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248 | (3) |
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Rembrandt's duel -- via Rubens -- with the Ancients |
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251 | (7) |
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258 | (5) |
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263 | (4) |
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Rembrandt after 1650: a different painter with similar goals and new means |
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267 | (2) |
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269 | (3) |
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272 | (6) |
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278 | (2) |
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280 | (1) |
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281 | (1) |
| Notes |
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282 | (10) |
| References |
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292 | (6) |
| Appendix A The function and meaning of Rembrandt's self-portraits |
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298 | (6) |
| Appendix B A Summary of Ernst van de Wetering, Rembrandt. The Painter at Work |
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304 | (8) |
| Appendix C The course of Rembrandt's life as a painter, including a Chronological List of Rembrandt's Works Reproduced in this Book |
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312 | (18) |
| Index |
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330 | |