Muutke küpsiste eelistusi

E-raamat: Revolution in Movement: Dancers, Painters, and the Image of Modern Mexico

  • Formaat - PDF+DRM
  • Hind: 234,00 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dancethe emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivated Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico's theatrical dance world, including Diego Rivera's collaborations with ballet composer Carlos Chávez; Carlos Merida's leadership of the National School of Dance; José Clemente Orozco's involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the "golden age" of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
List of Figures
vii
Acknowledgments ix
List of Abbreviations
xiii
Introduction 1(15)
1 An Anthropologist Orders a Beer: The Development of Mexican Nationalism
16(20)
2 Mexicanism Russian Style: Roberto Montenegro, Diego Rivera, and the Ballets Russes
36(19)
3 The Precursors of Mexicanism: Anna Pavlova and Tortola Valencia
55(23)
4 The Philosopher as an Artist Writ Large: Jose Vasconcelos, Muralism, and Folk Art
78(16)
5 Dancing a Sandunga in English: Carlos Chavez and Diego Rivera in the United States
94(22)
6 A Question of Technique: Carlos Merida and a Mexican School of Dance
116(26)
7 Competing Modernisms: Anna Sokolow and Waldeen
142(29)
8 Ballets without Ballerinas? Jose Clemente Orozco and the Ballet de la Ciudad de Mexico
171(28)
9 The Golden Age of Mexican Modern Dance: Miguel Covarrubias and the Academia de la Danza Mexicana
199(23)
10 Dancing beyond the Cactus Curtain: Mexican Theatrical Dance Comes of Age
222(31)
Epilogue: Mexican and Universal 253(6)
Notes 259(42)
Bibliography 301(16)
Index 317
K. Mitchell Snow, an independent scholar and arts writer based in Washington, D.C., is the author of Movimiento, ritmo y música: Una biografía de Gloria Contreras.