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E-raamat: (Re)Positioning Site Dance: Local Acts, Global Perspectives

Edited by (University of Chichester, UK), Edited by (University of Calgary), Edited by (The University of Waikato)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 15-Jul-2019
  • Kirjastus: Intellect Books
  • Keel: eng
  • ISBN-13: 9781789380132
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 15-Jul-2019
  • Kirjastus: Intellect Books
  • Keel: eng
  • ISBN-13: 9781789380132
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Site-based dance performance and sited movement explorations implicate dance makers, performers and audience members in a number of dialogical processes between body, site and environment. This book aims to articulate international approaches to the making, performing and theorising of site-based dance. Drawing on perspectives from three practitioner-academics based in three distinct world regions Europe, North America and Oceania the authors explore a range of practices that engage with sociocultural, political, ecological and economic discourses, and demonstrate how these discourses both frame and inform processes of site dance making as well as shape the ways in which such interventions are conceived and evaluated.





Intended for artists, scholars and students, (Re)Positioning Site Dance is an important addition to the theoretical discourse on place and performance in an era of global sociopolitical and ecological transformation.
List of Illustrations
ix
Introduction: (Re)positioning site dance: Local acts, global perspectives 1(20)
Karen Barbour
Victoria Hunter
Melanie Kloetzel
Section One Historical lineages and contemporary concerns: Tactics, encounters and contexts
21(82)
Chapter 1 From recontextualization to protest: 50 years of site dance practice in North America
25(26)
Melanie Kloetzel
Chapter 2 Activism, land contestation and place responsiveness
51(26)
Karen Barbour
Chapter 3 Sited English folk dance as a form of site dance: Heritage, tradition and resistance
77(26)
Victoria Hunter
Section Two Practice into theory: Materials, dialogues and affect
103(80)
Chapter 4 Dancing gardens: Phenomenology and affective practices
107(26)
Karen Barbour
Chapter 5 Material touchstones: Weaving histories through site-specific dance performance
133(24)
Victoria Hunter
Chapter 6 Lend me an ear: Dialogism and the vocalizing site
157(26)
Melanie Kloetzel
Section Three Moving towards the global: Ethics, mobility and marginalization
183(88)
Chapter 7 Performing parks and squares
187(30)
Victoria Hunter
Chapter 8 Site-specific dance and environmental ethics: Relational fields in the Anthropocene
217(30)
Melanie Kloetzel
Chapter 9 Dancing in foreign places: Practices of place and tropophilia
247(24)
Karen Barbour
Conclusion 271(6)
References 277(26)
Index 303
Karen Barbour is an Associate Professor in the School of Arts, Te Kura Kete Aronui, at the University of Waikato in Aotearoa New Zealand.





Victoria Hunter is a practitioner-researcher and Reader in Site Dance and Choreography at the University of Chichester, UK.





Melanie Kloetzel is an Associate Professor of Dance at the University of Calgary, Canada, and the Artistic Director of the dance theatre company kloetzel&co.